ARQUITECTURA Y DISEÑO

McClean’s second Rizzoli book explores fifteen ultra-modern residences completed over the past five years. Rigorous, elegant, and impeccably detailed, McClean’s houses are the embodiment of livable modernism and set the stage for every aspect of California living. The residences range from a remodeled classical mansion in San Francisco, to waterfront houses and serene oases that seem to float above the flats of Los Angeles, with vistas extending from mountains to the ocean.

Following her success with Nora Murphy’s Country House Style, Murphy celebrates a selection of homes and their homeowners, each exemplifying a different style. For Nora Murphy, a country house isn’t so much a place as it is a state of mind. A country house is warm, welcoming—at once down to earth, yet elegant. A country house has genuine character, tells a story, and is truly, wonderfully lived in. Here Murphy explores the tenets of country house style, as illustrated by her own “new” country house, and the many other striking homes she has curated for the book. Each one of these homeowners has embraced country house style—but each implements it in their own unique way. There is a pastoral 1732 center-chimney colonial in Connecticut nestled in spectacular gardens, a cozy cottage on the coast of Maine rich with local details, and an 1840s Greek Revival in the Hudson Valley filled with romantic Victorian ephemera. Common threads weave through the stories: the thrill of the antiques hunt, the role of history, and the priority of comfort.

“Las cuestiones de la conciencia de la forma, la belleza y la armonía no me interesan tanto a nivel abstracto como en la medida que afectan a la vida cotidiana y en relación con el arte de vivir. La vida cotidiana, si nos fijamos en las teorías orientales del arte, es un aspecto central del camino del artista.” Como en el arte o en el diseño, carecer de forma implica dispersión y pérdida de referencias, quedar expuesto a los fenómenos externos sin ritmo ni control. Dar forma a lo cotidiano es una invitación a poner en valor nuestra realidad tangible y manejable, a trabajar la atención plena sobre las cuestiones básicas que rigen nuestra cotidianidad ―la alimentación, el amor, los medios de comunicación, la vestimenta y nuestras posesiones― y conectar con ellas de forma consciente, limitando sus contornos y encontrando su lugar en la red que conforma nuestro fundamento vital.

Back in print for the first time in years, this classic of interior-design history showcases the masterful work of David Hicks (1929–1998), who is acknowledged as one of the most important designers of the late twentieth century, in the company of Billy Baldwin and Albert Hadley. Known for his bold use of color, eclecticism, and geometric designs in carpets and textiles, Hicks turned English decorating on its head in the 1950s and ’60s. His trademark use of electrifying color combinations, and mixing antiques, modern furniture, and abstract paintings became the “in style” for the chic of the day, including Vidal Sassoon and Helena Rubinstein. By the 1970s, David Hicks was a brand; his company was making wallpaper, fabrics, and linens and had outposts in eight countries, including the United States where he worked with the young Mark Hampton, and where his wallpaper was used in the White House. “My greatest contribution as an interior designer has been to show people how to use bold color mixtures, how to use patterned carpets, how to light rooms, and how to mix old with new,” he stated in his 1968 work, David Hicks on Living—With Taste, the last authoritative book on his work. Written by his son, Ashley Hicks, with unprecedented access to Hicks’s archives, personal photographs, journals, and scrapbooks, this book is a vibrantly illustrated celebration of a half century of stunning interiors.

Designer extraordinaire Stephen Shadley began his working life as a scenic artist at 20th Century Fox. Throughout a celebrated career (landing a coveted spot on the AD100), his work has been marked continually by the glamour of Hollywood as well as by a kind of visual storytelling that is richly informed by the world of the movie screen and by the artifice and allure of film s great cinematographers. Notable for their expression of an exquisite sense of style, his designed homes including the interiors for a classic Beverly Hills abode for Diane Keaton, an apartment for Robert Altman in the legendary Pythian building on New York s Upper West Side, as well as a luxurious contemporary home for Jennifer Aniston are all expressions of a masterful sense of scale and an appreciation for understated beauty and refined materials that are ultimately warm, inviting, and serene. The book features numerous beautifully designed homes of Hollywood royalty, primarily in Southern California, though with notable projects in New York and beyond, as well as three greenrooms, which Shadley designed for the Oscars and the Emmy Awards.

A leading name in the international design scene, and a regular in every major shelter magazine in America, his native France and world-wide, Jean-Louis Deniot is celebrated for his exceptionally sophisticated and erudite take on classical style.