Jack Finney is thirteen, alone, and in desperate trouble. For two years now, someone has been stalking the boys of Galesberg, stealing them away, never to be seen again. And now, Finney finds himself in danger of joining them: locked in a psychopath’s basement, a place stained with the blood of half a dozen murdered children.
With him in his subterranean cell is an antique phone, long since disconnected . . . but it rings at night anyway, with calls from the killer’s previous victims. And they are dead set on making sure that what happened to them doesn’t happen to Finney.
In the ballrooms and drawing rooms of Regency London, rules abound. From their earliest days, children of aristocrats learn how to address an earl and curtsey before a prince—while other dictates of the ton are unspoken yet universally understood. A proper duke should be imperious and aloof. A young, marriageable lady should be amiable…but not too amiable.
Daphne Bridgerton has always failed at the latter. The fourth of eight siblings in her close-knit family, she has formed friendships with the most eligible young men in London. Everyone likes Daphne for her kindness and wit. But no one truly desires her. She is simply too deuced honestfor that, too unwilling to play the romantic games that captivate gentlemen.
The war is over.
The war has just begun.
Three times throughout its history, Nikan has fought for its survival in the bloody Poppy Wars. Though the third battle has ended, the war still rages for Rin. Haunted by the atrocity she committed to save her people, the shaman and warrior is on the run from her guilt, the opium addiction that holds her like a vise, and the murderous commands of the fiery Phoenix—the vengeful god who has blessed Rin with fearsome power.
While the young warrior welcomes death, she must remain alive until she avenges the traitorous Empress who betrayed her homeland. Rin’s only hope is to join forces with the enemy of her enemy—the powerful Dragon Warlord, who plots to destroy the Empress.
The war is over.
The war has just begun.
Three times throughout its history, Nikan has fought for its survival in the bloody Poppy Wars. Though the third battle has just ended, shaman and warrior Rin cannot forget the atrocity she committed to save her people. Now she is on the run from her guilt, the opium addiction that holds her like a vice, and the murderous commands of the fiery Phoenix—the vengeful god who has blessed Rin with her fearsome power.
Though she does not want to live, she refuses to die until she avenges the traitorous Empress who betrayed Rin’s homeland to its enemies. Her only hope is to join forces with the powerful Dragon Warlord, who plots to conquer Nikan, unseat the Empress, and create a new republic.
But neither the Empress nor the Dragon Warlord are what they seem. The more Rin witnesses, the more she fears her love for Nikan will force her to use the Phoenix’s deadly power once more.
Because there is nothing Rin won’t sacrifice to save her country . . . and exact her vengeance.
Frodo and the Companions of the Ring have been beset by danger during their quest to prevent the Ruling Ring from falling into the hands of the Dark Lord by destroying it in the Cracks of Doom.
Now they continue their journey alone down the great River Anduin—alone, that is, save for the mysterious creeping figure that follows wherever they go.
This elegant hardcover—now available for the first time in the United States—is one of five Collector’s Editions of Tolkien’s most beloved works, and an essential piece of any Tolkien reader’s library.
The riveting new novel by the author of the 2021 National Book Award winner and bestseller Hell of a Book
People Like Us is Jason Mott’s electric new novel. It is not memoir, yet it has deeply personal connections to Jason’s life. And while rooted in reality, it explodes with dreamlike experiences that pull a reader in and don’t let go, from the ability to time travel to sightings of sea monsters and peacocks, and feelings of love and memory so real they hurt.
In People Like Us, two Black writers are trying to find peace and belonging in a world that is riven with gun violence. One is on a global book tour after a big prize win; the other is set to give a speech at a school that has suffered a shooting. And as their two storylines merge, truths and antics abound in equal measure: characters drink booze out of an award trophy; menaces lurk in the shadows; tiny French cars putter around the countryside; handguns seem to hover in the air; and dreams endure against all odds.
Years before Dorothy and her dog crash-land, another little girl makes her presence known in Oz. This girl, Elphaba, is born with emerald-green skin—no easy burden in a land as mean and poor as Oz, where superstition and magic are not strong enough to explain or overcome the natural disasters of flood and famine. Still, Elphaba is smart, and by the time she enters Shiz University, she becomes a member of a charmed circle of Oz’s most promising young citizens.
But Elphaba’s Oz is no utopia. The Wizard’s secret police are everywhere. Animals—those creatures with voices, souls, and minds—are threatened with exile. Young Elphaba, green and wild and misunderstood, is determined to protect the Animals—even if it means combating the mysterious Wizard, even if it means risking her single chance at romance. Ever wiser in guilt and sorrow, she can find herself grateful when the world declares her a witch. And she can even make herself glad for that young girl from Kansas.
Once a promising alchemist, Helena Marino is now a prisoner—of war and of her own mind. Her Resistance friends and allies have been brutally murdered, her abilities suppressed, and the world she knew destroyed.
In the aftermath of a long war, Paladia’s new ruling class of corrupt guild families and depraved necromancers, whose vile undead creatures helped bring about their victory, holds Helena captive.
According to Resistance records, she was a healer of little importance within their ranks. But Helena has inexplicable memory loss of the months leading up to her capture, making her enemies wonder: Is she truly as insignificant as she appears, or are her lost memories hiding some vital piece of the Resistance’s final gambit?
To uncover the memories buried deep within her mind, Helena is sent to the High Reeve, one of the most powerful and ruthless necromancers in this new world. Trapped on his crumbling estate, Helena’s fight—to protect her lost history and to preserve the last remaining shreds of her former self—is just beginning. For her prison and captor have secrets of their own . . . secrets Helena must unearth, whatever the cost.
For years, Erik, the scarred King of the Ever Kingdom, has thought of nothing but vengeance against the man who dilled his father and trapped him beneath the waves, making him a prisoner in his own realim
Until his enermy's dauahter unintentionally breaks the chains on the Ever, and Erik makes " werrtine annitting pawn in his vicious game of revenge. She's innocent. He's vicious. But he will take back what he lost, no matter the price. unless she steals his heart first
Jane Austen began writing Pride and Prejudice when she was just twenty years old, though it would not be published until seventeen years later, in 1813. Widely regarded as one of the first romantic comedies in literary history, the novel’s entanglements and misunderstandings are deftly interwoven with a sharp, ironic critique of English society.
Mrs Bennet is determined to secure a prosperous future for her five daughters through advantageous marriages. Her second-eldest, Elizabeth, is just as resolute that Fitzwilliam Darcy – the most arrogant, self-important man she has ever met – will not be one of her suitors. Darcy, in turn, considers Elizabeth an unfit match due to her lower social standing and limited connections. Yet the heart seldom obeys reason, and both are forced to examine their own prejudices in the pursuit of true love.