LITERATURA EN OTROS IDIOMAS

A NATIONAL BESTSELLER FINALIST FOR THE WOMEN’S PRIZE “A book that reads like a prose poem, at once sublime, profane, intimate, philosophical, witty and, eventually, deeply moving.” —New York Times Book Review, Editors’ Choice “Wow. I can’t remember the last time I laughed so much reading a book. What an inventive and startling writer…I’m so glad I read this. I really think this book is remarkable.” —David Sedaris From "a formidably gifted writer" (The New York Times Book Review), a book that asks: Is there life after the internet? As this urgent, genre-defying book opens, a woman who has recently been elevated to prominence for her social media posts travels around the world to meet her adoring fans. She is overwhelmed by navigating the new language and etiquette of what she terms "the portal," where she grapples with an unshakable conviction that a vast chorus of voices is now dictating her thoughts. When existential threats--from climate change and economic precariousness to the rise of an unnamed dictator and an epidemic of loneliness--begin to loom, she posts her way deeper into the portal's void. An avalanche of images, details, and references accumulate to form a landscape that is post-sense, post-irony, post-everything. "Are we in hell?" the people of the portal ask themselves. "Are we all just going to keep doing this until we die?" Suddenly, two texts from her mother pierce the fray: "Something has gone wrong," and "How soon can you get here?" As real life and its stakes collide with the increasingly absurd antics of the portal, the woman confronts a world that seems to contain both an abundance of proof that there is goodness, empathy, and justice in the universe, and a deluge of evidence to the contrary.

Connell and Marianne grew up in the same small town, but the similarities end there. At school, Connell is popular and well liked, while Marianne is a loner. But when the two strike up a conversation—awkward but electrifying—something life changing begins. A year later, they’re both studying at Trinity College in Dublin. Marianne has found her feet in a new social world while Connell hangs at the sidelines, shy and uncertain. Throughout their years at university, Marianne and Connell circle one another, straying toward other people and possibilities but always magnetically, irresistibly drawn back together. And as she veers into self-destruction and he begins to search for meaning elsewhere, each must confront how far they are willing to go to save the other.

When two young lovers abscond from a Puritan colony, little do they know that their humble cabin in the woods will become the home of an extraordinary succession of human and nonhuman characters alike. An English soldier, destined for glory, abandons the battlefields of the New World to devote himself to growing apples. A pair of spinster twins navigate war and famine, envy and desire. A crime reporter unearths an ancient mass grave—only to discover that the earth refuse to give up their secrets. A lovelorn painter, a sinister con man, a stalking panther, a lusty beetle: As the inhabitants confront the wonder and mystery around them, they begin to realize that the dark, raucous, beautiful past is very much alive.

A sweeping novel about a single house in the woods of New England, told through the lives of those who inhabit it across the centuries—a daring, moving tale of memory and fate from the Pulitzer Prize finalist and author of The Piano Tuner and The Winter Soldier. When a pair of young lovers abscond from a Puritan colony, little do they know that their humble cabin in the woods will become home to an extraordinary succession of inhabitants . An English soldier, destined for glory, abandons the battlefields of the New World to devote himself to apples. A pair of spinster twins survive war and famine, only to succumb to envy and desire. A crime reporter unearths a mass grave, but finds the ancient trees refuse to give up their secrets. A lovelorn painter, a conman, a stalking panther, a lusty as each one confronts the mysteries of the north woods, they come to realize that the dark, raucous, beautiful past is very much alive.

Rosie, an idealistic and passionate Peruvian American, leaves her Tennessee hometown to pursue her dream of making it in New York as a writer. But her plan is derailed when she ends up in class with her archnemesis and ex-crush, Aiden Huntington—an obnoxious, surly, and gorgeous literary fiction writer who doesn’t have much patience for the romance genre or for Rosie. Rosie and Aiden regularly go to verbal battle in workshop until their professor reaches her breaking point. She allows them to stay in her class on one condition: they must cowrite a novel that blends their genres. The reluctant writing duo can’t help but put pieces of themselves into their accidentally steamy novel, and their manuscript-in-progress provides an outlet for them to confess their feelings—and explore their attraction toward each other. When Rosie and Aiden find themselves competing against each other for a potentially career-changing opportunity, the flames of old rivalry reignite, and their once-in-a-lifetime love story is once again at risk of being shelved—unless they can find a way to end the book on their own terms.

In 1849, Dostoevsky was sentenced to four years at hard labor in a Siberian prison camp for participating in a socialist discussion group. The novel he wrote after his release, based on notes he smuggled out, not only brought him fame, but also founded the tradition of Russian prison writing. Notes from a Dead House (sometimes translated as The House of the Dead) depicts brutal punishments, feuds, betrayals, and the psychological effects of confinement, but it also reveals the moments of comedy and acts of kindness that Dostoevsky witnessed among his fellow prisoners.