LITERATURA EN OTROS IDIOMAS

Danica Pierce has one great love in her life: work. As one of the top divorce lawyers in Austin, Danica lets her caseload keep her warm at night and has no problem being married to her job, not when love only ends in hurt. When the biggest case of her career gives her a shot at making partner, it seems like nothing could possibly stand in her way…except for her infuriating secret: she’s sleeping with the enemy. Ezra Hart is known for charming his way in and out of a courtroom. In the matter of winning Danica Pierce’s heart, however, he’s been far less successful. With her verdict to keep things purely physical with no chance of appeal, Ezra struggles to show Danica he’s more than the insufferable playboy she’s pegged him to be—especially since they find themselves on opposing sides of Danica’s most important case to date. While Dani and Ezra battle it out in the courtroom, the real trial is the one happening between them. When Dani realizes that everything she knows of Ezra might be hearsay—and that she’s not the only one with emotional baggage—she must choose between her fear of trusting again and the feelings blossoming between her and the man she thought was her worst enemy.

Felicity has her entire future planned. Ever since her older sister ran away, she's had the full weight of her mother's expectations on her shoulders. So she works hard to get straight As and save for college. Except sometimes the best things in life are unplanned like when Felicity meets a handsome, masked stranger while she is volunteering at a charity masquerade ball. She never thought he'd flirt with her. And she certainly never thought he'd turn out to be a member of the world-famous Heartbreakers band, Alec. Then Felicity uncovers a shocking family secret. Suddenly, she, Alec, and her two best friends are off on a road trip to find Felicity's missing sister. And she's about to discover that unexpected turns have a peculiar way of landing her right where she needs to be…

In 1995, Treasury Secretary Robert Rubin re-defined the next thirty years of currency policy with the mantra, “A strong dollar is in America’s interest.” That mantra held, ushering in exceptional prosperity and cheap foreign goods, but the strong dollar policy also played a role in the devastating hollowing out of America’s manufacturing sector. Meanwhile, abroad, the United States increasingly turned to the dollar as a weapon of war. In Paper Soldiers, Saleha Mohsin reveals how the Treasury Department has shaped U.S. policy at home and overseas by wielding the American dollar as a weapon—and what that means in a new age of crisis. For decades, America has preferred its currency superpower-strong, the basis of a “strong dollar” policy that attracted foreign investors and pleased consumers. Drawing on Mohsin’s unparalleled access to current and former Treasury officials like Robert Rubin, Steven Mnuchin, and Janet Yellen, Paper Soldiers traces that policy’s intended and unintended consequences, including the rise of populist sentiment and trade war with China—culminating in an unprecedented attack on the dollar’s pristine status during the Trump presidency—and connects the dollar’s weaponization from 9/11 to the deployment of crippling financial sanctions against Russia. Ultimately, Mohsin argues that, untethered from many of the economic assumptions of the last generation, the power and influence of the American dollar is now at stake. With first-hand reporting and fresh analysis that illustrates the vast, often unappreciated power that the Treasury Department wields at home and abroad, Paper Soldiers tells the inside story of how we really got here—and the future not only of the almighty dollar, but the nation’s teetering role as a democratic superpower.

When global climate change and economic crises lead to social chaos in the early 2020s, California becomes full of dangers, from pervasive water shortage to masses of vagabonds who will do anything to live to see another day. Fifteen-year-old Lauren Olamina lives inside a gated community with her preacher father, family, and neighbors, sheltered from the surrounding anarchy. In a society where any vulnerability is a risk, she suffers from hyperempathy, a debilitating sensitivity to others' emotions. Precocious and clear-eyed, Lauren must make her voice heard in order to protect her loved ones from the imminent disasters her small community stubbornly ignores. But what begins as a fight for survival soon leads to something much more: the birth of a new faith . . . and a startling vision of human destiny.

Venice, 1958. Peggy Guggenheim, heiress and now legendary art collector, sits in the sun at her white marble palazzo on the Grand Canal. She’s in a reflective mood, thinking back on her thrilling, tragic, nearly impossible journey from her sheltered, old-fashioned family in New York to here: iconoclast and independent woman. Rebecca Godfrey’s Peggy is a blazingly fresh interpretation of a woman who defies every expectation to become an original. The daughter of two Jewish dynasties, Peggy finds her cloistered life turned upside down at fourteen, when her beloved father perishes on the Titanic. His death prompts Peggy to seek a life of passion and personal freedom and, above all, to believe in the transformative power of art. We follow Peggy as she makes her way through the glamorous but sexist and anti-Semitic art worlds of New York and Europe and meet the numerous men who love her (and her money) while underestimating her intellect, talent, and vision. Along the way, Peggy must balance her loyalty to her family with her need to break free from their narrow, snobbish ways and the unexpected restrictions that come with vast fortune.

The riveting new novel by the author of the 2021 National Book Award winner and bestseller Hell of a Book People Like Us is Jason Mott’s electric new novel. It is not memoir, yet it has deeply personal connections to Jason’s life. And while rooted in reality, it explodes with dreamlike experiences that pull a reader in and don’t let go, from the ability to time travel to sightings of sea monsters and peacocks, and feelings of love and memory so real they hurt. In People Like Us, two Black writers are trying to find peace and belonging in a world that is riven with gun violence. One is on a global book tour after a big prize win; the other is set to give a speech at a school that has suffered a shooting. And as their two storylines merge, truths and antics abound in equal measure: characters drink booze out of an award trophy; menaces lurk in the shadows; tiny French cars putter around the countryside; handguns seem to hover in the air; and dreams endure against all odds.