ARTES

Dedicado a algunas de las artistas del street art más importantes de la escena contemporánea, este libro pretende ser un viaje de descubrimiento a través de los universos infinitos de estas artistas que, con determinación y coraje, han buscado su lugar en el mundo; un lugar desde el que se hacen escuchar con voces altas y claras. * Una maravillosa aventura a través de los universos infinitos de mujeres artistas, que representan la humanidad misma como el ciclo imparable de la naturaleza. * Ejemplos de cómo florecen nuevas comunidades de mujeres en todo el mundo, de personas que están cansadas de ser invisibles, que ya no tienen miedo de hacer oír sus voces, que se apoyan unas a otras en lo que solo se puede describir como el principio de un verdadero Renacimiento de la mujer. El street art, arte urbano o arte callejero ha dejado de ser un club exclusivo para hombres. La espera ha sido larga, pero el momento ha llegado. Numerosas artistas de gran talento, en todo el mundo, se abren camino hacia la primera línea.

El ascenso meteórico de Taylor Swift al estrellato es la historia de este siglo. Taylor ha dominado la industria musical desde sus inicios como sensación adolescente de la música country hasta convertirse en un fenómeno global del pop. Es la primera mujer con cuatro álbumes en el Top Ten de la lista Billboard de forma simultánea, y ha recibido catorce Grammy Awards y cuarenta American Music Awards.

The first illustrated book to chronicle the dramatic 1973 face-off between French and American fashion designers, which left an indelible mark on the fashion industry, launched American designers as a global force, and challenged the cultural norms of the time. Images from the archives of renowned fashion photojournalists Bill Cunningham and Jean-luce Huré—largely unseen until now—capture the behind-the-scenes drama, fabulous clothing, iconic models, and glamorous guests at this historic show.

Frank Frazetta has reigned as the undisputed king of fantasy art for 50 years, his fame only growing in the years since his death. With his paintings now breaking auction records (Egyptian Queen sold for $ 5.4 million in 2019) he’s long overdue for this ultimate monograph.Born to a Sicilian immigrant family in Brooklyn, 1928, Frazetta was a minor league athlete, petty criminal and serial seducer with movie star looks and phenomenal talent. He claimed to only make art when there was nothing better to do – he preferred playing baseball - yet began his professional career in comics at age 16. Strip work led him to the infamous EC Comics, then to oils for Tarzan and Conan pulp covers. Both characters were interpreted by many before him, but as he explained in the 1970s, “I’m very physical minded. In Brooklyn, I knew Conan, I knew guys just like him,” and he used this first-hand knowledge of muscle and macho to redefine fantasy heroes as more massive, more menacing, more testosterone-fueled than anything seen before. As counterbalance he created a new breed of women, nude as censorship allowed, with pixie faces and multiparous bodies: thick thighed, heavy buttocked, breasts cantilevered out to there, yet still, with their soft bellies and hints of cellulite, believably real. Add in the action, the creatures, the twilit worlds of haunting shadow and Frazetta’s art is addictive as potato chips.

Forgoing the criteria of stateliness and opulence, this book is an exploration of the most captivating and unusual interiors in Ireland. Whether in the transformation of a derelict estate, the preservation of an historic hunting lodge, or the re-creation of a Gothic fantasy, each of the homes in this extraordinary book reflects a renewed vitality in the contemporary approach to Irish country houses.

The treasures of mid-century American architecture have long been celebrated. Less appreciated has been the landscape design that provides the framing for these masterworks. But more than frame, landscape architecture is an art worthy of the spotlight, particularly at mid-century, when the notion that “gardens are outdoor spaces for people to live in” was championed and brought to the fore; now gardens and landscapes are not just external attributes to the house but a continuation of it and its living spaces in a relationship of symbiosis, with its pools and terraces, its winding lawns, and its partly enclosed room-like spaces flanked by brick or stone or plantings in a range of colors and forms.

Flanigan looks at the home on a room-by-room basis, identifying common design challenges, offering solutions on how to create rooms that are aesthetically pleasing and efficient. With examples chosen from her work, she shares seasoned wisdom and creative approaches to every decision ranging from building materials and architectural details to furnishings, color, textiles, accessories, and organization.

From romantic to contemporary, from famed architects to little-known craftsmen, you’ll scale the heights to visit all manner of treetop structures, from a teahouse, restaurant, hotel, and children’s playhouse to simple perches from which to contemplate life, enjoy the view, and discover that tree houses take as many forms as the imagination can offer. With an abundance of gorgeous photographs and illustrations, this is an ode to alternative living, where playful imagination meets eco-sensitive finesse.

The House of Chanel offers rare access behind the scenes to three haute couture runway shows designed in dialogue with contemporary artist Xavier Veilhan. Virginie Viard, artistic director for Chanel’s fashion collections, entrusted Xavier Veilhan with the set design for three consecutive haute couture shows: Spring‒Summer 2022, Fall‒Winter 2022/23, and Spring‒Summer 2023. This unusually long dialogue resulted in an original visual universe, blending Veilhan’s poetic imagination, his reinterpretation of the Chanel world, and the infinite delicacy of Virginie Viard’s haute couture creations.

Barren red deserts dotted with post-colonial ghost towns, dilapidated inner city factories, discarded country homesteads and a succession of dormant, soot-filled power stations are just a handful of the desolate, yet visually rich narratives that form part of the abandoned Australia landscape. Digging beneath the sun-baked soil, Shane Thoms uncovers the modern ruins scattered over this arid continent and reveals a series of beautifully broken abodes hiding in the crevices of the Great Southern Land. Whispering of both long-gone happy family moments and human darkness, of working lives and the everyday pursuits of living, these atmospheric scenes allow us to reconstruct the stories of the past. Prompting conversations about a growing, diverse country with a complicated history, these abandoned places both connect as well as contrast the past and the present and chronicle the hidden remnants of the evolving Australian story.