ARTES

From the fabled towers of Babylon and Angkor Wat to the colossal stone heads of Rapa Nui (Easter Island) and secret gardens of Beijing’s Forbidden City, each of the sixty sites featured in this lavishly illustrated book are must-visit destinations for every cultured traveler, representing the pinnacles of human achievement over millennia and across the globe. Yet despite their beauty, fame, and importance, these treasured places face existential challenges arising from climate change, war, financial pressures, and—increasingly—over-tourism. From its founding in 1965, World Monuments Fund (WMF) has focused the public’s attention on these dangers while developing solutions that will ensure these sites will be enjoyed for generations to come.

Quintessential nineties images, taken from editorials for fashion magazines as well as many never-before-seen outtakes of behind-the-scenes candid moments, constitute this book by Hanson, who is known for her unique female gaze and famous for capturing the essence of youth in her vibrant and highly energetic images of beautiful girls having fun. Texture, light, and emotion play a pivotal role in her iconic documentary-style work. The book features intimate photographs of her muses and the top supermodels of the era, including Kristen McMenamy, Christy Turlington, Carla Bruni, Stephanie Seymour, Eva Herzigová, Milla Jovovich, Linda Evangelista, and many more. This is the first major book of Hanson’s published in the last twenty years, and it presents a nostalgic time capsule of one of the most fetishized decades of fashion.

This panoramic collection showcases stadiums, venues, and pitches, from the quirky to the historic, covering both men’s and women’s leagues, professional to amateur, wherever the game is played with enthusiasm and great style. For those who love the sport, either from birthright or from newly kindled passion, there’s a distinct and beloved resonance and local character to each stadium. This is one of soccer’s great charms, and this book is a road map to a pilgrimage to 1000 arenas that anyone in love with the beautiful game would want to visit in person: some visionary and new, some ageing but iconic, some remote yet picturesque, some tumbledown, quirky yet historical and utterly lovable—but all with such genuine personality, the fans’ hearts beat a little faster to see a match there.

This book celebrates the 1925 Paris Exposition—at its centenary—a landmark event that shaped twentieth-century design and gave its name to Art Deco. The exposition dazzled over sixteen million visitors during its run, showcasing the pinnacle of French luxury goods and design innovation. Renowned as the preeminent exponent of French Art Deco, Ruhlmann (1879–1933) was recognized for the aesthetic refinement, luxurious materials, and impeccable craftsmanship of his creations. Inspired by eighteenth-century pleasure pavilions, Ruhlmann’s pavilion, L’Hôtel du Collectionneur (The Town House of the Collector), was one of the most admired exhibits at the fair. Conceived as a modern-day Trianon, it was filled with his own sumptuous furnishings together with a meticulous selection of objets d’art by his contemporaries, including Edgar Brandt, Jean Dunand, and Jean Puiforcat.

Spanning the extraordinary breadth of the studio’s most recent work—projects in townhouses, historic country manors, and seaside villas—the interiors in this book reflect the design philosophy of founder Emma Sims-Hilditch: Every house needs to work on a functional level before one even considers the decoration. Spaces, from sumptuous entrance halls and sitting rooms to hardworking kitchens and boot rooms, are organized for efficiency and practicality before the design team introduces an abundance of floral and damask textiles, striking colors, both refined and comfortable furnishings, and decorative trims. This book not only explores the fruits of complex and rewarding collaborations that artfully breathe new life into old buildings but also offers an insight into an exciting new chapter in the fascinating story of classic English country houses. New materials and technologies, paired with traditional decorative devices, reinvigorate a Victorian house in the city, an eighteenth-century country house, a Jacobean manor, an apartment in London’s Old War Office, and many other quintessentially British residences.

Georgia O’Keeffe and Frank Lloyd Wright were neither competitors nor direct collaborators. Yet these romantic heroes of twentieth-century art and architecture largely operated in parallel. In this seminal book, Rovang weaves together their compelling life stories, examining newly discovered links between them and, in the process, offering a fresh perspective on their work, their intermittent yet poignant friendship, and their closeness to the desert.  Starting in 1933, O’Keeffe and Wright exchanged roughly two dozen letters in which they expressed admiration for one another but also their passion for the places that informed them—many of which they had in common. Both were born in rural Wisconsin and built their careers in Chicago and New York. However, both sought inspiration and fulfillment in places farther afield, including in Japan and the desert landscape of the American Southwest. Juxtaposing images highlighting shared aspects of their individual biographies and work, this unique take on American creative expression explores the nature of artistic friendship and the idea of “home.” Rovang’s text gives rich context to the allure and romance of her visual subject, offering readers new ways to appreciate O’Keeffe’s and Wright’s monumental contributions to American culture.

The earliest forms of human creativity – in carvings, markings, and cave paintings – bear witness to humanity’s engagement with color. Almost as old as these examples is the desire to assign structure, order, and meaning to this universal yet elusive concept, and it is this fascination that unites the works compiled in this expansive edition. Gathering over 40 rare books and manuscripts from a wealth of institutions, including the most distinguished color collections worldwide, The Book of Colour Concepts takes the reader on a chromatic odyssey across four centuries and over 350 images of luscious wheels and globes, painstakingly collated charts, and meticulous diagrams, many of them newly photographed exclusively for this edition.

Have you ever thought of citrus fruits as celestial bodies, angelically suspended in the sky? Perhaps not, but J. C. Volkamer (1644–1720) did―commissioning an extravagant and breathtaking series of large-sized copperplates representing citrons, lemons, and bitter oranges in surreal scenes of majesty and wonder. Ordering plants by post mostly from Italy, Germany, North Africa, and even the Cape of Good Hope, the Nuremberg merchant Volkamer was a devotee of the fragrant and exotic citrus at a time when such fruits were still largely unknown north of the Alps. His garden came to contain a wide variety of specimens, and he became so obsessed with the fruits that he commissioned a team of copperplate engravers to create 256 plates of 170 varieties of citrus fruits, many depicted life size, published in a two-volume work. The first volume appeared in 1708, with the impressively lengthy title The Nuremberg Hesperides, or: A detailed description of the noble fruits of the citron, lemon and bitter orange; how these may be correctly planted, cared for and propagated in that and neighboring regions.

* Frida Kahlo fue una prolífica y emotiva escritora de cartas. Aunque pasó una buena parte de su vida casada con el también artista Diego Rivera, ambos tuvieron numerosas aventuras y Frida escribió a sus amantes con frecuencia. * Este libro incluye una selección de cartas de Frida, muchas de ellas reproducidas en facsímil, junto con fotografías y obras de la artista. * Además de las muestras de correspondencia con su primer amor, Alejandro Gómez Arias, y con su marido, Diego Rivera, se presentan asimismo cartas dirigidas a Nickolas Muray, Georgia O’Keeffe y Josep Bartolí, entre otros. En conjunto, las misivas crean un retrato íntimo de la vida personal de Frida Kahlo y revelan otra vertiente de su creatividad. ''Desde que me enamoré de ti, todo se transforma y se llena de belleza. Quiero regalarte los colores más bonitos, quiero besarte...'' [A JOSEP BARTOLÍ, 20 DE OCTUBRE DE 1946]

Libro ilustrado que presenta la trayectoria y aportaciones de los diseñadores más influyentes en moda y creatividad contemporánea.