LITERATURA EN OTROS IDIOMAS

As the world changes around them, a family weathers the storms of growing up, growing older, falling in and out of love, losing the things that are most precious—and learning to go on—from the Pulitzer Prize–winning author of The Hours April 5, 2019 : In a cozy brownstone in Brooklyn, the veneer of domestic bliss is beginning to crack. Dan and Isabel, troubled husband and wife, are both a little bit in love with Isabel’s younger brother, Robbie. Robbie, wayward soul of the family, who still lives in the attic loft; Robbie, who, trying to get over his most recent boyfriend, has created a glamorous avatar online; Robbie, who now has to move out of the house—and whose departure threatens to break the family apart. Meanwhile Nathan, age ten, is taking his first uncertain steps toward independence, while Violet, five, does her best not to notice the growing rift between her parents. April 5, 2020: As the world goes into lockdown, the brownstone is feeling more like a prison. Violet is terrified of leaving the windows open, obsessed with keeping her family safe, while Nathan attempts to skirt her rules. Isabel and Dan communicate mostly in veiled jabs and frustrated sighs. And beloved Robbie is stranded in Iceland, alone in a mountain cabin with nothing but his thoughts—and his secret Instagram life—for company. April 5, 2021: Emerging from the worst of the crisis, the family reckons with a new, very different reality—with what they’ve learned, what they’ve lost, and how they might go on.

As character actress Edie O'Dare finishes the final year of her contract with FWM Studios, the clock is ticking for her to find a new gig after an undistinguished stint in the pictures. She's long supplemented her income moonlighting for Hollywood's reigning gossip columnist, providing her with the salacious details of every party and premiere. When an up-and-coming starlet hands her a letter alleging an assault from an A-list actor at a party with Edie and the rest of the industry’s biggest names in attendance, Edie helps get the story into print and sets off a chain of events that will alter the trajectories of everyone involved.

El conde Drácula es una creación literaria gestada en un espacio y tiempo concretos. El lugar de procedencia de Drácula, los Cárpatos rumanos, no fue visitado por Stoker, y los conocimientos que éste tenía acerca del país parecen provenir de las consultas a una guía de viajes y, principalmente, de las conversaciones con un supuesto profesor de origen húngaro llamado Arminius Vambery. La combinación de elementos tales como la necrofilia, la seducción de vírgenes por fuerzas sobrehumanas y diabólicas y una persistente atmósfera sexual y violenta que envuelve y atrapa de forma irresistible a quien la contempla, confieren al vampirismo literario una capacidad de influencia fuera de lo común.

On the surface, William Wooler is a family man. But he's been having an affair, an affair that ended horribly this afternoon at a motel up the road. When he returns to his house, devastated and angry, to find his difficult nine-year-old daughter, Avery, unexpectedly home from school, William loses his temper. Hours later, Avery's family declares her missing. Suddenly Stanhope doesn't feel so safe. And William isn't the only one on his street who's hiding a lie. As witnesses come forward with information that may or may not be true, his neighbors become increasingly unhinged. Who took Avery Wooler? Nothing will prepare you for the truth.

Toby Fleishman thought he knew what to expect when he and his wife of almost fifteen years separated: weekends and every other holiday with the kids, some residual bitterness, the occasional moment of tension in their co-parenting negotiations. He could not have predicted that one day, in the middle of his summer of sexual emancipation, Rachel would just drop their two children off at his place and simply not return. He had been working so hard to find equilibrium in his single life. The winds of his optimism, long dormant, had finally begun to pick up. Now this. As Toby tries to figure out where Rachel went, all while juggling his patients at the hospital, his never-ending parental duties, and his new app-assisted sexual popularity, his tidy narrative of the spurned husband with the too-ambitious wife is his sole consolation. But if Toby ever wants to truly understand what happened to Rachel and what happened to his marriage, he is going to have to consider that he might not have seen things all that clearly in the first place.

Four days before Christmas, 8-year-old Bo loses his mother in a tragic accident, 28-year-old Brandon loses his job after a hostile takeover of his big-media employer, and 48-year-old Blue, a key witness in a criminal trial against an infamous now-defunct tech startup, struggles to reconnect with his family.   So begins Jinwoo Chong’s dazzling, time-bending debut that blends elements of neo-noir and speculative fiction as the lives of Bo, Brandon, and Blue begin to intersect, uncovering a vast network of secrets and an experimental technology that threatens to upend life itself. Intertwined with them is the saga of an iconic ’80s detective show, Raider, whose star actor has imploded spectacularly after revelations of long-term, concealed abuse.   Flux is a haunting and sometimes shocking exploration of the cyclical nature of grief, of moving past trauma, and of the pervasive nature of whiteness within the development of Asian identity in America.