LITERATURA EN OTROS IDIOMAS

It’s a blazing summer when two men arrive in a small village in the West of Ireland. One of them is coming home. Both of them are coming to get rich. One of them is coming to die. Cal Hooper took early retirement from Chicago PD and moved to rural Ireland looking for peace. He’s found it, more or less: he’s built a relationship with a local woman, Lena, and he’s gradually turning Trey Reddy from a half-feral teenager into a good kid going good places. But then Trey’s long-absent father reappears, bringing along an English millionaire and a scheme to find gold in the townland, and suddenly everything the three of them have been building is under threat. Cal and Lena are both ready to do whatever it takes to protect Trey, but Trey doesn’t want protecting. What she wants is revenge.

Written while Mary Shelley was in a self-imposed lockdown after the loss of her husband and children, and in the wake of intersecting crises including the climate-changing Mount Tambora eruption and a raging cholera outbreak, The Last Man (1826) is the first end-of-mankind novel, an early work of climate fiction, and a prophetic depiction of environmental change. Set in the late twenty-first century, the book tells of a deadly pandemic that leaves a lone survivor, and follows his journey through a post-apocalyptic world that’s devoid of humanity and reclaimed by nature. But rather than give in to despair, Shelley uses the now-ubiquitous end-times plot to imagine a new world where freshly-formed communities and alternative ways of being stand in for self-important politicians serving corrupt institutions, and where nature reigns mightily over humanity—a timely message for our current era of climate collapse and political upheaval. Brimming with political intrigue and love triangles around characters based on Percy Shelley and scandal-dogged poet Lord Byron, the novel also broaches partisan dysfunction, imperial warfare, refugee crises, and economic collapse—and brings the legacy of her radically progressive parents, William Godwin and Mary Wollstonecraft, to bear on present-day questions about making a better world less centered around “man.” Shelley’s second major novel after Frankenstein, The Last Man casts a half-skeptical eye on romantic ideals of utopian perfection and natural plenitude while looking ahead to a greener future in which our species develops new relationships with non-human life and the planet.

In an alternate Edinburgh of 1824, every woman lives in fear that she will be the next one hanged for witchcraft. All it takes is invoking the anger, or the desire, of the wrong person. Nellie Duncan, beautiful and unwed, keeps to herself until she encounters the Rae Women’s Apothecary. There, fiery Jean Rae and the other women provide cures and teach others that they too can aid the winter deity, the Cailleach, embracing her characteristic independence, agency, and craft, in turn becoming witches themselves. Nellie finds a place and a purpose at the shop, and a blossoming romance with Jean, as she learns about nature-based craft and a witch’s ability to return to life after death. But the Cailleach has an ancient enemy intent on stripping the power of the deity and all her witches, leaving a wake of patriarchal violence and destruction. When heart-breaking disaster strikes, Nellie flees and spends the next two centuries hiding from the world—until love gives her the courage and the motivation to come back. Nellie’s past is waiting for her there, and hanging witches is no longer the only means of oppression. But this time, Nellie refuses to run—either from her foes, or from her resolve to awaken others to the unimaginable power that can come with fighting the patriarchy in its many forms—and finding one’s own magical inner-strength.

“What looks like magic is simply a part of life we don’t understand yet…” When retired math teacher Grace Winters is left a run-down house on a Mediterranean island by a long-lost friend, curiosity gets the better of her. She arrives in Ibiza with a one-way ticket, no guidebook and no plan. Among the rugged hills and golden beaches of the island, Grace searches for answers about her friend’s life, and how it ended. What she uncovers is stranger than she could have dreamed. But to dive into this impossible truth, Grace must first come to terms with her past. Filled with wonder and wild adventure, this is a story of hope and the life-changing power of a new beginning.

The second part of J.R.R. Tolkien’s epic adventure The Lord of the Rings. The Fellowship is scattered. Some brace hopelessly for war against the ancient evil of Sauron. Others must contend with the treachery of the wizard Saruman. Only Frodo and Sam are left to take the One Ring, ruler of the accursed Rings of Power, to be destroyed in Mordor, the dark realm where Sauron is supreme. Their guide is Gollum, deceitful and obsessive slave to the corruption of the Ring.

