On the surface, William Wooler is a family man. But he's been having an affair, an affair that ended horribly this afternoon at a motel up the road. When he returns to his house, devastated and angry, to find his difficult nine-year-old daughter, Avery, unexpectedly home from school, William loses his temper.
Hours later, Avery's family declares her missing.
Suddenly Stanhope doesn't feel so safe. And William isn't the only one on his street who's hiding a lie. As witnesses come forward with information that may or may not be true, his neighbors become increasingly unhinged.
Who took Avery Wooler?
Nothing will prepare you for the truth.
At a lavish party in the hills outside of San Francisco, Jin Han meets Lidija Jung and nothing will ever be the same for either woman. A brilliant young photographer, Jin is at a crossroads in her work, in her marriage to her college love Philip, and in who she is and who she wants to be. Lidija is an alluring, injured world-class ballerina on hiatus from her ballet company under mysterious circumstances. Drawn to each other by their intense artistic drives, the two women talk all night.
Cracked open, Jin finds herself telling Lidija about an old familial curse, breaking a lifelong promise. She’s been told that if she doesn’t keep the curse a secret, she risks losing everything; death and ruin could lie ahead. As Jin and Lidija become more entangled, they realize they share more than the ferocity of their ambition, and begin to explore hidden desires. Something is ignited in Jin: her art, her body, and her sense of self irrevocably changed. But can she avoid the specter of the curse? Vital, bold, powerful, and deeply moving, Exhibit asks: how brightly can you burn before you light your life on fire?
Centuries before the events of A Game of Thrones, House Targaryen—the only family of dragonlords to survive the Doom of Valyria—took up residence on Dragonstone. Fire & Blood begins their tale with the legendary Aegon the Conqueror, creator of the Iron Throne, and goes on to recount the generations of Targaryens who fought to hold that iconic seat, all the way up to the civil war that nearly tore their dynasty apart.
On the other side of town, in the dark glades, under the rain…
Macon is the oldest. Thirty-one. Ex-Marine. I don’t think I’ve ever seen him smile.
Army is twenty-eight. A single dad with the most beautiful green eyes. He has no idea who he is, if not a Jaeger brother.
Iron will be in prison soon. You’d never think it to meet him. He’s a nice guy, actually. But he can’t stop reacting to everything.
Dallas is the one I hate. Twenty-one, cruel, and selfish. He takes and then throws away whatever’s left.
And Trace is mine. Or he was for about two seconds. No one can tame him for long.
Not that I ever wanted to. It was fun, but now I need to go home. Back to my side of the tracks. Away from the swamps and these men. To my parents’ big house. On my clean street. Where I’m never dirty or messy or hot. And I will. I’ll leave first thing tomorrow morning. I just want to crash on the couch tonight.
Their house is dark and quiet, everyone else is asleep. Except for one. He sees me crying and comes at me from behind. I let him wrap his arms around my body and hold me tightly. His breath is on my neck, his fingers are in my hair, and he doesn’t stop there.
I don’t think it was Trace.
Toby Fleishman thought he knew what to expect when he and his wife of almost fifteen years separated: weekends and every other holiday with the kids, some residual bitterness, the occasional moment of tension in their co-parenting negotiations. He could not have predicted that one day, in the middle of his summer of sexual emancipation, Rachel would just drop their two children off at his place and simply not return. He had been working so hard to find equilibrium in his single life. The winds of his optimism, long dormant, had finally begun to pick up. Now this.
As Toby tries to figure out where Rachel went, all while juggling his patients at the hospital, his never-ending parental duties, and his new app-assisted sexual popularity, his tidy narrative of the spurned husband with the too-ambitious wife is his sole consolation. But if Toby ever wants to truly understand what happened to Rachel and what happened to his marriage, he is going to have to consider that he might not have seen things all that clearly in the first place.
Four days before Christmas, 8-year-old Bo loses his mother in a tragic accident, 28-year-old Brandon loses his job after a hostile takeover of his big-media employer, and 48-year-old Blue, a key witness in a criminal trial against an infamous now-defunct tech startup, struggles to reconnect with his family.
So begins Jinwoo Chong’s dazzling, time-bending debut that blends elements of neo-noir and speculative fiction as the lives of Bo, Brandon, and Blue begin to intersect, uncovering a vast network of secrets and an experimental technology that threatens to upend life itself. Intertwined with them is the saga of an iconic ’80s detective show, Raider, whose star actor has imploded spectacularly after revelations of long-term, concealed abuse.
Flux is a haunting and sometimes shocking exploration of the cyclical nature of grief, of moving past trauma, and of the pervasive nature of whiteness within the development of Asian identity in America.