NOVEDADES

“Were we gangsters? No. But did we know how to start a fire?” In 1980, a wealthy businessman named Carl Fletcher is kidnapped from his driveway, brutalized, and held for ransom. He is returned to his wife and kids less than a week later, only slightly the worse, and the family moves on with their lives, resuming their prized places in the saga of the American dream, comforted in the realization that though their money may have been what endangered them, it is also what assured them their safety. But now, nearly forty years later, it’s clear that perhaps nobody ever got over anything, after all. Carl has spent the ensuing years secretly seeking closure to the matter of his kidnapping, while his wife, Ruth, has spent her potential protecting her husband’s emotional health. Their three grown children aren’t doing much better: Nathan’s chronic fear won’t allow him to advance at his law firm; Beamer, a Hollywood screenwriter, will consume anything—substance, foodstuff, women—in order to numb his own perpetual terror; and Jenny has spent her life so bent on proving that she’s not a product of her family’s pathology that she has come to define it. As they hover at the delicate precipice of a different kind of survival, they learn that the family fortune has dwindled to just about nothing, and they must face desperate questions about how much their wealth has played a part in both their lives’ successes and failures.

Rufus Leung Gresham, future Earl of Greshambury and son of a former Hong Kong supermodel has a problem: the legendary Gresham Trust has been depleted by decades of profligate spending, and behind all the magazine covers and Instagram stories manors and yachts lies nothing more than a gargantuan mountain of debt. The only solution, put forth by Rufus’s scheming mother, is for Rufus to attend his sister’s wedding at a luxury eco-resort, a veritable who’s-who of sultans, barons, and oligarchs, and seduce a woman with money. Should he marry Solène de Courcy, a French hotel heiress with honey blond tresses and a royal bloodline? Should he pursue Martha Dung, the tattooed venture capital genius who passes out billions like lollipops? Or should he follow his heart, betray his family, squander his legacy, and finally confess his love to the literal girl next door, the humble daughter of a doctor, Eden Tong? When a volcanic eruption burns through the nuptials and a hot mic exposes a secret tryst, the Gresham family plans—and their reputation—go up in flames.

REMY spends his days trying to survive the mean streets of Cutthroat Wedge—one of the many islands floating in the gravitational pull of the magical Maelstrom raging below. But his life changes forever when a violent storm brings a baby dragon to his doorstep, and he feels a bond he has never felt with anyone. Remy names the dragon Storm and vows to protect this new friend, no matter the cost. GEM longs for the day when she call herself a true mage. That is, if she can convince her teachers and peers that just because she’s a princess doesn’t mean she’s lazy and spoiled. But when Gem learns that the floating islands that make up her kingdom are rapidly sinking into the Maelstrom, she makes it her mission to save her world. Against the king’s wishes, she accesses forbidden research and discovers the secret to saving humanity may lie in a True Dragon—a dragon capable of intelligent thought and able to cast and use magic. But True Dragons are extinct . . . aren’t they? Remy’s and Gem’s lives will never be the same when their fates collide, thanks to Storm. With an evil pirate mage named Jhaeros determined to claim the rare dragon for himself, the two must learn to trust in each other as they team up with a shifty pirate captain and her crew, stand together against impossible odds, and embark on the adventure of a lifetime.

Written while Mary Shelley was in a self-imposed lockdown after the loss of her husband and children, and in the wake of intersecting crises including the climate-changing Mount Tambora eruption and a raging cholera outbreak, The Last Man (1826) is the first end-of-mankind novel, an early work of climate fiction, and a prophetic depiction of environmental change. Set in the late twenty-first century, the book tells of a deadly pandemic that leaves a lone survivor, and follows his journey through a post-apocalyptic world that’s devoid of humanity and reclaimed by nature. But rather than give in to despair, Shelley uses the now-ubiquitous end-times plot to imagine a new world where freshly-formed communities and alternative ways of being stand in for self-important politicians serving corrupt institutions, and where nature reigns mightily over humanity—a timely message for our current era of climate collapse and political upheaval. Brimming with political intrigue and love triangles around characters based on Percy Shelley and scandal-dogged poet Lord Byron, the novel also broaches partisan dysfunction, imperial warfare, refugee crises, and economic collapse—and brings the legacy of her radically progressive parents, William Godwin and Mary Wollstonecraft, to bear on present-day questions about making a better world less centered around “man.” Shelley’s second major novel after Frankenstein, The Last Man casts a half-skeptical eye on romantic ideals of utopian perfection and natural plenitude while looking ahead to a greener future in which our species develops new relationships with non-human life and the planet.

