ARQUITECTURA Y DISEÑO

This book will represent one of the most effective and extravagant visions of architecture, one that links the new generations and the old world. In the past few years, Mexico has brought to light a new generation of architects whose extraordinary vision and productivity has positioned the country among the most creative design cultures of the world. Under his own firm FR-EE, since 2000 Fernando Romero has designed and created a number of projects which represent a new vision of Mexican and world architecture. Romero's approach to architecture is innovative and an inspirational tool for empowering future generations. The volume will focus on three themes that intertwine throughout the content of the book. On-site photographs (mainly aerial views) highlight the different places where FR-EE works, from urban centers to the desert. The location is what drives FR-EE's creative work, while the practice strives to investigate the dynamic forces of each site and client. Inspirational photographs give the reader a vision of how Romero's perspective shifts between different focuses of references, and reimagines them in new symbolic visions of the world (from monuments to colors, from natural elements to animals). The images include renderings, photographs, diagrams, plans, and sections. The projects are presented in situ and through architectural drawings, so as to explain the projects' concepts and contents.

A wide-ranging book on the timeless, elegant interiors of the versatile Frances Elkins, the grande dame of early twentieth-century design who influenced so many important designers of our time. Called “the most creative designer we have ever had” by Billy Baldwin, Frances Elkins has been revered for her classic, erudite, and multidimensional decor. Ahead of her time, Elkins became a successful decorator who by the early 1930s had reached the top of her profession and was considered the only rival to Elsie de Wolfe. Working throughout the United States, Elkins brought an international perspective and architectural sensibility to her work. Elkins traveled widely with her architect brother David Adler, educated at the Ecole des Beaux Arts, and he was a strong influence on her. Her social circle included interior designer Jean-Michel Frank, couturière Coco Chanel, aesthete Charles de Beistegui, arts patron Misia Sert and painter Salvador Dali, For her clients, she brought a modern European chic as well as a melding of the best of American, English, French,, Asian and Mexican traditions. A talented furniture and fabric designer as well as interior designer, she collaborated with many luminaries, including Frank; architects Adler, Gardner Dailey, and William Wurster; weaver Dorothy Liebes; decorator Syrie Maugham; the artist Bruton sisters; and furniture maker Myron Oliver. Her carefully planned interiors were known for their distinctive sophistication and polish, and an inviting sense of comfort.

Acclaimed as the “father of skyscrapers,” the quintessentially American icon Frank Lloyd Wright (1867–1959) was an architect of aspiration. He believed in giving cultivated American life its fitting architectural equivalent and applied his idealism to structures across the continent, from suburban homes to churches, offices, skyscrapers, and the celebrated Guggenheim Museum. Wright’s work is distinguished by its harmony with humanity and its environment, a philosophy he called organic architecture, and which found its paradigm at Fallingwater, a house in rural Pennsylvania, cited by the American Institute of Architects as “the best all-time work of American architecture.” Wright also made a particular mark with his use of industrial materials, and by the simple L or T plan of his Prairie House which became a model for rural architecture across America. Wright was also often involved in many of the interior elements of his buildings, such as the furniture and stained glass, paying particular attention to the balance between individual needs and community activity. Exploring Wright’s aspirations to augment American society through architecture, this book offers a concise introduction to his at once technological and Romantic response to the practical challenges of middle-class Americans.

Beauty and elegance mingle with extravagance in the Palm Beach style of architect Marion Sims Wyeth, a kind of home design that takes the standard fixtures of paradise palm trees, ebullient fountains, glistening pools and gardens, views of the sea and mixes them with a dash of the exotic a Moorish-style balcony or doorway, Venetian archways, fanciful courtyards in the Spanish style, and spiralling staircases in stone and iron. Featured here are the legendary abodes of Marjorie Merriweather Post and Doris Duke Mar-a-Lago and Shangri La, respectively as well as the less well known but equally spectacular Hogarcito and La Claridad, to name but a few. For those unfamiliar with these dream palaces, intimate homes of repose and reflection, for the enjoyment of life and the living of it, the book serves at once as a revelation and an inspiration.

Since opening its doors a century ago, Gleneagles has remained one of Scotland’s most iconic luxury hotels and sporting estates. This celebratory volume, published to coincide with the hotel’s centenary, explores the heritage, glamour, and timeless sophistication of this enduring Scottish treasure. When Gleneagles first opened in 1924 it was dubbed the “Riviera of the Highlands” and quickly claimed its place among the greatest leisure destinations in the world. Now, a hundred years on, its beauty, lure, and reputation for world-class hospitality remain unparalleled.

The decorating evolution of Bryan—one of the great patrons of interior design—has gone from classic modernism to sumptuous traditionalism to romantic eclecticism and everything in between, with the collaboration of such renowned interior designers as Tom Britt, Mica Ertegun, Susan Gutfreund, Mark Hampton, and Studio Peregalli Sartori. Each residence and each room make up an aesthetic memoir that explores those collaborations, reveals insights into the various processes, and inspires others to look at their own spaces and consider a myriad of beautiful and appropriate options. Anecdotes divulge her astute guidance and the charming idiosyncrasies of some of the twentieth century’s greatest decorators.