LITERATURA EN OTROS IDIOMAS

A pregnant woman's sketches on a seemingly innocuous blog conceal a chilling warning. A child's picture of his home contains a dark secret message. A sketch made by a murder victim in his final moments leads an amateur sleuth down a rabbithole that will reveal a horrifying reality. Structured around these nine childlike drawings, each holding a disturbing clue, Uketsu invites readers to piece together the interconnected mysteries behind each and the over-arching backstory that connects them all. Strange Pictures is the internationally bestselling debut from mystery horror YouTube sensation Uketsu―an enigmatic masked figure who has become one of Japan's most talked about contemporary authors.

Geralt is a Witcher, a man whose magic powers, enhanced by long training and a mysterious elixir, have made him a brilliant fighter and a merciless hunter. Yet he is no ordinary killer: his targets are the multifarious monsters and vile fiends that ravage the land and attack the innocent. Sword of Destiny is the follow up to The Last Wish, and together they are the perfect introduction to a one of a kind fantasy world.

he millions of readers of Amor Towles are in for a treat as he shares some of his shorter six stories set in New York City and a novella in Los Angeles. The New York stories, most of which are set around the turn of the millennium, take up everything from the death-defying acrobatics of the male ego, to the fateful consequences of brief encounters, and the delicate mechanics of compromise which operate at the heart of modern marriages. In Towles’s novel, Rules of Civility, the indomitable Evelyn Ross leaves New York City in September, 1938, with the intention of returning home to Indiana. But as her train pulls into Chicago, where her parents are waiting, she instead extends her ticket to Los Angeles. Told from seven points of view, “Eve in Hollywood” describes how Eve crafts a new future for herself—and others—in the midst of Hollywood’s golden age. Throughout the stories, two characters often find themselves sitting across a table for two where the direction of their futures may hinge upon what they say to each other next. Written with his signature wit, humor, and sophistication, Table for Two is another glittering addition to Towles’s canon of stylish and transporting historical fiction.

Long cherished by readers of all ages, The Adventures of Huckleberry Finn is both a hilarious account of an incorrigible truant and a powerful parable of innocence in conflict with the fallen adult world. The mighty Mississippi River of the antebellum South gives the novel both its colorful backdrop and its narrative shape, as the runaways Huck and Jim—a young rebel against civilization allied with an escaped slave—drift down its length on a flimsy raft. Their journey, at times rollickingly funny but always deadly serious in its potential consequences, takes them ever deeper into the slave-holding South, and our appreciation of their shared humanity grows as we watch them travel physically farther from yet morally closer to the freedom they both passionately seek.

This story, dazzling in its powerful simplicity and soul-stirring wisdom, is about an Andalusian shepherd boy named Santiago who travels from his homeland in Spain to the Egyptian desert in search of a treasure buried near the Pyramids. Along the way he meets a Gypsy woman, a man who calls himself a king, and an alchemist, all of whom point Santiago in the direction of his quest. No one knows what the treasure is, or if Santiago will be able to surmount the obstacles in his path. But what starts out as a journey to find worldly goods turns into a discovery of the treasure found within. Lush, evocative, and deeply humane, the story of Santiago is an eternal testament to the transforming power of our dreams and the importance of listening to our hearts.

Fitzgerald’s second novel, a devastating portrait of the excesses of the Jazz Age, is a largely autobiographical depiction of a glamorous, reckless Manhattan couple and their spectacular spiral into tragedy. Published on the heels of This Side of Paradise, the story of the Harvard-educated aesthete Anthony Patch and his willful wife, Gloria, is propelled by Fitzgerald’s intense romantic imagination and demonstrates an increased technical and emotional maturity. The Beautiful and Damned is at once a gripping morality tale, a rueful meditation on love, marriage, and money, and an acute social document. As Hortense Calisher observes in her Introduction, “Though Fitzgerald can entrance with stories so joyfully youthful they appear to be safe—when he cuts himself, you will bleed.”