LITERATURA EN OTROS IDIOMAS

It is twenty years after the catastrophic war between the United States and China that brought down the old American political order. A new party has emerged in the US, one that’s held power for over a decade. Efforts to cement its grip have resulted in mounting violent resistance. The American president has control of the media, but he is beginning to lose control of the streets. Many fear he’ll stop at nothing to remain in the White House. Suddenly, he collapses in the middle of an address to the nation. After an initial flurry of misinformation, the administration reluctantly announces his death. A cover-up ensues, conspiracy theories abound, and the country descends into a new type of civil war.

Gil is living a quiet life as a creative writing professor in a bucolic Vermont town, when he receives some shocking news: His sister and her husband have been killed in a car accident, and their only son is coming to live with him and his family.   Gil and his wife are apprehensive about taking in seventeen-year-old Matthew. Yes, he has just lost both his parents, but they haven’t seen him in seven years—and the last time the families were together, Matthew lured their young daughter into a terrifying, life-threatening situation. Since that incident, Gil has been estranged from his sister and her flashy, wealthy banker husband.  Now Matthew is their charge, living under their roof.   The boy seems charming, smart, and urbane, if strangely unaffected by his parents’ deaths. Gil hopes they can put the past behind them, though he’s surprised when Matthew signs up for his creative writing class. Then Matthew begins turning in chilling stories about the imagined deaths of Gil’s family and his own parents. Bewildered and panicked, Gil ultimately decides he must take matters into his own hands—before life imitates art.   Told in limber, mesmerizing prose, A Flaw in the Design is a twisting novel of suspense that brilliantly explores the tensions surrounding class, family, and the drive to control one’s own story.

In this subtly haunting novel, a married woman confesses her encounter with a mysterious man, which threatens the stilted calm of life in a Paris suburb. Echoing the acclaimed and unsettling film Sundays and Cybèle from 1962, A Sunday in Ville-d'Avray is suffused with the same feeling of disquiet: Two sisters meet as the light is fading in a detached house in Ville-d'Avray, each filled with the memory of their childhood hopes and fears, their insatiable desire for the romantic, for wild landscapes worthy of Jane Eyre, and for a mad love, all concealed beneath the appearance of a sensible life. Claire Marie, considered by most to be a dreamy, passive sort of person, suddenly breaks from the everyday by confiding in her sister about an unlikely meeting in this seemingly peaceful provincial town. To her listener's amazement, she tells of her wanderings around the Fausses-Reposes forest, the Corot Ponds, and the suburban train stations, and the lurking dangers she encountered there. In this arresting novel reminiscent of Simenon, Dominique Barbéris explores the great depths of the human soul, troubled like the waters of the ponds.

Werewolf Ben Rosewood is happy with his life. One hundred percent. Everything is fine. His business, Ben’s Plant Emporium, is thriving, and he’s even expanding the shop. His anxiety disorder is…well, it’s been better, but that comes with the territory of running a business and having beastly urges every full moon, right? As for romance—who has the time? Though his family is desperate to see him settled, Ben is fine approaching forty as a single werewolf. But after drunkenly bidding on and winning a supposedly-possessed crystal on eBay one night, he finds himself face-to-face with a beautiful yet angry vampire. Eleonore Bettencourt-Devereux is a rare breed—a vampire succubus born from two elite European bloodlines during medieval times. Thanks to an evil witch, she’s been stuck in a crystal since she was thirty, forced to obey orders from the possessor of the rock. Eleonore’s been dreaming of breaking the spell and severing the witch’s head for centuries. But did this witch really sell her to someone new, and for only ninety-nine cents? Eleonore would claw this werewolf’s heart out and eat it, if only the binding spell would allow her to. But Eleonore and Ben soon realize they can help each other with both vengeful and less hostile needs. And why not have a little fun along the way?

A traveling salesman during the Depression takes his children with him on an impromptu visit to a former girlfriend. A poor girl steels herself to marry a rich fiancé she can’t quite manage to love. An abandoned woman tries to choose between the opposing pleasures of seduction and solitude. To read these stories is to succumb to the spell of a true narrative sorcerer, a writer who enchants her readers utterly even as she restores them to their truest selves.

From New York Times best-selling author Cal Newport comes a bold vision for liberating workers from the tyranny of the inbox - and unleashing a new era of productivity. Modern knowledge workers communicate constantly. Their days are defined by a relentless barrage of incoming messages and back-and-forth digital conversations - a state of constant, anxious chatter in which nobody can disconnect, and so nobody has the cognitive bandwidth to perform substantive work. There was a time when tools like email felt cutting edge, but a thorough review of current evidence reveals that the "hyperactive hive mind" workflow they helped create has become a productivity disaster, reducing profitability and perhaps even slowing overall economic growth. Equally worrisome, it makes us miserable. Humans are simply not wired for constant digital communication. We have become so used to an inbox-driven workday that it's hard to imagine alternatives. But they do exist. Drawing on years of investigative reporting, author and computer science professor Cal Newport makes the case that our current approach to work is broken, then lays out a series of principles and concrete instructions for fixing it. In A World without Email, he argues for a workplace in which clear processes - not haphazard messaging - define how tasks are identified, assigned and reviewed. Each person works on fewer things (but does them better), and aggressive investment in support reduces the ever-increasing burden of administrative tasks. Above all else, important communication is streamlined, and inboxes and chat channels are no longer central to how work unfolds.