LITERATURA EN OTROS IDIOMAS

Even in a family of chaotic necromancers, Daria “Dasha” Avramov has always been an outlier. An event planner at the Arcane Emporium occult megastore, Dasha is also a devil eater: a rare necromantic witch with an affinity for banishing demons and traversing the veil, the boundary between this realm and the next. Still grieving the loss of both beloved parents years ago, and plagued by a dangerous obsession with the world beyond the veil, Dasha is fiery yet guarded, an expert at dodging commitment. Her worst regret is a devastating breakup with the wise, empathetic, and sensual Ivy Thorn, her event-planning counterpart at Honeycake Orchards, and probably the love of Dasha’s life. Dasha has managed to break Ivy’s heart not once, but twice, so things are more than a little tense between them.

They were sisters and they would last past the end of time. Sam and Elena dream of another life. On the island off the coast of Washington where they were born and raised, they and their mother struggle to survive. Sam works on the ferry that delivers wealthy mainlanders to their vacation homes while Elena bartends at the local golf club, but even together they can’t earn enough to get by, stirring their frustration about the limits that shape their existence. Then one night on the boat, Sam spots a bear swimming the dark waters of the channel. Where is it going? What does it want? When the bear turns up by their home, Sam, terrified, is more convinced than ever that it’s time to leave the island. But Elena responds differently to the massive beast. Enchanted by its presence, she throws into doubt the desire to escape and puts their long-held dream in danger. A story about the bonds of sisterhood and the mysteries of the animals that live among us—and within us—Bear is a propulsive, mythical, richly imagined novel from one of the most acclaimed young writers in America.

For the ancients, everything worth pursuing in life flowed from a strong sense of justice or one’s commitment to doing the right thing, no matter how difficult. In order to be courageous, wise, and self-disciplined, one must begin with justice. The influence of the modern world often tells us that acting justly is optional. Holiday argues that that’s simply untrue—and the fact that so few people today have the strength to stand by their convictions explains much about why we’re so unhappy.

As a bloodline vampire, Lizzie has never had a problem taking what she wants, and right now what she wants are the family heirlooms that were stolen from her and a portal home. Too bad even that short list is impossible to accomplish on her own—and her allies have bigger things to worry about. When they rescue a selkie from captivity, it’s the perfect solution to her problem. Lizzie needs a guide through Threshold and the selkie needs someone to help her get her skin back. Maeve didn’t choose to give up her skin—it was stolen from her. Now she’s in an uneasy partnership with a dangerous woman who seems more apt to kill than to share a kind word. It’s terrifying…and a bit alluring. Even though she knows it will end in heartbreak, Maeve can’t help being drawn to Lizzie and her all-too-pleasurable vampire bite. Unfortunately, the danger to Maeve’s heart is the least of her worries. The ship Lizzie’s chasing belongs to the Cŵn Annwn, and they don’t take kindly to people who steal from them. Not even Lizzie’s viciousness or Maeve’s selkie strength will be enough to save them if the Cŵn Annwn seek retribution…

Meet Jessica Jones: Retired super hero, private investigator, loner. She tried her best to be a shiny spandex crimefighter, but that life only led to unspeakable trauma. Now she avoids that world altogether and works on surviving day-to-day in Hell’s Kitchen, New York. The morning a distraught mother comes into her office, Jessica would prefer to nurse her hangover and try to forget last night’s poor choices. But something about Amber Randall’s story strikes a chord with her. Amber is adamant that something happened to her teenage twins while they were visiting their father in the UK. The twins don’t act like themselves, and they now have flawless skin, have lost their distinctive tics and habits, and keep talking about a girl named Belle. Amber insists her children have been replaced by something horrible, something “perfect.” Traveling to a small village in the British countryside, Jessica meets the mysterious Belle, who lives a curiously isolated life in an old farmhouse with a strange woman who claims to be her guardian. Can this unworldly teenager really be responsible for the Randall twins’ new personas? Why does the strange little village of Barton Wallop seem to harbor dark energies and mysteries in its tight-knit community?

