NOVEDADES

When 13-year-old Jolie Aspern drops her phone onto the subway tracks in 2011, her estranged dad, Ethan, seems like the furthest thing from her mind. A convicted felon and recovering addict, Ethan has always struggled to see past himself. But then a call from his ex makes him fear their daughter's in deeper trouble than anyone realizes. Believing he's the only one who can save her, he decides to return to New York with a gift: the whole of his life, its hard-won triumphs and harrowing mistakes . . . So begins the intimate epic of Jolie and Ethan: child and adult, apart and together, different yet the same. Their journey toward each other will face opposition from grandparents and siblings and friends. It will strain connections with roommates and benefactors and a probation officer desperate to help. It will push Jolie out past her depth with a mysterious admirer, and Ethan in over his head with his first love, Jolie's mom. But as father and daughter struggle to find their footing, new vistas beckon: from a surf break in mid-'90s Delaware to group therapy during the great recession, from an encampment at Occupy Wall Street to a HoJo on Maryland's Eastern Shore, from the heights of the Brooklyn Bridge to horizons seldom seen in fiction.

1992. Eight respectable, upstanding people have been found dead across the US. These deaths look like accidents and don't appear to be connected. Until one body - the victim of a fatal fall from a hospital window - generates some unexpected attention. That attention comes from the Secretary of Defense, who promptly calls for an inter-agency task force to investigate. Jack Reacher is assigned as the Army's representative. Reacher may be an exceptional soldier, but sweeping other people's secrets under the carpet isn't part of his skill set. As he races to discover the link between these victims, and who killed them, he must navigate around the ulterior motives of his new 'partners'. And all while moving into the sight line of some of the most dangerous people he has ever encountered. His mission is to uncover the truth. The question is: will Reacher bring the bad guys to justice the official way . . . or his way?

For the ancients, everything worth pursuing in life flowed from a strong sense of justice or one’s commitment to doing the right thing, no matter how difficult. In order to be courageous, wise, and self-disciplined, one must begin with justice. The influence of the modern world often tells us that acting justly is optional. Holiday argues that that’s simply untrue—and the fact that so few people today have the strength to stand by their convictions explains much about why we’re so unhappy.

Even in a family of chaotic necromancers, Daria “Dasha” Avramov has always been an outlier. An event planner at the Arcane Emporium occult megastore, Dasha is also a devil eater: a rare necromantic witch with an affinity for banishing demons and traversing the veil, the boundary between this realm and the next. Still grieving the loss of both beloved parents years ago, and plagued by a dangerous obsession with the world beyond the veil, Dasha is fiery yet guarded, an expert at dodging commitment. Her worst regret is a devastating breakup with the wise, empathetic, and sensual Ivy Thorn, her event-planning counterpart at Honeycake Orchards, and probably the love of Dasha’s life. Dasha has managed to break Ivy’s heart not once, but twice, so things are more than a little tense between them.

Real Americans begins on the precipice of Y2K in New York City, when twenty-two-year-old Lily Chen, an unpaid intern at a slick media company, meets Matthew. Matthew is everything Lily is not: easygoing and effortlessly attractive, a native East Coaster, and, most notably, heir to a vast pharmaceutical empire. Lily couldn't be more different: flat-broke, raised in Tampa, the only child of scientists who fled Mao’s Cultural Revolution. Despite all this, Lily and Matthew fall in love. In 2021, fifteen-year-old Nick Chen has never felt like he belonged on the isolated Washington island where he lives with his single mother, Lily. He can't shake the sense she's hiding something. When Nick sets out to find his biological father, the journey threatens to raise more questions than it provides answers. In immersive, moving prose, Rachel Khong weaves a profound tale of class and striving, race and visibility, and family and inheritance—a story of trust, forgiveness, and finally coming home. Exuberant and explosive, Real Americans is a social novel par excellence that asks: Are we destined, or made? And if we are made, who gets to do the making? Can our genetic past be overcome?