In an alternate Edinburgh of 1824, every woman lives in fear that she will be the next one hanged for witchcraft. All it takes is invoking the anger, or the desire, of the wrong person. Nellie Duncan, beautiful and unwed, keeps to herself until she encounters the Rae Women’s Apothecary. There, fiery Jean Rae and the other women provide cures and teach others that they too can aid the winter deity, the Cailleach, embracing her characteristic independence, agency, and craft, in turn becoming witches themselves. Nellie finds a place and a purpose at the shop, and a blossoming romance with Jean, as she learns about nature-based craft and a witch’s ability to return to life after death. But the Cailleach has an ancient enemy intent on stripping the power of the deity and all her witches, leaving a wake of patriarchal violence and destruction. When heart-breaking disaster strikes, Nellie flees and spends the next two centuries hiding from the world—until love gives her the courage and the motivation to come back. Nellie’s past is waiting for her there, and hanging witches is no longer the only means of oppression. But this time, Nellie refuses to run—either from her foes, or from her resolve to awaken others to the unimaginable power that can come with fighting the patriarchy in its many forms—and finding one’s own magical inner-strength.

Sending Damon to prison was the worst thing Winter could’ve done. It didn’t matter that he did the crime or that she wished he was dead. Winter thought he’d cool off in jail and be anything but the horror he was, or that at the very least she’d have time to disappear before he got out. But she was wrong. Three years came and went too fast, and prison only gave him time to plan. And while Winter anticipated his vengeance, she didn’t expect this. He doesn’t want to make her hurt. He wants to make everything hurt. Damon knows he needs to get rid of Winter’s father, giving her, her sister, and her mother nowhere to run. The Ashby women are desperate for a knight in shining armor. But that’s not what’s coming. It’s time Damon took control of his future. It’s time he showed them all that he will never stop being the nightmare they think he is. Damon won’t have to break into her home to do it. As the new man of the house, he has all the keys.

The Lady knows the stories: how her eyes induce madness in men. The Lady knows she will be wed to the Scottish brute, who does not leave his warrior ways behind when he comes to the marriage bed. The Lady knows his hostile, suspicious court will be a game of strategy, requiring all of her wiles and hidden witchcraft to survive. But the Lady does not know her husband has occult secrets of his own. She does not know that prophecy girds him like armor. She does not know that her magic is greater and more dangerous, and that it will threaten the order of the world. She does not know this yet. But she will.

A smog has spread. Food crops are rapidly disappearing. A chef escapes her dying career in a dreary city to take a job at a decadent mountaintop colony seemingly free of the world’s troubles. There, the sky is clear again. Rare ingredients abound. Her enigmatic employer and his visionary daughter have built a lush new life for the global elite, one that reawakens the chef to the pleasures of taste, touch, and her own body. In this atmosphere of hidden wonders and cool, seductive violence, the chef’s boundaries undergo a thrilling erosion. Soon she is pushed to the center of a startling attempt to reshape the world far beyond the plate. Sensuous and surprising, joyous and bitingly sharp, told in language as alluring as it is original, Land of Milk and Honey lays provocatively bare the ethics of seeking pleasure in a dying world. It is a daringly imaginative exploration of desire and deception, privilege and faith, and the roles we play to survive. Most of all, it is a love letter to food, to wild delight, and to the transformative power of a woman embracing her own appetite.

Kalyna’s family has the Gift: the ability to see the future. For generations, they traveled the four kingdoms of the Tetrarchia selling their services as soothsayers. Every child of their family is born with this Gift—everyone except Kalyna. So far, Kalyna has used informants and trickery to falsify prophecies for coin, scrounging together a living for her deteriorating father and cruel grandmother. But Kalyna’s reputation for prophecy precedes her, and poverty turns to danger when she is pressed into service by the spymaster to Rotfelsen. Kalyna is to use her “Gift” to uncover threats against Rotfelsen’s king, her family held hostage to ensure her good behavior. But politics are devious; the king’s enemies abound, and Kalyna’s skills for investigation and deception are tested to the limit. Worse, the conspiracy she uncovers points to a larger threat, not only to Rotfelsen but to the Tetrarchia itself. Kalyna is determined to protect her family and newfound friends, but as she is drawn deeper into palace intrigue, she can no longer tell if her manipulations are helping prevent the Tetrarchia’s destruction—or if her lies will bring about its prophesized downfall.