LITERATURA EN OTROS IDIOMAS

Iris Cooper has been singing ever since she can remember, hitting the high notes like no one else. When she is twelve, her father convinces the owner of a bar in Lake City, Texas, to let her perform, and she stuns the audience. In the ensuing years, never staying anywhere for long, father and daughter move from one dusty town to the next, her passion for music growing every time she takes the mike in another roadhouse. But it is not an easy life for Iris with her father in charge and using her income to pay for gambling, women, and booze. When she starts to tour at age eighteen, she takes on a real manager. Yet he exploits her too, and the singers and musicians she tours with are really the only family she has. It is they who give Iris the courage to finally fly free, leave the tour, and follow her dreams. After years of enduring the hardships of the road, exploitation, and abuse to do what she loves, Iris’s big chance comes as her talent soars. But at the top at last, Iris still has to fight every step of the way. In The High Notes, Danielle Steel delivers an inspiring story about finding the strength to stand up for yourself and your dreams, no matter what it takes.

From the New York Times bestselling author of Start With Why and Leaders Eat Last, a bold framework for leadership in today’s ever-changing world. How do we win a game that has no end? Finite games, like football or chess, have known players, fixed rules and a clear endpoint. The winners and losers are easily identified. Infinite games, games with no finish line, like business or politics, or life itself, have players who come and go. The rules of an infinite game are changeable while infinite games have no defined endpoint. There are no winners or losers—only ahead and behind. The question is, how do we play to succeed in the game we’re in? In this revelatory new book, Simon Sinek offers a framework for leading with an infinite mindset. On one hand, none of us can resist the fleeting thrills of a promotion earned or a tournament won, yet these rewards fade quickly. In pursuit of a Just Cause, we will commit to a vision of a future world so appealing that we will build it week after week, month after month, year after year. Although we do not know the exact form this world will take, working toward it gives our work and our life meaning. Leaders who embrace an infinite mindset build stronger, more innovative, more inspiring organizations. Ultimately, they are the ones who lead us into the future.

A stranger emerges out of a freezing February day with a request for lodging in a cozy provincial inn. Who is this out-of-season traveler? More confounding is the thick mask of bandages obscuring his face. Why is he disguised in such a manner? What keeps him hidden in his room? The villagers, aroused by trepidation and curiosity, bring it upon themselves to find the answers. What they discover is not only a man trapped in the terror of his own creation, but a chilling reflection of the unsolvable mysteries of their own souls.

The Italy Letters is a slim, powerful shot of literary fantasia from one of America’s best-kept secrets. Long an underground favorite, visionary writer Vi Khi Nao weaves an unforgettable and highly distinctive story of a love affair suffused with longing, erotic passion, and heartbreak—all while painting a picture of the gritty underside of Las Vegas. This beautiful and mesmerizing novel by a queer Vietnamese American writer is a brilliant and unclassifiable work of fiction that takes the form of a series of letters written by the unnamed narrator to her lover in Italy … part of a stream-of-consciousness narrative that is by turns poignant, bawdy, funny, and disturbing—and often beautifully poetic. Along the way, the story touches on the immigrant experience, LGBTQIA identity, social class, writing, betrayal, sex, and homesickness. The result is an authentically distinctive piece of writing from a writer on the cusp of wide acclaim.

Written while Mary Shelley was in a self-imposed lockdown after the loss of her husband and children, and in the wake of intersecting crises including the climate-changing Mount Tambora eruption and a raging cholera outbreak, The Last Man (1826) is the first end-of-mankind novel, an early work of climate fiction, and a prophetic depiction of environmental change. Set in the late twenty-first century, the book tells of a deadly pandemic that leaves a lone survivor, and follows his journey through a post-apocalyptic world that’s devoid of humanity and reclaimed by nature. But rather than give in to despair, Shelley uses the now-ubiquitous end-times plot to imagine a new world where freshly-formed communities and alternative ways of being stand in for self-important politicians serving corrupt institutions, and where nature reigns mightily over humanity—a timely message for our current era of climate collapse and political upheaval. Brimming with political intrigue and love triangles around characters based on Percy Shelley and scandal-dogged poet Lord Byron, the novel also broaches partisan dysfunction, imperial warfare, refugee crises, and economic collapse—and brings the legacy of her radically progressive parents, William Godwin and Mary Wollstonecraft, to bear on present-day questions about making a better world less centered around “man.” Shelley’s second major novel after Frankenstein, The Last Man casts a half-skeptical eye on romantic ideals of utopian perfection and natural plenitude while looking ahead to a greener future in which our species develops new relationships with non-human life and the planet.

In an alternate Edinburgh of 1824, every woman lives in fear that she will be the next one hanged for witchcraft. All it takes is invoking the anger, or the desire, of the wrong person. Nellie Duncan, beautiful and unwed, keeps to herself until she encounters the Rae Women’s Apothecary. There, fiery Jean Rae and the other women provide cures and teach others that they too can aid the winter deity, the Cailleach, embracing her characteristic independence, agency, and craft, in turn becoming witches themselves. Nellie finds a place and a purpose at the shop, and a blossoming romance with Jean, as she learns about nature-based craft and a witch’s ability to return to life after death. But the Cailleach has an ancient enemy intent on stripping the power of the deity and all her witches, leaving a wake of patriarchal violence and destruction. When heart-breaking disaster strikes, Nellie flees and spends the next two centuries hiding from the world—until love gives her the courage and the motivation to come back. Nellie’s past is waiting for her there, and hanging witches is no longer the only means of oppression. But this time, Nellie refuses to run—either from her foes, or from her resolve to awaken others to the unimaginable power that can come with fighting the patriarchy in its many forms—and finding one’s own magical inner-strength.