BELLAS ARTES

Featuring innovative home offices that are inventive, accessible, and often wonderfully serene, this book is a rich source of ideas and inspirations embracing the call to work from home! Pavilions, sheds, studios, extensions—call them what you will, architects around the globe are experimenting with attached or detached workplaces and creating imaginative ateliers that strain the limits of “miniature”; one is just 100 square feet. It is a worldwide adventure in architectural experimentation and originality.

Forgoing the criteria of stateliness and opulence, this book is an exploration of the most captivating and unusual interiors in Ireland. Whether in the transformation of a derelict estate, the preservation of an historic hunting lodge, or the re-creation of a Gothic fantasy, each of the homes in this extraordinary book reflects a renewed vitality in the contemporary approach to Irish country houses.

“Bond, James Bond.” Since Sean Connery uttered those immortal words in 1962, the most dashing secret agent in the history of cinema has been charming and thrilling audiences worldwide. This impeccably British character created by author Ian Fleming has starred in 25 EON-produced films, played by six different actors over five decades. EON Productions opened their archives of photos, designs, storyboards, and production materials to editor Paul Duncan, who spent two years researching over one million images and 100 filing cabinets of documentation. The result is the most complete account of the making of the series, covering every James Bond film ever made, beginning with Dr. No (1962) and ending with No Time To Die (2021), including the spoof Casino Royale (1967) and Never Say Never Again (1983).

From AD100 landscape architect Edmund Hollander, a collection of spectacular projects celebrating the way we live outdoors, from pastoral retreats to seaside escapes to rooftop refuges. In this book, Hollander explores the idea of home as the natural surroundings that people live in: a place of living, changing beauty, refuge, and above all, joy, where family and friends gather to create a lifetime of memories.

The treasures of mid-century American architecture have long been celebrated. Less appreciated has been the landscape design that provides the framing for these masterworks. But more than frame, landscape architecture is an art worthy of the spotlight, particularly at mid-century, when the notion that “gardens are outdoor spaces for people to live in” was championed and brought to the fore; now gardens and landscapes are not just external attributes to the house but a continuation of it and its living spaces in a relationship of symbiosis, with its pools and terraces, its winding lawns, and its partly enclosed room-like spaces flanked by brick or stone or plantings in a range of colors and forms.