BELLAS ARTES

Everyone wants a stylish home, but with so much information available, how does one begin to put it all together? EnterInterior Design Master Class: 100 Rooms. The designers who’ve created the remarkable spaces in this volume individually explain in their own words the framework for the success of each room. The spaces featured in the book are broken down by type of room, including Gathering (media and family rooms), Transitional (porches and entryways), Respite (bedrooms and sitting rooms), Entertaining (dining rooms and bars), and Utility (kitchens, baths, and mudrooms). In each category, the multiple examples by designers well known from their appearances in Architectural Digest, Elle Decor, and Southern Living explore a variety of topics. Katie Ridder uses her vibrant living room to write about establishing a successful palette. Suzanne Kasler writes about the importance of light in bedrooms. Frances Merrill of Reath Design shares her thoughts about kitchens. Mark Sikes contributes an essay on tables. Steven Gambrel writes about the color blue. Josh Greene expounds on the bath. Also featuring Bunny Williams, Robert Couturier, Heidi Caillier, Miles Redd and David Kaihoi, Nicole Hollis, and Corey Damen Jenkins, the book is an elegant guide to twenty-first-century living, room by room.

This is the second monograph, and first with Rizzoli, in English dedicated to this prominent Mexican interior designer. Richly illustrated, it captures Aspe s unique and eclectic style, where modern and contemporary unite in a harmonious mixed equilibrium of approaches and eras, generating spaces filled with timeless character. The book s visual narrative provides a comprehensive and intimate view of the designer and her work. Superbly photographed, Aspe s projects are showcased one after another in a bold and innovative design, alternated with brief booklets providing an intimate perspective about the designer and her sources of inspiration. These booklets are further enriched with quotes from the designer about her work, her creative process, and the backstage thinking that leads to the final design outcome. This exquisite book offers a glimpse into the process of Aspe s world of interiors, from the international artists and local artisans she works with, to her country s radiant colours and picturesque charm and her global reach. Reflective of Aspe s exceptional creativity, this beautifully packaged book will feature a cloth cover with a printed textile. This collection of private interiors is a must-have for the curious, admirers of contemporary design, and art collectors.

Estas casas, residencias, refugios y estudios de inspiradora diversidad de estilos le sorprenderán y asombrarán sin importar cuáles sean sus preferencias en cuanto a interiorismo, tanto si prefiere una casa de campo de estilo rústico, un moderno loft neoyorkino o un bungalow bohemio. Esta meticulosa aproximación al diseño de interiores contemporáneo reúne proyectos de todo el mundo, de Auckland (Nueva Zelanda) a Aviñón (Francia). Con cientos de imágenes tomadas por reconocidos fotógrafos de interiores, estos magníficos espacios le ofrecen ideas para la próxima renovación de su vivienda. Muchas de las casas seleccionadas pertenecen a creadores (diseñadores, cineastas y coleccionistas) cuyo talento para combinar a la perfección los diferentes elementos que componen un interior sólo puede definirse como extraordinario. Su forma de conjuntar papel pintado, muebles, tejidos y obras de arte, y de equilibrar cuidadosamente colores, texturas y formas, se convierte en una auténtica expresión artística. Eclécticos o minimalistas, antiguos o ultramodernos, estos proyectos reúnen lo mejor del interiorismo contemporáneo y muestran las incontables y asombrosas posibilidades del diseño de interiores.

White canvas, boldly colored fabrics in solids, stripes, and jaunty prints, rattan and cane seating, whitewashed or colorfully painted English case furniture, canopied beds, straw matting—these are some of the signature ingredients of an Amanda Lindroth interior. Since she founded her Nassau-based firm in 2010, she has become the go-to designer of island dwellers from Lyford Cay to Antigua, Abaco to Belize, Harbour Island to Palm Beach, and as far north as Great Cranberry Island, Maine. Her airy, relaxed, indoor-outdoor aesthetic is apparent in every one of the twenty-five projects featured here. With photographs by Tria Giovan, herself an island native, and charming illustrations by Aldous Bertram, who decorated Lindroth’s pied-à-terre in Palm Beach with stunning trompe l’oeil renderings, Island Hopping: Amanda Lindroth Design is the visual equivalent of an island getaway.

Have you ever thought of citrus fruits as celestial bodies, angelically suspended in the sky? Perhaps not, but J. C. Volkamer (1644–1720) did―commissioning an extravagant and breathtaking series of large-sized copperplates representing citrons, lemons, and bitter oranges in surreal scenes of majesty and wonder. Ordering plants by post mostly from Italy, Germany, North Africa, and even the Cape of Good Hope, the Nuremberg merchant Volkamer was a devotee of the fragrant and exotic citrus at a time when such fruits were still largely unknown north of the Alps. His garden came to contain a wide variety of specimens, and he became so obsessed with the fruits that he commissioned a team of copperplate engravers to create 256 plates of 170 varieties of citrus fruits, many depicted life size, published in a two-volume work. The first volume appeared in 1708, with the impressively lengthy title The Nuremberg Hesperides, or: A detailed description of the noble fruits of the citron, lemon and bitter orange; how these may be correctly planted, cared for and propagated in that and neighboring regions.

In the mid-1950s, Yves Klein (1928–1962) declared that “a new world calls for a new man.” With his idiosyncratic style and huge charisma, this bold artist would go on to pursue a brief but bountiful career, producing more than 1,000 paintings over seven years in an oeuvre now considered a mainstay of postwar modernism.Klein made his name above all with his large monochrome canvases in his own patented hue of blue. International Klein Blue (IKB), composed of pure pigment and binding medium, is at once rich and luminous, evocative and decorative, and was conceived by Klein as a means of evoking the immateriality and infinitude of the world. The works of this “Blue Revolution” seem to draw us into another dimension, as if hypnotized by a perfect summer sky. Klein was also renowned for his deployment of “living brushes,” in which naked women, daubed in International Klein Blue, would make imprints of their bodies on large sheets of paper.