BELLAS ARTES

Uno de los seres humanos más brillantes jamás conocidos, Leonardo sigue siendo el genio del Renacimiento por excelencia. Compañero perfecto de la edición Leonardo da Vinci. Obra gráfica, este libro es un catálogo razonado de todas las obras maestras pictóricas del artista, tanto supervivientes como perdidas, desde la Mona Lisa a La última cena.

Unmatched in his ingenuity, technical prowess, and curiosity, Leonardo da Vinci (1452–1519) epitomizes the humanistic ideal of the Renaissance man: a peerless master of painting, sculpture, cartography, anatomy, architecture – and more. Simultaneously captivating art historians, collectors, and the millions who flock yearly to admire his works, Leonardo’s appeal is as diffuse as were his preoccupations. His images permeate nearly every facet of Western culture – The Vitruvian Man is engraved into millions of Euro coins, The Last Supper is considered the single most reproduced religious painting in history, and the Mona Lisa has entranced countless artists and observers for centuries.

El pintor estadounidense Roy Lichtenstein (1923-1997) impulsó una renovación artística en su país cuando irrumpió, en Nueva York a finales de la década de 1950, en una escena dominada por el expresionismo abstracto y definió un nuevo lenguaje creativo para una nueva era. Con su innovadora utilización de técnicas de producción industrial e imágenes cotidianas y triviales, como dibujos animados, tiras cómicas y publicidad, Lichtenstein se sumó a artistas contemporáneos como Andy Warhol y James Rosenquist para retratar y satirizar a los medios de comunicación y la cultura consumista de Estados Unidos. En obras como Look, Mickey! (1961), Drowning Girl (1963) y Whaam! (1963) aplicó métodos de producción a gran escala, en concreto la técnica de puntos de Ben Day, para crear un efecto reverberación y su inconfundible estilo de puntos pixelados.

In November 1936, publisher Henry R. Luce launched Life as a photo-led weekly news magazine with a clear purpose: “To see life; to see the world; to eyewitness great events.” Before readers’ attention was consumed by television, Life served as their window to the world, and by the late 1940s, it was being viewed by 1 in 3 Americans. Jean Harlow was the first movie star to appear on a Life cover in 1937, and from then until 1972 over 200 covers featured Hollywood-related subjects, illustrating the strength of the bond between Life and the film industry.

For most people, the search for a home involves setting a budget, finding a place, then filling rooms with stuff. But Kirsten Dirksen and Nicolás Boullosa believe the search for a home is a search for meaning, and that the right dwelling can set the direction for one’s life. Fifteen years ago, armed with a camera and limitless curiosity, they set out across the globe to prove their theory and to challenge traditional assumptions about what makes a home. Now that the past few years have completely altered the way we live and work, most of us are asking the same questions and seeking homes that reflect our lifestyles and values. The dozens of spaces featured in Life-Changing Homes urge readers to think differently about their own lives and what might be possible, and the gorgeous photography and thought-provoking writing share the inspiring stories of those who have made the change.

It was on a Malibu beach in 1988 that Peter Lindbergh shot the White Shirts series, images now known the world over. Simple yet seminal, the photographs introduced us to Linda Evangelista, Christy Turlington, Rachel Williams, Karen Alexander, Tatjana Patitz, and Estelle Lefébure. This marked the beginning of an era that redefined beauty, and Lindbergh would go on to alter the landscape of fashion photography for the decades that followed. This edition gathers more than 300 images from forty years of Lindbergh’s career. It traces the German photographer’s cinematic inflections and humanist approach, which produced images at once seductive and introspective.