Two opposites decide to test their chemistry with one steamy night together. But will once be enough? Nova Porter isn’t looking for love, and she certainly has no explanation for her attraction to buttoned-up, three-piece-suit-wearing investment banker Charlie Milford. Maybe it’s his charm? Or maybe it’s his determination to help her fledgling business however he can. Either way, she’s distracted every time he’s around. With her new tattoo studio set to open in her hometown of Inglewild, she doesn’t have time for frivolous flirtations. In an effort to get Charlie out of her system once and for all, Nova offers a proposition. One night. No strings. They’ll kick their uncomfortable attraction to the curb and return to their respective responsibilities. But their explosive night together scatters their expectations like fallen leaves. And with Charlie in town as the temporary head of Lovelight Farms, Nova can’t quite avoid him. And Charlie? Well, Charlie knows a good investment when he sees one. He’s hoping he can convince Nova he’s worth some of her time.

Don’t miss John Grisham’s upcoming Framed, his first work of nonfiction since The Innocent Man! Mercer Mann, a popular writer from Camino Island, is back on the beach, marrying her boyfriend, Thomas, in a seaside ceremony. Bruce Cable, infamous owner of Bay Books, performs the wedding. Afterward, Bruce tells Mercer that he has stumbled upon an incredible story. Mercer desperately needs an idea for her next novel, and Bruce now has one. The true story is about Dark Isle, a sliver of a barrier island not far off the North Florida coast. It was settled by freed slaves three hundred years ago, and their descendants lived there until 1955, when the last one was forced to leave. That last descendant is Lovely Jackson, elderly now, who loves her birthplace and its remarkable history. But now Tidal Breeze, a huge, ruthless corporate developer, wants to build a resort and casino on the island, which Lovely knows, deep down, is rightfully hers.

Carrie Soto is fierce, and her determination to win at any cost has not made her popular. But by the time she retires from tennis, she is the best player the world has ever seen. She has shattered every record and claimed twenty Grand Slam titles. And if you ask Carrie, she is entitled to every one. She sacrificed nearly everything to become the best, with her father, Javier, as her coach. A former champion himself, Javier has trained her since the age of two. But six years after her retirement, Carrie finds herself sitting in the stands of the 1994 US Open, watching her record be taken from her by a brutal, stunning player named Nicki Chan. At thirty-seven years old, Carrie makes the monumental decision to come out of retirement and be coached by her father for one last year in an attempt to reclaim her record. Even if the sports media says that they never liked “the Battle-Axe” anyway. Even if her body doesn’t move as fast as it did. And even if it means swallowing her pride to train with a man she once almost opened her heart to: Bowe Huntley. Like her, he has something to prove before he gives up the game forever.

On a secluded bluff overlooking the ocean sits a Victorian house, lavender with gingerbread trim, a home that contains a century’s worth of secrets. By the time Jane Flanagan discovers the house as a teenager, it has long been abandoned. The place is an irresistible mystery to Jane. There are still clothes in the closets, marbles rolling across the floors, and dishes in the cupboards, even though no one has set foot there in decades. The house becomes a hideaway for Jane, a place to escape her volatile mother. Twenty years later, now a Harvard archivist, she returns home to Maine following a terrible mistake that threatens both her career and her marriage. Jane is horrified to find the Victorian is now barely recognizable. The new owner, Genevieve, a summer person from Beacon Hill, has gutted it, transforming the house into a glossy white monstrosity straight out of a shelter magazine. Strangely, Genevieve is convinced that the house is haunted—perhaps the product of something troubling Genevieve herself has done. She hires Jane to research the history of the place and the women who lived there. The story Jane uncovers—of lovers lost at sea, romantic longing, shattering loss, artistic awakening, historical artifacts stolen and sold, and the long shadow of colonialism—is even older than Maine itself.

The Coin’s narrator is a wealthy Palestinian woman with impeccable style and meticulous hygiene. And yet the ideal self, the ideal life, remains just out of reach: her inheritance is inaccessible, her homeland exists only in her memory, and her attempt to thrive in America seems doomed from the start. In New York, she strives to put down roots. She teaches at a school for underprivileged boys, where her eccentric methods cross boundaries. She befriends a homeless swindler, and the two participate in an intercontinental scheme reselling Birkin bags. But America is stifling her—her willfulness, her sexuality, her principles. In an attempt to regain control, she becomes preoccupied with purity, cleanliness, and self-image, all while drawing her students into her obsessions. In an unforgettable denouement, her childhood memories converge with her material and existential statelessness, and the narrator unravels spectacularly.