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Imagen de LONDON FALLING
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LONDON FALLING

In the early morning of November 29th, 2019, surveillance cameras at the headquarters of MI6, Britain’s spy agency, captured video of a young man pacing back and forth on a high balcony of Riverwalk, a luxury tower on the bank of the river Thames. At 2:24 a.m., he jumped into the river. In a quiet London neighborhood several miles away, Rachelle Brettler was worried about her son. Zac had told her that he had gone to stay with a friend for the weekend, but then he did not come home. Days later, a police car pulled up and two officers relayed the dreadful news: Her son was dead. In their unbearable grief, Rachelle and her husband, Matthew, struggled to understand what had happened to Zac. He had had his troubles, but in no way seemed suicidal. As they would soon discover, however, there was a lot they did not know about their son. Only after his death did they learn that he had adopted a fictitious alter ego: Zac Ismailov, son of a Russian oligarch and heir to a great fortune. Under this guise, Zac had become entangled with a slippery London businessman named Akbar Shamji and a murderous gangster known as Indian Dave. As the Brettlers set about investigating their son’s death, they were pulled into a different and more dangerous London than the one they’d always known, and came to believe that something much more nefarious than a suicide had claimed Zac’s life. But to their immense frustration, Scotland Yard seemed unable—or unwilling—to bring the perpetrators to justice.
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Imagen de NEUROSIA
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NEUROSIA

Neurosia: Donde la ansiedad deja de ser enemiga ¿Qué pasaría si, en lugar de combatir la ansiedad, aprendieras a comprender lo que viene a decirte? Neurosia es una travesia literaria diseñada para que, al recorrerla, aceptes tu historia, sueltes cargas y reconectes con una forma más libre de habitarte. En una época obsesionada con el control del sintoma, esta obra propone una via distinta: validar la tristeza, el dolor y la soledad como emociones válidas y con sentido.
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Imagen de LA CHICA QUE LANZABA VERSOS AL AIRE (LI)
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LA CHICA QUE LANZABA VERSOS AL AIRE (LI)

"La vida es una carrera de obstáculos. Tú eres la que escribe el final". A Blue no le gusta ser Blue. Se conformaría con ser normal, aunque el mundo se esfuerce en recordarle que no encaja en esa definición. Jake no está seguro de ser feliz siendo Jake. Así que, cuando comienza a cruzarse con versos por el instituto, los va recogiendo y, sin darse cuenta, acaba embarcándose en la misión más loca de su vida: encontrar a la chica que los ha escrito.
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Imagen de CREPUSCULO. (ED. LIM) BELLA Y EDWARD
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CREPUSCULO. (ED. LIM) BELLA Y EDWARD

Cuando Isabella Swan se muda a Forks, una pequeña localidad del estado de Washington donde no deja de llover, piensa que es lo más aburrido que le podía haber ocurrido. Pero su vida da un giro excitante y aterrador una vez que se encuentra con el misterioso y seductor Edward Cullen. Hasta ese momento, Edward se las había arreglado para mantener en secreto su identidad vampírica, pero ahora ya nadie está a salvo, ni siquiera la persona a quien él más quiere: Isabella.
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Imagen de I AINT GONNA PAINT NO MORE: A SALLY ART
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I AINT GONNA PAINT NO MORE: A SALLY ART

When the child gets caught painting everything from the ceiling to the floor, Mama says "Ya ain't a-gonna paint no more!" But nothing will keep this artist from painting! Written to the familiar tune "It Ain't Gonna Rain No More," the text bounces alongside vibrant stylized pen-and-ink drawings, while page-turns offer up a fun read-aloud guessing game in which kids will delightfully participate. What will the child paint next? "So I take some red and I paint my . . . HEAD!" Silliness paired with the ruckus read-aloud appeal will have every reader begging for repeat reads.
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Imagen de THEODORE DE BRY THE NEW WORLD.45TH ED
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THEODORE DE BRY THE NEW WORLD.45TH ED

A key contributor to Nouveau Réalisme in early 1960s Paris, Niki de Saint Phalle (1930-2002) worked alongside artists such as Arman, Yves Klein, and Jean Tinguely, scavenging real objects in place of traditional art materials. She connected art to life by instrumentalizing household items, machine parts, and even toys for her early assemblages. Saint Phalle created her first shooting painting, or Tir, in 1961, and went on to conduct these performances in such varied locations as the Impasse Ronsin in Paris, a garden in Amsterdam, a sandpit outside Stockholm, and the Malibu Hills. Reliefs made of plaster, small objects, paint, wood, and wire were punctured by the bullets of a gun.
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