LITERATURA EN OTROS IDIOMAS

After her role in taking down a well-placed mole inside the CIA, Agent Lyndsey Duncan arrives in London fully focused on her newest Russian asset, deadly war criminal Dmitri Tarasenko. That is until her MI6 counterpart, Davis Ranford, personally calls for her help. Following a suspicious attack on Russian oligarch Mikhail Rotenberg's property in a tony part of London, Davis needs Lyndsey to cozy up to the billionaire's aristocratic British wife, Emily Rotenberg. Fortunately for Lyndsey, there's little to dissuade Emily from taking in a much-needed confidante. Even being one of the richest women in the world is no guarantee of happiness. But before Lyndsey can cover much ground with her newfound friend, the CIA unveils a perturbing connection between Mikhail and Russia's geoplitical past, one that could upend the world order and jeopardize Lyndsey's longtime allegiance to the Agency. Red London is a sharp and nuanced race-against-the-clock story ripped from today's headlines, a testament to author Alma Katsu’s thirty-five-year career in national security. It’s a rare spy novel written by an insider that feels as prescient as it is page-turning and utterly unforgettable.

Lyndsey Duncan worries her career with the CIA might be over. After lines are crossed with another intelligence agent during an assignment, she is sent home to Washington on administrative leave. So when a former colleague--now Chief of the Russia Division--recruits her for an internal investigation, she jumps at the chance to prove herself. Lyndsey was once a top handler in the Moscow Field Station, where she was known as the "human lie detector" and praised for recruiting some of the most senior Russian officials. But now, three Russian assets have been exposed--including one of her own--and the CIA is convinced there's a mole in the department. With years of work in question and lives on the line, Lyndsey is thrown back into life at the agency, this time tracing the steps of those closest to her. Meanwhile, fellow agent Theresa Warner can't avoid the spotlight. She is the infamous "Red Widow," the wife of a former director killed in the field under mysterious circumstances. With her husband's legacy shadowing her every move, Theresa is a fixture of the Russia Division, and as she and Lyndsey strike up an unusual friendship, her knowledge proves invaluable. But as Lyndsey uncovers a surprising connection to Theresa that could answer all of her questions, she unearths a terrifying web of secrets within the department, if only she is willing to unravel it....

For the ancients, everything worth pursuing in life flowed from a strong sense of justice or one’s commitment to doing the right thing, no matter how difficult. In order to be courageous, wise, and self-disciplined, one must begin with justice. The influence of the modern world often tells us that acting justly is optional. Holiday argues that that’s simply untrue—and the fact that so few people today have the strength to stand by their convictions explains much about why we’re so unhappy.

Even in a family of chaotic necromancers, Daria “Dasha” Avramov has always been an outlier. An event planner at the Arcane Emporium occult megastore, Dasha is also a devil eater: a rare necromantic witch with an affinity for banishing demons and traversing the veil, the boundary between this realm and the next. Still grieving the loss of both beloved parents years ago, and plagued by a dangerous obsession with the world beyond the veil, Dasha is fiery yet guarded, an expert at dodging commitment. Her worst regret is a devastating breakup with the wise, empathetic, and sensual Ivy Thorn, her event-planning counterpart at Honeycake Orchards, and probably the love of Dasha’s life. Dasha has managed to break Ivy’s heart not once, but twice, so things are more than a little tense between them.

Cuba, 1998: Rafa, an Afro-Cuban orphan, moves to Havana with nothing to his name and falls into a job at a café. He is soon drawn into a web of ever-shifting entanglements with his boss’s son, the charismatic Renato, leader of the counterrevolutionary group “Los Injected Ones,” which is planning a violent overthrow of the Castro government during Pope John Paul II’s upcoming visit.   When Renato goes missing, Rafa’s search for his friend takes him through various haunts in Havana: from an AIDS sanatorium, to the guest rooms of tourist hotels, to the outskirts of the capital, where he enters a phantasmagorical slum cobbled together from the city’s detritus by Los Injected Ones.   A novel of cascading prose that captures a nation in slow collapse, Sacrificio is a visionary work, capturing the fury, passion, fatalism, and grim humor of young lives lived at the margins of a society they desperately wish to change.

As the head of a prestigious movie studio for nearly two decades, Andy Westfield has had every conceivable professional luxury: a stunning office on the forty-fourth floor, a loyal assistant who can all but read his mind, access to a private jet and company cars. The son of Hollywood royalty, Andy always put his career before his marriage, and now, besides his daughter and young grandchildren, it’s the only thing he truly loves. But then Andy’s world is upended. The studio is sold, and the buyer’s son demands the top seat. Out of a job and humiliated, Andy spirals. When his head clears, he decides to get as far away from Los Angeles as possible until the dust settles and he can find a new way forward. Andy signs a six-month rental agreement for a luxurious home in a tiny, forgotten coastal town two hours from London. When he arrives, he hires a local woman to help get his affairs in order. A former journalist, Violet Smith is at a crossroads as well, and this temporary job is exactly what she needs to tide her over. But when Violet leaves the manuscript of her unfinished novel behind after work one day, Andy lets his curiosity get the best of him and is captivated by a story that begs to be adapted for the big screen. Could this be the miracle they’ve both been looking for? In Second Act, Danielle Steel presents a heartening tale of how challenging times give way to opportunities and an original outline does not always contain the perfect ending.