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Imagen de HAUTE BOHEMIANS: GREECE HISTORIC
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HAUTE BOHEMIANS: GREECE HISTORIC

A land immortalized by poets for its otherworldly beauty, Greece is the birthplace of iconic monuments that are known the world over. Yet, at the same time, it is also home to an organic architectural language, the product of centuries of rural and island lifestyles—the heir both to the timelessness of classical architecture and the simplicity of rustic living. This stunning volume chronicles Miguel Flores-Vianna’s photographic odyssey through the beautiful Greek landscape, showcasing historical houses alongside contemporary homes, united by the colorful characters who either live or have lived in these places—the “haute bohemians.” From the sophisticated residences of collectors and painters to island hideaways, centuries-old tavernas, royal follies, breathtaking gardens, and even a restored sailboat, Haute Bohemians: Greece transports Flores-Vianna’s armchair travel companions to a wondrous world, bathed in the glow of an ethereal light.
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Imagen de HISTORIA CRITICA DE LA ARQUITECTURA
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HISTORIA CRITICA DE LA ARQUITECTURA

Desde su primera edición en 1980, la Historia crítica de la arquitectura moderna de Kenneth Frampton se ha convertido en un clásico imprescindible dentro de la bibliografía académica sobre historia de la arquitectura moderna. En esta quinta edición ampliamente revisada y actualizada, el autor ha añadido una nueva y extensa sección que explora al detalle la evolución del Movimiento Moderno en la arquitectura en todo el mundo a finales del siglo xx y principios del xxi. En ella, se examinan las diversas formas en que los arquitectos no solo responden a los contextos geográficos, climáticos, materiales y culturales, sino que siguen también distintas líneas de enfoque en relación a la topografía, la morfología, la sostenibilidad y la forma cívica.
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Imagen de HISTORY OF GRAPHIC DESIGN (40TH) (INT)
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HISTORY OF GRAPHIC DESIGN (40TH) (INT)

Through the turbulent passage of time, graphic design—with its vivid, neat synthesis of image and idea—has distilled the spirit of each age. Surrounding us every minute of every day, from minimalist packaging to colorful adverts, smart environmental graphics to sleek interfaces: graphic design is as much about transmitting information as it is about reflecting society’s cultural aspirations and values.
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Imagen de HOLLY HUNT. FEARLESS IN THE WORLD OF
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HOLLY HUNT. FEARLESS IN THE WORLD OF

Acclaimed for popularizing modernism with mainstream American homeowners, Hunt curated and created chic modern furniture that made high-end design accessible to audiences beyond New York and Los Angeles.
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Imagen de HOMES FOR OUR TIME (XX)
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HOMES FOR OUR TIME (XX)

Across small cottages and lavish villas, beach houses and forest refuges, discover the world’s finest crop of new homes. This cutting-edge global digest features such talents as Shigeru Ban, MVRDV, and Marcio Kogan alongside up-and-coming names like Aires Mateus, Xu Fu-Min, Vo Trong Nghia, Desai Chia, and Shunri Nishizawa. Here, there are homes in Australia and New Zealand, from China and Vietnam, in the United States and Mexico, and on to less expected places like Ecuador and Costa Rica. The result is a sweeping survey of the contemporary house and a revelation that homes across the globe may have more in common than expected. Among guava trees and abandoned forts in Western India is a sanctuary designed for and by Kamal Malik of Malik Architecture. The House of Three Streams is a sprawling spectacle with high ceilings, verandas, and pavilions, perched atop a ridge overlooking two ravines. A medley of steel, glass, wood, and stone, the house weaves along the contour of the landscape, almost as an extension of the forest. Encina House by Aranguren & Gallegos, an elegant, sloping structure reminiscent of a gazebo, similarly inhabits its surrounding vista. Ensconced in a pine forest north of Madrid, the lower level is embedded in rock and connected to the upper by a natural stone wall. Shinichi Ogawa’s Seaside House is an immaculate two-story minimalist marvel in Kanagawa that overlooks the Pacific. Its living area spills onto a cantilevered terrace and infinity pool, almost dissolving into the ocean as one seamless entity. In Vietnam, Shunri Nishizawa’s House in Chau Doc exudes tropical sophistication with exposed timber beams, woven bamboo, plants, concrete panels, and inner balconies and terraces. Its corrugated iron panels act as moveable walls and shutters, ushering in views of surrounding rice fields. These homes―along with more than 50 others―are each remarkably distinct in design. They all, however, toe the line between inside and outside, each one symbiotic with its surroundings.
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Imagen de HOMES FOR OUR TIME VOL. 3 (XX) (INT)
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HOMES FOR OUR TIME VOL. 3 (XX) (INT)

Peeking behind the scenes of innovative homes, Philip Jodidio illustrates the evolution of today’s global architecture―from Samira Rathod’s House of Concrete Experiments in India to Tetro’s Açucena House in Brazil, which adapts to its natural terrain. The houses featured in this book may be the first full generation to take advantage of the ubiquity of computing power―from design to fabrication―yet this high-tech approach has in no way diminished their variety and originality. In Italy, Mario Cucinella built TECLA – Technology and Clay, a 3D-printed house created entirely with raw earth. The unique house, printed in 200 hours with 60 cubic meters of natural materials, unveils potential low-cost, environmentally responsible approaches to architecture. In Hyderabad, India, Kanan Modi designed her House of Gardens not only to diffuse and reduce heat within the structure but also to invite the beauty of nature indoors―both essential in the face of rising temperatures and increasing urbanization.
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