Teaching speech can be as simple as beep-beep! Created by a speech-language pathologist, My First Learn-to-Talk Book: Things That Go pairs favorite vehicles with a proven approach designed to help youngsters learn to talk.
Each page offers:
Simple, exciting sounds that are easy for little ones to imitate, and can be used to build bigger words
Rhythm and rhyme to encourage repetition and help keep babies engaged, even before they understand the text
Real photographs that model correct mouth positions and support social emotional learning
Colorful illustrations of cars, trucks, trains, and other favorite things that go!
Animals are divided into categories such as "Big" (giraffe, blue whale), "Fast" (peregrine falcon, red fox), "In the Dark" (owl, red panda), and, of course, "In the House" (dog, cat, hamster). The playful text on the flaps gives readers simple clues that encourage discovery: Lift the flap that reads "I am super fast" and find a cheetah, while peeking under "My home is a fishbowl" reveals the cutest goldfish. The names of all the animals featured are included for easy reading and learning, and the tough board pages with rounded corners guarantee many hours of safe fun.
Jackie's goal is perfection―perfect grades, the perfect look, getting into the perfect school. If she can achieve that, then maybe her too-busy mom and dad will take notice. But when her parents die in a tragic accident, Jackie is shipped off across the country to live with the Walters, her new guardians…who just happen to have eleven sons (plus a daughter who is basically one of the boys).
The Walter boys are loud, dirty, annoying―and, okay, some of the older boys might be Greek god level hot, but they don't think a city girl belongs on their horse ranch. How is Jackie supposed to fit into their chaotic world when she needs to keep her parents' memory alive by living up to the promise of perfect?
But as Jackie spends more time with the Walter boys, she begins to wonder if the perfection she's always strived for isn't the only way to find love after all.
In San Francisco in 1866, an Irish nun, abandoned following a torrid relationship with a Chilean aristocrat, gives birth to a daughter named Emilia del Valle. Raised by a loving stepfather, Emilia grows into an independent thinker and a self-sufficient young woman.
To pursue her passion for writing, she is willing to defy societal norms. At the age of seventeen, she begins to publish pulp fiction using a man’s pen name. When these fictional worlds can no longer satisfy her sense of adventure, she turns to journalism, convincing an editor at The Daily Examiner to hire her. There she is paired with another talented reporter, Eric Whelan.
As she proves herself, her restlessness returns, until an opportunity arises to cover a brewing civil war in Chile. She seizes it, as does Eric, and while there, she meets her estranged father and delves into the violent confrontation in the country where her roots lie. As she and Eric discover love, the war escalates and Emilia finds herself in extreme danger, fearing for her life and questioning her identity and her destiny.
In San Francisco in 1866, an Irish nun, abandoned following a torrid relationship with a Chilean aristocrat, gives birth to a daughter named Emilia del Valle. Raised by a loving stepfather, Emilia grows into an independent thinker and a self-sufficient young woman.
To pursue her passion for writing, she is willing to defy societal norms. At the age of seventeen, she begins to publish pulp fiction using a man’s pen name. When these fictional worlds can no longer satisfy her sense of adventure, she turns to journalism, convincing an editor at The Daily Examiner to hire her. There she is paired with another talented reporter, Eric Whelan.
Jackie Howard returns to the Walter ranch after a summer in New York. She needed space―and got it. But she doesn't know where things stand with her and Cole Walter after that goodbye kiss. Over the summer, she stopped texting him. She never stopped thinking about him.
Still, with Cole living off in town to work at Tony's garage before he heads off to college, Jackie thinks it'll be easy to avoid him―only to find that when she sees him face to face at last, it's, well... impossible to resist him. Things are getting complicated: he's the boy she can't get off her mind, and the Walters have become the family she loves and needs. How can Jackie move forward when she's afraid of taking the next step?