LITERATURA EN OTROS IDIOMAS

Why is it so hard to stand up to authority, even when we know something’s wrong? Many of us comply much more than we realize. How many times have you wanted to object, disagree, or opt out of something but ended up swallowing your words, shaking your head, and just going along? Analyzing cases ranging from corporate corruption and sexual abuse to everyday acquiescence at work, the doctor’s office, and in our personal lives, award-winning organizational psychologist Dr. Sunita Sah delves deep into why the pressure to comply is a corrosive and often invisible force in our society. With her own revelatory research, she radically transforms our idea of defiance from a misunderstood negative trait into a crucial, positive force for personal and societal change. Taking us through her five stages of defiance, Dr. Sah equips readers with simple tools to make decisions that align with their values. Defy is the essential playbook for how to speak up and act when it matters most.

They can run from their demons . . . The jokester of the demon brothers, Meph wears his grin like armor and uses humor as a mask. But lately, his composure has been slipping, especially around her. Iris. The blue-haired witch with a vicious temperament. Something about her soothes the darkness within him . . . but he’s not looking for a savior. There’s no such thing for someone like him. But they can’t hide forever . . . Bitter and haunted by her traumatic past, Iris Donovan isn’t keen on welcoming demons into her life—even if they’re her sister’s friends. Especially not teasing, tattooed, Meph, with his red eyes and devilish smile. After a toxic relationship, she’s sworn off commitment, and she’s not looking for another Mr. Damaged. Yet she can’t stop craving what she shouldn’t want. To conquer this monster . . . they must tame it together. With the return of a deadly enemy, the pain they’ve been suppressing is exposed, and Meph and Iris can no longer deny their feelings. Before Meph is swallowed by his darkness, Iris must overcome her fears and embrace that terrible part of him . . . Or lose him forever.

As character actress Edie O'Dare finishes the final year of her contract with FWM Studios, the clock is ticking for her to find a new gig after an undistinguished stint in the pictures. She's long supplemented her income moonlighting for Hollywood's reigning gossip columnist, providing her with the salacious details of every party and premiere. When an up-and-coming starlet hands her a letter alleging an assault from an A-list actor at a party with Edie and the rest of the industry’s biggest names in attendance, Edie helps get the story into print and sets off a chain of events that will alter the trajectories of everyone involved.

Chiamaka is a Nigerian travel writer living in America. Alone in the midst of the pandemic, she recalls her past lovers and grapples with her choices and regrets. Zikora, her best friend, is a lawyer who has been successful at everything until — betrayed and brokenhearted — she must turn to the person she thought she needed least. Omelogor, Chiamaka’s bold, outspoken cousin, is a financial powerhouse in Nigeria who begins to question how well she knows herself. And Kadiatou, Chiamaka’s housekeeper, is proudly raising her daughter in America – but faces an unthinkable hardship that threatens all she has worked to achieve.

A Vintage Classics edition of Jane Austen’s revolutionary and inspiring novel Twenty-one-year-old Emma Woodhouse is comfortably dominating the social order in the village of Highbury, convinced that she has both the understanding and the right to manage other people’s lives—for their own good, of course. Her well-meant interfering centers on the aloof Jane Fairfax, the dangerously attractive Frank Churchill, the foolish if appealing Harriet Smith, and the ambitious young vicar Mr. Elton—and ends with her complacency shattered, her mind awakened to some of life’s more intractable dilemmas, and her happiness assured. Austen’s comic imagination was so deft and beautifully fluent that she could use it to probe the deepest human ironies while setting before us a dazzling gallery of characters—some pretentious or ridiculous, some admirable and moving, all utterly true.

What do a barracks for British troops in the Falklands War, a floating jail off the Bronx, and temporary housing for VW factory workers in Germany have in common? The Balder Scapa: a single barge that served all three roles. Though the name would eventually change to Finnboda 12. And then to Safe Esperia. And later on, to the Bibby Resolution. And after that . . . in short, a vessel with so many names, and so many fates, that to keep it in our sights—as the protagonist of this fascinating economic parable—Ian Kumekawa has no choice but to call it, simply, the Vessel. Despite its sturdy steel structure, weighing 9,500 deadweight tons, the Vessel is a figure as elusive and abstract as the offshore market it comes to embody: a world of island tax havens, exploited labor forces, free banking zones, Thatcherism, Reaganomics, and mass incarceration, where even the prisoners are held offshore. Fitted with modular shipping containers, themselves the product of standardized global trade, the ship could become whatever the market demanded. Whether caught in an international dispute involving Hong Kong, Nigeria, Indonesia, and the Virgin Islands—to be settled in an English court of law—or flying yet another foreign “flag of convenience” to mask its ownership—the barge is ever a container for forces much larger than even its hulking self. Empty Vessel is a jaw-dropping microhistory that speaks volumes about the global economy as a whole. In following the Vessel—and its Sister Vessel, built alongside it in Stockholm—from one thankless task to the next, Kumekawa connects the dots of a neoliberal world order in the making, where regulation is for suckers and “Made in USA” feels almost quaint.