BELLAS ARTES

It was the Belle Époque, a time before air travel or radio, at the brink of a revolution in photography and filmmaking, when Burton Holmes (1870–1958) began a lifelong journey to bring the world home. From the grand boulevards of Paris to China’s Great Wall, from the construction of the Panama Canal to the 1906 eruption of Mount Vesuvius, Holmes delighted in finding “the beautiful way around the world” and made a career of sharing his stories, colorful photographs, and films with audiences across America. He coined the term “travelogue” in 1904 to advertise his unique performance and thrilled audiences with two-hour sets of stories timed to projections of multihued, hand-painted glass-lantern slides and some of the first “moving pictures.

From romantic to contemporary, from famed architects to little-known craftsmen, you’ll scale the heights to visit all manner of treetop structures, from a teahouse, restaurant, hotel, and children’s playhouse to simple perches from which to contemplate life, enjoy the view, and discover that tree houses take as many forms as the imagination can offer. With an abundance of gorgeous photographs and illustrations, this is an ode to alternative living, where playful imagination meets eco-sensitive finesse.

Today, the works of Vincent van Gogh (1853–1890) are among the most well known and celebrated in the world. In Sunflowers, The Starry Night, Self-Portrait with Bandaged Ear, and many paintings and drawings beyond, we recognize an artist uniquely dexterous in the portrayal of mood and place through paint, pencil, charcoal, or chalk. Yet as he was deploying the lurid colors, emphatic brushwork, and contoured forms that would subsequently make his name, van Gogh battled not only the disinterest of his contemporary audience but also devastating bouts of mental illness. His episodes of depression and anxiety would eventually claim his life, when, in 1890, he committed suicide shortly after his 37th birthday. This richly illustrated introduction follows Vincent van Gogh’s story from his earliest pictures of peasants and rural workers, through his bright Parisian period, to his final, feverish burst of creative energy in the South of France during the last two and a half years of his life.

This comprehensive monograph is an exclusive look inside the château that inspired the design of Versailles and today continues to enchant visitors and film directors alike. Vaux-le-Vicomte’s rich history began in 1641 when infamous French finance minister Nicolas Fouquet, the original owner, surrounded himself with the most skilled and talented artisans of the time: the architect Louis Le Vau, the painter Charles Le Brun, and the garden designer André Le Nôtre, to create a perfect harmony between architecture and landscape. The Château de Vaux-le-Vicomte and its spectacular gardens fascinated Louis XIV and were the inspira­tion for Versailles. Classified as a historical monument since 1875 under the impetus of the owner at the time, the castle of Vaux-le-Vicomte quickly became a model of the artistic genius of the seventeenth century. This volume traces the château’s history from the seventeenth century through the Belle Époque, World War I, and its public opening in 1968. Exclu­sive photography and archival documents offer unprecedented access to the château, furnishings, and gardens, and illuminate the extraordinary secrets of court life and centuries of celebrations that include the enchanting candlelit tours held today.

His works have prompted a New York Times bestseller; a film starring Scarlett Johansson and Colin Firth; record visitor numbers at art institutions from Amsterdam to Washington, DC; and special crowd-control measures at the Mauritshuis, The Hague, where thousands flock to catch a glimpse of the enigmatic and enchanting Girl with a Pearl Earring, also known as the “Dutch Mona Lisa”. In his lifetime, however, the fame of Johannes Vermeer (1632–1675) barely extended beyond his native Delft and a small circle of patrons. After his death, his name was largely forgotten, except by a few Dutch art collectors and dealers. Outside of Holland, his works were even misattributed to other artists. It was not until the mid-19th century that Vermeer came to the attention of the international art world, which suddenly looked upon his narrative minutiae, meticulous textural details, and majestic planes of light, spotted a genius, and never looked back.