LITERATURA EN OTROS IDIOMAS

After her role in taking down a well-placed mole inside the CIA, Agent Lyndsey Duncan arrives in London fully focused on her newest Russian asset, deadly war criminal Dmitri Tarasenko. That is until her MI6 counterpart, Davis Ranford, personally calls for her help. Following a suspicious attack on Russian oligarch Mikhail Rotenberg's property in a tony part of London, Davis needs Lyndsey to cozy up to the billionaire's aristocratic British wife, Emily Rotenberg. Fortunately for Lyndsey, there's little to dissuade Emily from taking in a much-needed confidante. Even being one of the richest women in the world is no guarantee of happiness. But before Lyndsey can cover much ground with her newfound friend, the CIA unveils a perturbing connection between Mikhail and Russia's geoplitical past, one that could upend the world order and jeopardize Lyndsey's longtime allegiance to the Agency. Red London is a sharp and nuanced race-against-the-clock story ripped from today's headlines, a testament to author Alma Katsu’s thirty-five-year career in national security. It’s a rare spy novel written by an insider that feels as prescient as it is page-turning and utterly unforgettable.

Lyndsey Duncan worries her career with the CIA might be over. After lines are crossed with another intelligence agent during an assignment, she is sent home to Washington on administrative leave. So when a former colleague--now Chief of the Russia Division--recruits her for an internal investigation, she jumps at the chance to prove herself. Lyndsey was once a top handler in the Moscow Field Station, where she was known as the "human lie detector" and praised for recruiting some of the most senior Russian officials. But now, three Russian assets have been exposed--including one of her own--and the CIA is convinced there's a mole in the department. With years of work in question and lives on the line, Lyndsey is thrown back into life at the agency, this time tracing the steps of those closest to her. Meanwhile, fellow agent Theresa Warner can't avoid the spotlight. She is the infamous "Red Widow," the wife of a former director killed in the field under mysterious circumstances. With her husband's legacy shadowing her every move, Theresa is a fixture of the Russia Division, and as she and Lyndsey strike up an unusual friendship, her knowledge proves invaluable. But as Lyndsey uncovers a surprising connection to Theresa that could answer all of her questions, she unearths a terrifying web of secrets within the department, if only she is willing to unravel it....

For the ancients, everything worth pursuing in life flowed from a strong sense of justice or one’s commitment to doing the right thing, no matter how difficult. In order to be courageous, wise, and self-disciplined, one must begin with justice. The influence of the modern world often tells us that acting justly is optional. Holiday argues that that’s simply untrue—and the fact that so few people today have the strength to stand by their convictions explains much about why we’re so unhappy.

Even in a family of chaotic necromancers, Daria “Dasha” Avramov has always been an outlier. An event planner at the Arcane Emporium occult megastore, Dasha is also a devil eater: a rare necromantic witch with an affinity for banishing demons and traversing the veil, the boundary between this realm and the next. Still grieving the loss of both beloved parents years ago, and plagued by a dangerous obsession with the world beyond the veil, Dasha is fiery yet guarded, an expert at dodging commitment. Her worst regret is a devastating breakup with the wise, empathetic, and sensual Ivy Thorn, her event-planning counterpart at Honeycake Orchards, and probably the love of Dasha’s life. Dasha has managed to break Ivy’s heart not once, but twice, so things are more than a little tense between them.

Social scientist Brené Brown has ignited a global conversation on courage, vulnerability, shame, and worthiness. Her pioneering work uncovered a profound truth: Vulnerability—the willingness to show up and be seen with no guarantee of outcome—is the only path to more love, belonging, creativity, and joy. But living a brave life is not always easy: We are, inevitably, going to stumble and fall. It is the rise from falling that Brown takes as her subject in Rising Strong. As a grounded theory researcher, Brown has listened as a range of people—from leaders in Fortune 500 companies and the military to artists, couples in long-term relationships, teachers, and parents—shared their stories of being brave, falling, and getting back up. She asked herself, What do these people with strong and loving relationships, leaders nurturing creativity, artists pushing innovation, and clergy walking with people through faith and mystery have in common? The answer was clear: They recognize the power of emotion and they’re not afraid to lean in to discomfort. Walking into our stories of hurt can feel dangerous. But the process of regaining our footing in the midst of struggle is where our courage is tested and our values are forged. Our stories of struggle can be big ones, like the loss of a job or the end of a relationship, or smaller ones, like a conflict with a friend or colleague. Regardless of magnitude or circumstance, the rising strong process is the same: We reckon with our emotions and get curious about what we’re feeling; we rumble with our stories until we get to a place of truth; and we live this process, every day, until it becomes a practice and creates nothing short of a revolution in our lives. Rising strong after a fall is how we cultivate wholeheartedness. It’s the process, Brown writes, that teaches us the most about who we are.

Cuba, 1998: Rafa, an Afro-Cuban orphan, moves to Havana with nothing to his name and falls into a job at a café. He is soon drawn into a web of ever-shifting entanglements with his boss’s son, the charismatic Renato, leader of the counterrevolutionary group “Los Injected Ones,” which is planning a violent overthrow of the Castro government during Pope John Paul II’s upcoming visit.   When Renato goes missing, Rafa’s search for his friend takes him through various haunts in Havana: from an AIDS sanatorium, to the guest rooms of tourist hotels, to the outskirts of the capital, where he enters a phantasmagorical slum cobbled together from the city’s detritus by Los Injected Ones.   A novel of cascading prose that captures a nation in slow collapse, Sacrificio is a visionary work, capturing the fury, passion, fatalism, and grim humor of young lives lived at the margins of a society they desperately wish to change.