ARTES

A major monograph of the American realist artist, descendant of one of America’s most revered artistic families, and painter of dark and uneasy subjects. This book traces a persistent vein of intriguing, often disconcerting, imagery over the career of renowned artist Jamie Wyeth (b. 1946), famous for his hyperrealist paintings of farm animals and Maine lighthouses. The focus in this volume is on the chilling thread that runs through his work, present but not overwhelming, and ever-evolving with his style and subjects. Whether he is introducing curious characters or surveying strange landscapes, Wyeth is at home with uneasy subjects and a master of the unsettled mood

Avedon 100 celebrates Richard Avedon’s enduring influence on photography and makes clear his profound impression on visual culture worldwide. Published on the occasion of the eponymous exhibition at Gagosian, New York, in 2023, this striking illustrated catalog celebrates the centenary of the iconic photographer’s birth. Over one hundred celebrated artists, designers, musicians, writers, curators, and figures from the world of fashion were asked to select a photograph by Avedon and elaborate on the ways in which both the image and artist have made an impact on their lives. Participants include Hilton Als, Naomi Campbell, Elton John, Spike Lee, Sally Mann, Polly Mellen, Kate Moss, Chloë Sevigny, Taryn Simon, Christy Turlington, and Jonas Wood.

An illustrated journey through modern surf culture guided by the international surfers and communities that define its inclusive and passionate nature. Epic photography brings the stories of a unique group of global communities, and the surfers that represent them, to life. Told in their own words, some of the world’s most exciting professional and freestyle surfers—at different moments in their careers—introduce the influential figures, places, and waves that have shaped their lives, and their surfing. From Ireland’s rugged and unforgiving west coast to the famous beaches of Oahu, Hawaii, making stops across six continents along the way, Breitling provides a unique and unexpected window on the modern surf experience.

From AD100 landscape architect Edmund Hollander, a collection of spectacular projects celebrating the way we live outdoors, from pastoral retreats to seaside escapes to rooftop refuges. In this book, Hollander explores the idea of home as the natural surroundings that people live in: a place of living, changing beauty, refuge, and above all, joy, where family and friends gather to create a lifetime of memories.

This book explores the significant contribution to design culture made by Cassina, the first company to develop and industrialize timeless reeditions. Since 1973, when Cassina launched the iMaestri Collection, the company has authentically reissued some of the most iconic models by the greatest architects of the twentieth century. The brand began this process in 1965 with the first reeditions of furniture by Le Corbusier, Pierre Jeanneret, and Charlotte Perriand, expanding over the years to create a specific collection with names such as Erik Gunnar Asplund, Charles Rennie Mackintosh, and Gerrit Thomas Rietveld. These designs have been updated, finding new life, thanks to innovative technological development carried out by the company, always in respect of the original designs.

Thirty-five contemporary artists create their own version of Le Déjeuner sur l’herbe. Édouard Manet’s Le Déjeuner sur l’herbe (1863) is generally cited as the first modern painting. The entry slide in art history lectures about modernism, the work remains among the “most audacious painting[s] ever seen in France,” as Ross King described it in The Judgement of Paris (2006). As Manet did with Le Déjeuner sur l’herbe, the most provocative painters today collapse the historical and the contemporary onto one plane. Jeffrey Deitch invited a group of these influential artists to create their own versions, combined here with historical responses to Manet’s painting. The slim volume features these often biting and satirical works alongside essays discussing Le Déjeuner sur l’herbe’s enduring influence on contemporary figurative painting.

The world’s most important contemporary designers showcase their work within the historic setting of Chatsworth House to shine light and spark conversation on the intriguing juxtaposition of the old and the new, the past and the future, and the evolution of design histories and practices. Chatsworth is an extraordinary environment to experience design: a repository for great works of fine and decorative art commissioned by generations of the Cavendish family for over four centuries. Expanding on the eponymous 2023 exhibition at Chatsworth, Mirror Mirror features the works of sixteen contemporary artists through captivating in-situ photography with accompanying artist biographies and essays that unearth how historic artifacts and environments inform and inspire modern artists' practices today. This diverse group of artists includes Michael Anastassiades, Ini Archibong, Wendell Castle, Andile Dyalvane, Ndidi Ekubia, Najla El Zein, Formafantasma, Joris Laarman, Max Lamb, Fernando Laposse, Jae Sae Jung Oh, Samuel Ross, Chris Schanck, Ettore Sottsass, Faye Toogood, and Joseph Walsh. From lithe, LED lighting structures illuminating the halls of the Chatsworth library to a seating sculpture hand-carved in Iranian travertine in the grand estate’s formal Rose Garden, these modern works create unexpected and timeless connections with the house’s architecture, interiors, furniture, and ceramics.

Following her success with Nora Murphy’s Country House Style, Murphy celebrates a selection of homes and their homeowners, each exemplifying a different style. For Nora Murphy, a country house isn’t so much a place as it is a state of mind. A country house is warm, welcoming—at once down to earth, yet elegant. A country house has genuine character, tells a story, and is truly, wonderfully lived in. Here Murphy explores the tenets of country house style, as illustrated by her own “new” country house, and the many other striking homes she has curated for the book. Each one of these homeowners has embraced country house style—but each implements it in their own unique way. There is a pastoral 1732 center-chimney colonial in Connecticut nestled in spectacular gardens, a cozy cottage on the coast of Maine rich with local details, and an 1840s Greek Revival in the Hudson Valley filled with romantic Victorian ephemera. Common threads weave through the stories: the thrill of the antiques hunt, the role of history, and the priority of comfort.

The first book, accompanying a traveling exhibition, dedicated to Cuban mid-century design anchored by an under-acknowledged collection of graphic design, prototypes, and furniture, much of which has never been exhibited outside the island or published. Primarily focused on the post-revolutionary era of Cuba from the late 1950s through the 1970s, this volume brings together a prolific cohort of artists, designers, and architects that materialized the ideology of their time, and ultimately narrate the country’s arc from revolutionary promise to authoritarian retrenchment. Design and architecture played an important role in shaping the country's identity and cultural expression during this time period. Consisting of nearly 100 works, including approximately 50 pieces of furniture, the exhibition and accompanying catalogue features seminal objects of functional design, architectural renderings, speculative prototypes for a “design for all” ethos, and key examples of art and graphic design that contributed to the zeitgeist of the era. The book also includes several examples by contemporary Cuban artists and designers who explore how this post-revolutionary aesthetic survives today.

Back in print for the first time in years, this classic of interior-design history showcases the masterful work of David Hicks (1929–1998), who is acknowledged as one of the most important designers of the late twentieth century, in the company of Billy Baldwin and Albert Hadley. Known for his bold use of color, eclecticism, and geometric designs in carpets and textiles, Hicks turned English decorating on its head in the 1950s and ’60s. His trademark use of electrifying color combinations, and mixing antiques, modern furniture, and abstract paintings became the “in style” for the chic of the day, including Vidal Sassoon and Helena Rubinstein. By the 1970s, David Hicks was a brand; his company was making wallpaper, fabrics, and linens and had outposts in eight countries, including the United States where he worked with the young Mark Hampton, and where his wallpaper was used in the White House. “My greatest contribution as an interior designer has been to show people how to use bold color mixtures, how to use patterned carpets, how to light rooms, and how to mix old with new,” he stated in his 1968 work, David Hicks on Living—With Taste, the last authoritative book on his work. Written by his son, Ashley Hicks, with unprecedented access to Hicks’s archives, personal photographs, journals, and scrapbooks, this book is a vibrantly illustrated celebration of a half century of stunning interiors.