BELLAS ARTES

Quintessential nineties images, taken from editorials for fashion magazines as well as many never-before-seen outtakes of behind-the-scenes candid moments, constitute this book by Hanson, who is known for her unique female gaze and famous for capturing the essence of youth in her vibrant and highly energetic images of beautiful girls having fun. Texture, light, and emotion play a pivotal role in her iconic documentary-style work. The book features intimate photographs of her muses and the top supermodels of the era, including Kristen McMenamy, Christy Turlington, Carla Bruni, Stephanie Seymour, Eva Herzigová, Milla Jovovich, Linda Evangelista, and many more. This is the first major book of Hanson’s published in the last twenty years, and it presents a nostalgic time capsule of one of the most fetishized decades of fashion.

No Hollywood red carpet is ever without an A-list celebrity wearing one of Pamella Roland’s signature megawatt dresses that never fail to catch the light of a camera. Since the American fashion designer’s debut eveningwear couture collection at New York Fashion Week in 2002, Roland has been a perennial favorite for women and celebrities alike who aren’t afraid of being in the spotlight. Each page of this dazzling debut book features the opulent, sophisticated, and undeniably feminine cocktail dresses, evening gowns, and luxurious women’s resort wear that have made Roland a mainstay in the closets of everyone from Hollywood starlets to customers outside the fashion centers of New York and Los Angeles. Colorful, eye-catching photographs reveal Roland’s design process and creation of her gowns, including sketches, inspirational reference material, snapshots of memorable runway and red-carpet moments, and the debut of her new fragrance. Featured in the book are many of Roland’s devoted friends and clients including Vanessa Williams, Paris Hilton, Mindy Kaling, Kim Cattrall, Debra Messing, Chrissy Teigen, Gigi Hadid, Halle Berry, Rosie Perez, and Eva Longoria, among others. A tribute to the bedazzled, embroidered, and glitzy dresses worn by Hollywood elite, New York socialites, and women across the globe—this volume is a beautiful addition to the libraries of fashion, design, and style lovers.

Paris is the City of Light in all its facets. In the 1920s La Ville des lumières gleams especially bright and becomes a magnet for creative people from around the world. This is the decade of Coco Chanel and Josephine Baker, Art Deco and Surrealism, café culture and cabaret. The most famous artists of the epoch, later called Classic Modernism, are in close contact and have lively exchanges with one another – including Marcel Duchamp, Francis Picabia, Pablo Picasso, René Clair, Sonia Delaunay, André Breton, Paul Éluard, Max Ernst and Salvador Dalí. The creative life and all its excesses flourish bohème is the word for this way of living. Composers like Igor Stravinsky, writers like James Joyce or Ernest Hemingway and exiles from Eastern Europe like Constantin Brancusi or Marc Chagall enrich the illustrious scene on Montparnasse.

Demarchelier was known for his ability to capture a subject’s beauty and charm in a natural way, often without ornate settings. His exquisite and timeless fashion portraits graced the pages of Vogue, Elle, Harper’s Bazaar, and Glamour, with ad campaigns for Dior, Louis Vuitton, YSL, Calvin Klein, Ralph Lauren, and have featured such high-profile subjects as Cindy Crawford, Christy Turlington, Linda Evangelista, Naomi Campbell, Karen Elson, and Nicole Kidman. Demarchelier is perhaps best known for his intimate portraits of Princess Diana that helped establish her popularity and accessible public image. Designed by the legendary art director Fabien Baron, the book simultaneously celebrates Demarchelier’s remarkable legacy as one of the most influential fashion photographers of the past forty-five years (he passed away in 2022) and offers a fresh perspective with never-before-seen photos. While his published images often feature polished, high-fashion aesthetics, capturing the glamour and elegance of the fashion world, the unpublished ones reveal a more intimate, raw, and unfiltered side of his artistry. These unseen photos offer a glimpse into Demarchelier’s creative process, showcasing moments of spontaneity and experimentation. Additionally, these unpublished images often reflect a broader range of subjects, moods, and settings, highlighting his versatility and depth as a photographer beyond his signature fashion shoots.

Whether in his sumptuous images for advertising or his soft-hued nudes, Paul Outerbridge (1896–1958) was an alchemist of desire. Color was integral to his aesthetic allure, embracing the complex tri-color-carbro process to create a seductive surface of texture and tone. His quest was for “artificial paradises”―a perfection of form, with a surreal edge. This concise monograph introduces Outerbridge’s unique aesthetic and its commercial and artistic trajectory, from his professional peak as New York’s highest-paid commercial photographer through to his retreat to Hollywood in the 1940s after a scandal over his erotic photography. With key examples from his oeuvre, the book explores Outerbridge’s innovative style through Cubist still life images, magazine photographs, and his controversial nudes, as well as his interaction with other avant-garde photographers, such as Alfred Stieglitz, Paul Strand, and Man Ray. Along the way, we recognize Outerbridge’s particular ability to transform everyday objects into a quasi-abstract composition and his pioneering role in championing the expressionistic, as much as commercial, potential of color photographs.

Un viaje emocional por el cine y la televisión que han definido a toda una generación Hace menos de tres años parecía que el cine estaba muerto, que nadie volvería nunca a las salas, que las grandes estrellas no existían y que solo las películas de superhéroes eran viables económicamente. Y entonces llegó Barbie. Este es un recorrido personal tan personal que es casi universal por la historia más reciente del cine, y en particular del cine palomitero, ese cine comercial, orgulloso de serlo, que ha moldeado nuestro imaginario colectivo. Un mundo de dinosaurios, naves galácticas, agentes secretos y sirenas que Alberto empezó viendo primero desde el sofá de casa para poco a poco adentrarse en él profesionalmente. El libro se inmiscuye en rodajes de series y películas, en junkets de prensa, fiestas y premios que, junto a las mismas películas que luego vemos en la sala, configuran un universo que mezcla ficción y realidad y del que ningún peliculero podrá escapar nunca.