NOVEDADES

A chronicle of the pioneering and subversive brand Parachute and its influence on the evolution of fashion in the 1980s and beyond. From its beginnings inspired by New Wave subculture to its position as an international fashion sensation, the Parachute brand from Montreal was recognized for its visionary, bold apparel and innovative concept stores. Avant-garde in attitude and design, Parachute brought together high and low, the establishment and the underground. The clothing was defined by androgynous looks, oversized silhouettes, elevated essentials, and graphic references to past and future, from exaggerated trench coats to “space samurai kimonos.” Together with a considered retail presence, which combined an industrial aesthetic in the stores with exuberant photography campaigns, the brand created a vision for street fashion that is keenly relevant today.

A highly anticipated monograph of recent houses by a leading California architecture and landscape firm that celebrates sophisticated modern living and represents the pinnacle of the California Dream. Residing with Nature features one-of-a-kind homes, crafted in sensuous materials and dramatically sited to enhance views, sunlight, and nature in California, Nevada, and Colorado. Grant Kirkpatrick and Duan Tran of KAA Design share their process for creating personal environments that are tailor-made to each client’s unique lifestyle and setting. All the designs inform a dynamic connection to nature that links indoors and outdoors, an extraordinary attention to craftsmanship, an enduring use of local materials, a striking balance between geometry and whimsy, and an exhilarating sense of levitation.

Thirty-five contemporary artists create their own version of Le Déjeuner sur l’herbe. Édouard Manet’s Le Déjeuner sur l’herbe (1863) is generally cited as the first modern painting. The entry slide in art history lectures about modernism, the work remains among the “most audacious painting[s] ever seen in France,” as Ross King described it in The Judgement of Paris (2006). As Manet did with Le Déjeuner sur l’herbe, the most provocative painters today collapse the historical and the contemporary onto one plane. Jeffrey Deitch invited a group of these influential artists to create their own versions, combined here with historical responses to Manet’s painting. The slim volume features these often biting and satirical works alongside essays discussing Le Déjeuner sur l’herbe’s enduring influence on contemporary figurative painting.