Calabria, 1960. Francesca Loftfield, a twenty-seven-year-old, starry-eyed American, arrives in the isolated mountain village of Santa Chionia tasked with opening a nursery school. There is no road, no doctor, no running water or electricity. And thanks to a recent flood that swept away the post office, there’s no mail, either. Most troubling, though, is the human skeleton that surfaced after the flood waters receded. Who is it? And why don’t the police come and investigate? When the local priest’s housekeeper begs Francesca to help determine if the remains are those of her long-missing son, Francesca begins to ask a lot of inconvenient questions. As an outsider, she might be the only person who can uncover the truth. Or she might be getting in over her head. As she attempts to juggle a nosy landlady, a suspiciously dashing shepherd, and a network of local families bound together by a code of silence, Francesca finds herself forced to choose between the charitable mission that brought her to Santa Chionia, and her future happiness, between truth and survival. Set in the wild heart of Calabria, a land of sheer cliff faces, ancient tradition, dazzling sunlight—and one of the world’s most ruthless criminal syndicates—The Lost Boy of Santa Chionia is a suspenseful puzzle mystery, a captivating romance, and an affecting portrait of a young woman in search of a meaningful life.

Boom! Snap! Whiz! Zap! The Magnificent Makers is a fiction chapter book series filled with real science, adventure, and characters kids will love! Every book includes two science activities kids can do at home. A modern-day Magic School Bus for today’s kids! Pablo, Violet, and their classmate Garry are on a field trip to the Environmental Science Center when they are transported to the Maker Maze! In the maze, they’ll work with wacky scientist Dr. Crisp to complete three challenges all about wind, solar, and tidal energy. But then Violet begins to feel bad about how much energy she’s been using. Can she, Pablo, and Garry learn how to use energy in a way that doesn’t hurt the earth?

Evie Jones has dedicated her life and very limited funds working for Southern Service Paws, the company that matched her with the love of her life: Charlie, a service dog trained to assist with her epilepsy. But it’s no secret that the company has been struggling to make ends meet. It’s up to her and her longtime mentor and boss to throw the fundraiser of the century to keep the doors open. Then Evie meets Jacob Broaden at a client consultation meeting. There are instant sparks—but not the good kind, because Jacob’s daughter set up the meeting without his knowledge. Ten-year-old Sam has been recently diagnosed with epilepsy, and has wanted a service animal ever since. While he had hesitations at first, it doesn’t take long for Jacob to be convinced that a service dog, and possibly Evie, with her magical, woodland-green eyes, might just be the best thing for him and his daughter. As Evie spends more time with Jacob and helps Sam find her perfect match with a lovable golden retriever named Daisy, she starts longing for something she’s never had before: a loving family. For Jacob, falling in love with Evie is the last thing he should be doing, but love has a way of finding those who need it most.

With the dream of Avalon in ruins, Tamsin and her friends are all that stands in the way of Lord Death's plans to unleash the horrors of Anwnn on the world of the living. As the Wild Hunt carves a bloody path across continents, Tamsin is mustering allies, tracking down powerful artifacts, and traversing into new otherlands in search of a way to stop him. Legend tells of a “Mirror of Beasts,” powerful enough to trap even Lord Death in its accursed glass, but the mirror is not all that it seems. Tamsin must confront her own darkest secrets if she hopes to tap the mirror's strength to defeat her enemies. Arthurian legend bleeds into contemporary action, and scars of the past are torn open anew by a starcrossed love that refuses to go quietly. This riveting conclusion to the Silver in the Bone duology will hold you in its thrall until the very last page.

Icons of history—from Epictetus and Demosthenes to Amelia Earhart and Richard Wright—followed a simple formula to achieve greatness. They were not exceptionally brilliant, lucky, or gifted. Their success in overcoming extreme obstacles was the result of a timeless set of philosophical principles that the greatest men and women have always pursued.