BELLAS ARTES

El Nuevo Diccionario de la Musica ha sido llevado a cabo por uno de los principales especialistas de la historiografía musical de todos los tiempos: Roland de Candé. Debemos a este gran musicólogo una obra que se divide en dos partes, La primera que agrupa lo esencial de la teoría musical, los conceptos. Términos clave del universo de la música y sus instrumentos. La segunda parte ofrece unas biografías muy bien planteadas de todos los compositores y sus obras. Se tarta de un libro fundamental que ahora con esa nueva presentación atraerá, sin duda a todas las personas que desean tener un información completa del mundo de la música, un libro ilustrado con numerosas ilustraciones.

A seminal work by one of today’s most vital figurative artists explores the complexity of race, wealth, and class through storytelling and multimedia drawings. This extraordinary illustrated story—Toyin Ojih Odutola’s best-known body of work—chronicles the private lives of two fictional aristocratic Nigerian families, the UmuEze Amara Clan and the House of Obafemi, if colonialist and slave-trade interventions had never disrupted the country. Rendered life-size in charcoal, pastel, and pencil, Ojih Odutola’s figures appear enigmatic and mysterious, set against the artist’s larger conceived narrative, highlighting the malleability of identity and assumptions about race, wealth, and class. The UmuEze Amara Clan and the House of Obafemi presents the story of these families in four chapters illustrated and authored by Ojih Odutola, accompanied by the artist’s sketches and notes. Also included are several insightful essays on the artist herself by noted writers and critics Zadie Smith, Leigh Raiford, and others. An introduction to the artist’s vivid fictionalized world, as well as a reflection on the role of this body of work within her broader practice, this remarkable volume serves as the essential guide to Ojih Odutola’s unique form of storytelling.

This book showcases the unique vision and work of Olajumoke Adenowo, hailed as "Africa’s starchitect" and Africa's most influential female architect. Olajumoke Adenowo is a renowned Nigerian architect who heads her own architecture and interior design firm, AD Consulting, which she founded in Lagos in 1994. A gifted student, at the age of 14 she enrolled at Obafemi Awolowo University and graduated with a Bachelor of Science (Honours Architecture) by the age of 19, and then completed her Master of Science (Architecture) in 1991. Adenowo's intense interest in architecture and design emerged from her visits to Europe and throughout the world with her parents as a young child, as well as while living on campus at the Obafemi Awolowo University in the ancient city of Ile-Ife in Osun State, Nigeria, where her parents were professors. Having adopted a global perspective from an early age but firmly rooted in her heritage throughout her career, she is uniquely positioned to directly cultivate the kind of best practice African contemporary architecture that leverages ancestral knowledge and methods from within the continent itself.

Well into its fourth decade, the Office for Metropolitan Architecture (OMA), founded by Rem Koolhaas in 1975, remains one of the most influential and successful practices of its kind. OMA describes itself as “a firm operating within the traditional boundaries of architecture and urbanism that applies architectural thinking to domains beyond.” OMA New York, has grown from an American outpost to a full-fledged operation with its own attitudes, contributing to the evolution of the globally acclaimed office. Through a diversity of projects, the firm has transformed our understanding of the city and our evolving relationship with art, fashion, food, sustainability, and other quintessentially twenty-first-century preoccupations. The works presented here elaborate on OMA’s philosophy even as they expand its portfolio geographically. Featured projects (led by partners Shohei Shigematsu and Jason Long) include residential skyscrapers in New York, Miami, and San Francisco, mixed-use developments in cities from Tokyo to Houston, and projects like 11th Street Bridge Park in the public realm, alongside more intimate spaces such as the studio for renowned Chinese artist Cai Guo-Qiang. Permanent structures, such as Milstein Hall at Cornell University, the new galleries of Quebec’s Musée National des Beaux-Arts, a cultural forum and neighborhood for Faena in Miami, and the expansion of museums such as the Albright-Knox Art Gallery in Buffalo and the New Museum in Manhattan, contrast vividly with temporary interventions such as the Manus x Machina exhibition at the Met Costume Institute and the sculptural installation of soaring concrete columns for An Occupation of Loss. In between projects are dialogues with leading policy makers, museum directors, artists, fashion designers, musicians, chefs, and curators—Christopher Hawthorne, Lisa Phillips and Massimiliano Gioni, Taryn Simon, Iris van Herpen, Virgil Abloh, David Byrne, Alice Waters, and Cecilia Alemani—who provide insight onto areas of the firm’s interests and preoccupations beyond the realm of architecture.

This book tells the story of the Zacchera family, masters of hospitality, charting their lives from the unification of Italy to the present day. Together with Lake Como and Lake Garda, Lake Maggiore is one of the main attractions of the Italian landscape. A true natural spectacle emerges around the lake comprising alpine peaks with imposing valleys cutting through them. Lake Maggiore is not just a natural landscape, however. The famous Borromean Islands, with lush gardens and noble palaces, the historic villages of Baveno, Stresa, and Pallanza encapsulate centuries of history and art treasures that conquer the hearts of hundreds of thousands of visitors from all over the world every year. The Zaccheras were a family of fishermen from Baveno, a picturesque village on Lake Maggiore. They carried out their activities when Napoleon was staying at Villa Borromeo after his battles in Italy. Today their hotels in Baveno and Stresa rank among the most prestigious in Lake Maggiore, a constant destination for tourists from all over the world.

The Rosenfelds’ photographs of competition sailboats, billowing spinnakers, and graceful motor yachts not only document the most glamorous era of sailing and boating but also celebrate and capture the power, drama, and beauty of the maritime experience. These beautifully reproduced prints will transport the reader to the decks of daysailers, sleek America’s Cup racing boats, vintage Chris-Craft runabouts, and elegant motor yachts from a bygone era.