BELLAS ARTES

Few nineteenth-century architects ventured far from the pattern-book styles of their time. One architect not constrained by tradition was the Irish-born American Henry Howard, who started as a carpenter and stair builder in 1836 New York and arrived in New Orleans the following year, soon establishing a reputation for distinctive designs that blended American and European trends. His career gained momentum as he went on to design an extraordinarily diverse portfolio of magnificent residences and civic buildings in New Orleans and its environs. Henry Howard is a lavishly produced clothbound volume featuring hundreds of contemporary and archival images and a comprehensive analysis of his built work. The first book to examine the forty-year career of the architect, Henry Howard establishes a clear lineage of his aesthetic contributions to the urban and rural environments of the South. Princeton Architectural Press co-publishes Henry Howard with The Historic New Orleans Collection: a museum, research center, and publisher dedicated to the study and preservation of the history and culture of New Orleans and the Gulf South.

A stunning visual story of a place of wonder and mystique for every American, this book features what is legendary and beloved about Alaska, a land of magnificent wilderness and beauty, virtually untouched by human ambition. It also focuses on the key point of interest in the state today: endangered Bristol Bay, which faces potential mining of the world's greatest deposits of copper and gold. Its pristine waters are the worlds' biggest salmon spawning grounds. If the gold is mined, the ecosystem is destroyed -but the impoverished locals have work for the next half-century. After that, the salmon and the mines are gone. Melford, paired with noted environmental storyteller David Atcheson, addresses the dilemma by bowling us over with the beauty and importance of the place for all time. Underwritten by the Renewable Resources Coalition, the book will be distributed among its more than 5,000 members.

Utagawa Hiroshige (1797–1858) was one of the last great artists in the ukiyo-e tradition. Literally meaning “pictures of the floating world,” ukiyo-e was a particular woodblock print genre of art that flourished between the 17th and 19th centuries. Subjects ranged from the bright lights and attractions of Edo (modern-day Tokyo), to spectacular natural landscapes. In the West, Hiroshige’s prints became exemplary of the Japonisme that swept through Europe and defined the Western world’s visual idea of Japan. Because they could be mass produced, ukiyo-e works were often used as designs for fans, greeting cards, and book illustrations. The style influenced Impressionist, Post-Impressionist, and Art Nouveau artists alike, with Vincent van Gogh and James Abbott McNeill Whistler both particularly inspired by Hiroshige’s landscapes.

Este libro constituye una lectura apasionante e instructiva, a la vez que nos presenta un testimonio conmovedor, debido a la manera profunda y personal, en que el autor describe la maravilla que fue la isla de Cuba desde el inicio de su historia. En él encontrarán los interesados un estudio exhaustivo de la materia expuesta, que lo convierte, definitivamente, en obligado material de estudio sobre el importante tema de la música popular comercial en Cuba.