LITERATURA EN OTROS IDIOMAS

After her parents perish in a tragic accident, Cosima Saverio assumes leadership of her family’s haute couture Italian leather brand. While navigating the challenges of running a company at twenty-three, Cosima must also maintain the four-hundred-year-old family palazzo in Venice and care for her younger siblings: Allegra, who survived the tragedy that killed their parents with scars and a spinal injury, and Luca, who has a penchant for wild parties, pretty women, and poker tables. Cosima navigates her personal and professional challenges with a wisdom beyond her years, but her success has come at a cost: Her needs are always secondary. She’s married to the business, and her free time is given to those who rely on her . . . until she meets Olivier Bayard, the founder of France’s most successful ready-to-wear handbag company. A brief conversation on her palazzo’s terrace turns into a tour of the Saverio workshop, and, fifteen years after her parents’ deaths, Cosima has found a confidant.

In 1995, Treasury Secretary Robert Rubin re-defined the next thirty years of currency policy with the mantra, “A strong dollar is in America’s interest.” That mantra held, ushering in exceptional prosperity and cheap foreign goods, but the strong dollar policy also played a role in the devastating hollowing out of America’s manufacturing sector. Meanwhile, abroad, the United States increasingly turned to the dollar as a weapon of war. In Paper Soldiers, Saleha Mohsin reveals how the Treasury Department has shaped U.S. policy at home and overseas by wielding the American dollar as a weapon—and what that means in a new age of crisis. For decades, America has preferred its currency superpower-strong, the basis of a “strong dollar” policy that attracted foreign investors and pleased consumers. Drawing on Mohsin’s unparalleled access to current and former Treasury officials like Robert Rubin, Steven Mnuchin, and Janet Yellen, Paper Soldiers traces that policy’s intended and unintended consequences, including the rise of populist sentiment and trade war with China—culminating in an unprecedented attack on the dollar’s pristine status during the Trump presidency—and connects the dollar’s weaponization from 9/11 to the deployment of crippling financial sanctions against Russia. Ultimately, Mohsin argues that, untethered from many of the economic assumptions of the last generation, the power and influence of the American dollar is now at stake. With first-hand reporting and fresh analysis that illustrates the vast, often unappreciated power that the Treasury Department wields at home and abroad, Paper Soldiers tells the inside story of how we really got here—and the future not only of the almighty dollar, but the nation’s teetering role as a democratic superpower.

Venice, 1958. Peggy Guggenheim, heiress and now legendary art collector, sits in the sun at her white marble palazzo on the Grand Canal. She’s in a reflective mood, thinking back on her thrilling, tragic, nearly impossible journey from her sheltered, old-fashioned family in New York to here: iconoclast and independent woman. Rebecca Godfrey’s Peggy is a blazingly fresh interpretation of a woman who defies every expectation to become an original. The daughter of two Jewish dynasties, Peggy finds her cloistered life turned upside down at fourteen, when her beloved father perishes on the Titanic. His death prompts Peggy to seek a life of passion and personal freedom and, above all, to believe in the transformative power of art. We follow Peggy as she makes her way through the glamorous but sexist and anti-Semitic art worlds of New York and Europe and meet the numerous men who love her (and her money) while underestimating her intellect, talent, and vision. Along the way, Peggy must balance her loyalty to her family with her need to break free from their narrow, snobbish ways and the unexpected restrictions that come with vast fortune.

Anne Elliot, daughter of the snobbish Sir Walter Elliot, is woman of quiet charm and deep feelings. When she was nineteen she fell in love with—and was engaged to—a naval officer, the fearless and headstrong Captain Wentworth. But the young man had no fortune, and Anne allowed herself to be persuaded to give him up.

“It is a truth universally acknowledged that a single man in possession of a good fortune must be in want of a wife.” The Bennets are a family of five daughters, and with no male heir, the Bennet estate must someday pass to their priggish cousin Mr. Collins. Therefore, with no fortune or security of their own, the girls must marry well—and thus is launched the story of spirited and opinionated Elizabeth Bennet and the arrogant and aloof bachelor Mr. Darcy.

No novel in English has given more pleasure than Pride and Prejudice. Because it is one of the great works in our literature, critics in every generation reexamine and reinterpret it. But the rest of us simply fall in love with it--and with its wonderfully charming and intelligent heroine, Elizabeth Bennet. We are captivated not only by the novel's romantic suspense but also by the fascinations of the world we visit in its pages. The life of the English country gentry at the turn of the nineteenth century is made as real to us as our own, not only by Jane Austen's wit and feeling but by her subtle observation of the way people behave in society and how we are true or treacherous to each other and ourselves.