Lady Grace Fairfax, witch, knows that something foul is at play that someone had betrayed Anne Boleyn and her coven. Wild with the loss of their leader and her lover, a secret that if spilled could spell Grace’s own end she will do anything in her power to track down the traitor. But there’s more at stake than revenge: it was one of their own, a witch, that betrayed them, and Grace isn’t the only one looking for her. King Henry VIII has sent witchfinders after them, and they’re organized like they’ve never been before under his new advisor, the impassioned Sir Ambrose Fulke, a cold man blinded by his faith. His cruel reign could mean the end of witchkind itself. If Grace wants to find her revenge and live, she will have to do more than disappear.

They were promised for marriage since birth, and raised to bring down kingdoms, but the triplet princesses of Bessemia’s true destiny has always been to die—and one already has. Since Sophronia’s murder Princesses Daphne and Beatriz have discovered the truth: that they are pawns in their mother’s game. A scheme that will see her empress not just of Bessemia, but the entire continent of Vesteria. But the princesses have their own plans. Beatriz and Daphne are still separated by a continent, and there are enemies everywhere, but now they have allies, and they stretch across the borders of Vesteria. Sophronia’s husband, the deposed King Leopold; Violie, a former spy for Empress Margaraux; and Beatriz’s missing husband, Pasquale and his lover, Ambrose. Now, with their help and the magic of the stars above, the princesses are ready to make their final stand.

In 1995, Treasury Secretary Robert Rubin re-defined the next thirty years of currency policy with the mantra, “A strong dollar is in America’s interest.” That mantra held, ushering in exceptional prosperity and cheap foreign goods, but the strong dollar policy also played a role in the devastating hollowing out of America’s manufacturing sector. Meanwhile, abroad, the United States increasingly turned to the dollar as a weapon of war. In Paper Soldiers, Saleha Mohsin reveals how the Treasury Department has shaped U.S. policy at home and overseas by wielding the American dollar as a weapon—and what that means in a new age of crisis. For decades, America has preferred its currency superpower-strong, the basis of a “strong dollar” policy that attracted foreign investors and pleased consumers. Drawing on Mohsin’s unparalleled access to current and former Treasury officials like Robert Rubin, Steven Mnuchin, and Janet Yellen, Paper Soldiers traces that policy’s intended and unintended consequences, including the rise of populist sentiment and trade war with China—culminating in an unprecedented attack on the dollar’s pristine status during the Trump presidency—and connects the dollar’s weaponization from 9/11 to the deployment of crippling financial sanctions against Russia. Ultimately, Mohsin argues that, untethered from many of the economic assumptions of the last generation, the power and influence of the American dollar is now at stake. With first-hand reporting and fresh analysis that illustrates the vast, often unappreciated power that the Treasury Department wields at home and abroad, Paper Soldiers tells the inside story of how we really got here—and the future not only of the almighty dollar, but the nation’s teetering role as a democratic superpower.

Venice, 1958. Peggy Guggenheim, heiress and now legendary art collector, sits in the sun at her white marble palazzo on the Grand Canal. She’s in a reflective mood, thinking back on her thrilling, tragic, nearly impossible journey from her sheltered, old-fashioned family in New York to here: iconoclast and independent woman. Rebecca Godfrey’s Peggy is a blazingly fresh interpretation of a woman who defies every expectation to become an original. The daughter of two Jewish dynasties, Peggy finds her cloistered life turned upside down at fourteen, when her beloved father perishes on the Titanic. His death prompts Peggy to seek a life of passion and personal freedom and, above all, to believe in the transformative power of art. We follow Peggy as she makes her way through the glamorous but sexist and anti-Semitic art worlds of New York and Europe and meet the numerous men who love her (and her money) while underestimating her intellect, talent, and vision. Along the way, Peggy must balance her loyalty to her family with her need to break free from their narrow, snobbish ways and the unexpected restrictions that come with vast fortune.