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Imagen de RODANDO. LA PLANIFICACION DE SECUENCIAS
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RODANDO. LA PLANIFICACION DE SECUENCIAS

RODANDO` ES EL COMPAÑERO PERFECTO PARA LOS CINEASTAS DUDOSOS TRAS LAS CÁMARAS. A LO LARGO DE SUS PAGINAS STEVEN D. KATZ ABORDA LA PLANIFICACIÓN DE SECUENCIAS DESDE TODOS LOS PUNTOS DE VISTA Y LAS CIRCUNSTANCIAS DE LA PRODUCCIÓN SIEMPRE DE UNA FORMA AMENA Y EMINENTEMENTE PRACTICA. ANTICIPA TODOS Y CADA UNO DE LOS PROBLEMAS CON LOS QUE SE ENCONTRARA EL DIRECTOR AL LLEGAR AL RODAJE: LA COREOGRAFÍA DE ACTORES Y CÁMARA LA ELECCIÓN DEL MATERIAL LA FORMA DE ECONOMIZAR TIEMPO Y RECURSOS LOS ASPECTOS RELATIVOS AL DISEÑO DE DECORADOS Y ELECCIÓN DE LOCALIZACIONES. ADEMAS LAS ENTREVISTAS A ALGUNOS DE LOS PROFESIONALES QUE AYUDARON A LA CREACIÓN DE PELÍCULAS COMO `TERMINATOR` `LOS PAJAROS` `EL GRADUADO` `E.T. EL EXTRATERRESTRE` O `TAXI DRIVER` COMPLETAN ESTE VOLUMEN.
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Imagen de RODIN  (BA-ART) (GB)
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RODIN (BA-ART) (GB)

While anchoring his practice in the traditions of antiquity and the Renaissance, Auguste Rodin (1840–1917) paved the way for modern sculpture. From a very early stage, he was interested in movement, the expression of the body, chance effects, and the incomplete fragment. It was these elements that gave shape, and the impression of life, to such famous works as The Kiss and The Thinker.
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Imagen de SALIERI. EL HOMBRE QUE NO MATO A MOZART
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SALIERI. EL HOMBRE QUE NO MATO A MOZART

Cuando falleció Mozart, su cortejo fúnebre fue seguido por los varones de la familia y por un único músico: Antonio Salieri. Pocos días después, se origina un rumor por toda la ciudad: el compositor italiano habría asesinado a Mozart por celos.
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Imagen de SANTA BARBARA. AT HOME IN PARADISE
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SANTA BARBARA. AT HOME IN PARADISE

With new photographs of houses steeped in the period revival tradition, from 1838 to today, not since Rizzoli’s Santa Barbara Style (2001) has a book so eloquently captured the distinctive splendor of this seaside paradise. Known worldwide for the Santa Barbara style, the town epitomizes a type of building at once elegant and suffused with poetry. At its heart is the historic downtown, featuring white-washed Mediterranean-style stucco buildings with tile roofs and the iconic Santa Barbara Mission of 1786, whose austere beauty set the tone for all that followed. From its earliest days, the influence of this place has been felt and has since radiated across the sunbelt; it continues to be a model of emulation and inspiration. But it is the houses and the dream of living in Santa Barbara and its sister communities of Ojai, Carpinteria, Summerland, Goleta, and Montecito that casts the most profound spell.
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Imagen de SEAN SCHERERS VIGNETTES
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SEAN SCHERERS VIGNETTES

How do you make your home come alive with personality, charm, and memory? In the introduction to Sean Scherer’s first book, Kabinett & Kammer: Creating Authentic Interiors, Anderson Cooper writes, “Scherer has a unique ability to place otherwise ordinary objects in a completely unexpected context or grouping and in so doing change the way you see them.” In Sean Scherer’s Vignettes, Scherer focuses in on the art of combining common objects into aesthetically pleasing groupings, or vignettes. Contending that a vignette can set the whole mood and tone of a room, he shows you how to use any surface in your home, from a tabletop to a bookshelf to a wall, to create lively displays of your favorite items. Beautifully illustrated with Scherer’s own photographs, the book demonstrates how to balance color, texture, and shape, and provides lessons on how to create both symmetrical and asymmetrical vignettes.
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