De aquí en lo adelante, el discurso narrativo objetivo, que es lo mismo que decir, el discurso noticioso o periodístico, tomará cuerpo posesional en el marco de la novela Las calles enemigas. La presencia de esta dialogia será permanente en todos los estadios del desarrollo de la trama narrativa.
Dear Reader,
Just when you think it can't get any worse, the universe seems to take that as a personal challenge. The Devil's Backbone Society has their fingers everywhere. It's more than a secret society―it's a leash and a prison sentence. The elders insist it's about making connections that will help you for the rest of your life, but what they don't tell you is how long―or, in this case, short―your life might be.
The society has already cost me―cost us. Blood. Sweat. Tears.
Lives.
Now, it may take more than what I have to give. A part of me wants to be here, wants to see this through to the end. But the rest of me?
The rest of me worries that even if I watch my back, it won't be enough. How do I protect them? How do I protect these handsome, crazy, over-the-top men that I'm falling for?
How do I save them from the society and themselves? And more importantly, how do I save myself?
Dante Maroni, heredero de la infame organización Tenebrae, sabe esconder la crueldad con encanto, la brutalidad con trajes a medida y el amor con silencio. Sin embargo, tras infiltrarse en el Sindicato, la perversa entidad tras los secuestros de menores a los que su mundo de enfrenta, descubre una información que lo pone todo en peligro.
Amara Rossi es la hija del ama de llaves de los Maroni, y lleva enamorada de Dante desde que era una niña. Pero cuando la secuestraron y torturaron a los quince años, lo perdió todo y quedó exiliada. Ahora, más de una década después, su vida se derrumba de nuevo y debe volver a unirse al juego oscuro de la mafia.
Y así, mientras los secretos salen a la luz y el amor se convierte en una fuerza imparable, Dante, el rey renuente, y Amara, la reina inevitable, inician una partida mortal que decidirá su destino.
In Carrie, a teenage girl is tormented and teased to the breaking point by her more popular schoolmates. But Carrie has a gift and she uses this gift to inflict a terrifying revenge.
In 'Salem's Lot, Ben Mears has returned to Jerusalem's Lot, an old mansion, long the subject of town lore, to work on his new book. But when two young boys venture into the woods and only one comes out alive, Mears begins to realize that there is something evil growing within the borders of this small New England town.
In The Shining, Jack Torrance's new job as the off-season caretaker at the Overlook Hotel is the perfect chance for a fresh start. But as the harsh winter weather sets in, the idyllic location feels ever more remote . . . and more sinister. And the only one to notice the strange and terrible forces gathering around the Overlook is Danny Torrance, a uniquely gifted five-year-old.
A few months after returning from the depths of Tartarus, demigods Nico di Angelo and Will Solace agree to join Nico's half-sister Hazel Levesque at Camp Jupiter on the West Coast. She needs their help in managing a situation that the boys inadvertently brought about: the demigods showed the monsters of the Underworld that they have options; they dont have to be evil.
Now some of those monsters have taken up residence at Camp Jupiter to seek refuge. Nico and Will are on site assisting Hazelwhen one by one monsters start disappearing from camp. A mysterious dark force is at work, and its plan is to punish all monsters for their past crimes.
Things only get worse when Nico, Will, and Hazel learn that theyre all connected to it . . .
Esta obra es una representación del viaje de la vida, desde su comienzo hasta el final. En cada capítulo se narra un viaje en ese tren que representa nuestro paso por la Tierra, con cada triunfo, cada derrota, las alegrías y las penas que experimentamos en nuestro caminar. Nuestros compañeros de viaje son las personas que coinciden con nosotros en el tiempo y el espacio, aunque muchos se van quedando em cualquier parada de tren. El éxito de nuestro viaje depende de las huellas que vamos dejando, de lo contrario, resultará y un trayecto aburrido y desafortunado.