Iris Cooper has been singing ever since she can remember, hitting the high notes like no one else. When she is twelve, her father convinces the owner of a bar in Lake City, Texas, to let her perform, and she stuns the audience. In the ensuing years, never staying anywhere for long, father and daughter move from one dusty town to the next, her passion for music growing every time she takes the mike in another roadhouse.
But it is not an easy life for Iris with her father in charge and using her income to pay for gambling, women, and booze. When she starts to tour at age eighteen, she takes on a real manager. Yet he exploits her too, and the singers and musicians she tours with are really the only family she has. It is they who give Iris the courage to finally fly free, leave the tour, and follow her dreams.
After years of enduring the hardships of the road, exploitation, and abuse to do what she loves, Iris’s big chance comes as her talent soars. But at the top at last, Iris still has to fight every step of the way. In The High Notes, Danielle Steel delivers an inspiring story about finding the strength to stand up for yourself and your dreams, no matter what it takes.
Cuba, 1998: Rafa, an Afro-Cuban orphan, moves to Havana with nothing to his name and falls into a job at a café. He is soon drawn into a web of ever-shifting entanglements with his boss’s son, the charismatic Renato, leader of the counterrevolutionary group “Los Injected Ones,” which is planning a violent overthrow of the Castro government during Pope John Paul II’s upcoming visit.
When Renato goes missing, Rafa’s search for his friend takes him through various haunts in Havana: from an AIDS sanatorium, to the guest rooms of tourist hotels, to the outskirts of the capital, where he enters a phantasmagorical slum cobbled together from the city’s detritus by Los Injected Ones.
A novel of cascading prose that captures a nation in slow collapse, Sacrificio is a visionary work, capturing the fury, passion, fatalism, and grim humor of young lives lived at the margins of a society they desperately wish to change.
“You are the next step in human evolution.”
At first, Logan Ramsay isn’t sure if anything’s different. He just feels a little . . . sharper. Better able to concentrate. Better at multitasking. Reading a bit faster, memorizing better, needing less sleep.
But before long, he can’t deny it: Something’s happening to his brain. To his body. He’s starting to see the world, and those around him—even those he loves most—in whole new ways.
The truth is, Logan’s genome has been hacked. And there’s a reason he’s been targeted for this upgrade. A reason that goes back decades to the darkest part of his past, and a horrific family legacy.
Worse still, what’s happening to him is just the first step in a much larger plan, one that will inflict the same changes on humanity at large—at a terrifying cost.
Because of his new abilities, Logan’s the one person in the world capable of stopping what’s been set in motion. But to have a chance at winning this war, he’ll have to become something other than himself. Maybe even something other than human.
And even as he’s fighting, he can’t help wondering: what if humanity’s only hope for a future really does lie in engineering our own evolution?
La alegría de vivir se fija en la infancia; toda la vida posterior procede de ese primer pálpito de la mirada sobre lo que sucede. Este libro narra dos infancias: la del nieto y la del autor, el abuelo. Las dos se unen en una indagación sencilla sobre la sorpresa con que un niño inaugura su relación con los otros y con la realidad: los números, el ascensor, el día, el mar, el adiós. Como si lo llevara de la mano a través de la galería de sus recuerdos, el abuelo habla del primer amor, de un cuchillo y del mundo entero.
Novela ganadora del IX Premio Iberoamericano de Novela Elena Poniatowska.
En lo profundo de la selva y de la noche se encienden varios reflectores y un grupo de inmigrantes es sorprendido y atacado por otro grupo de hombres y mujeres, presas de la patria en la que viven y de sus propias historias. Así arranca esta road novel que atraviesa una narración donde los seres humanos son reducidos a mercancía, donde la violencia es el marco en el que suceden todas las historias y donde el espacio está corrompido por la miseria y la moral de los seres que lo habitan, pero también donde surge una historia enigmática de amor inesperado: la de Estela y Epitafio, jefes de la banda de secuestradores.
A través de los protagonistas y de la masa de inmigrantes, cuya individualidad se desmorona poco a poco, Emiliano Monge retrata este holocausto del siglo XXI, desnuda el horror y la soledad, pero también la lealtad y la esperanza que combaten en el corazón del ser humano.
Un retrato del holocausto del siglo XXI.
Bella y oscura narra la infancia vivida y soñada de una niña que viaja desde la soledad del orfanato hasta el marginal Barrio, donde la acoge una singular familia: doña Bárbara, su abuela, mujer de poderosa presencia; Amanda, su tía, sometida a Segundo, un marido pendenciero; Chico, su primo, taciturno observador de la actividad del Barrio; Airelai «la katami», la diosa-niña, la enana que conserva intacta la imaginación y la magia; y, finalmente, Máximo, el esperado padre, admirado por todos.
Esta novela no puede leerse sin sentirse conmovido y atrapado por el relato alegórico de lo que poseemos sin haberlo conquistado: la sabiduría de la infancia. Es la evocación de un tiempo pasado, solitario, germen necesario de la libertad; es la belleza que la fantasía extrae de la crueldad y de los inocentes olvidos de la niñez.