LETRAS

The Moon and Sixpence follows the life of one Charles Strickland, a bourgeois city gent whose dull exterior conceals the soul of a genius. Compulsive and impassioned, he abandons his home, wife, and children to devote himself slavishly to painting. In a tiny studio in Paris, he fills canvas after canvas, refusing to sell or even exhibit his work. Beset by poverty, sickness, and his own intransigent, unscrupulous nature, he drifts to Tahiti, where, even after being blinded by leprosy, he produces some of his most extraordinary works of art. Inspired by the life of Paul Gauguin, The Moon and Sixpence is an unforgettable study of a man possessed by the need to create—regardless of the cost to himself and to others. For more than seventy years, Penguin has been the leading publisher of classic literature in the English-speaking world. With more than 1,700 titles, Penguin Classics represents a global bookshelf of the best works throughout history and across genres and disciplines. Readers trust the series to provide authoritative texts enhanced by introductions and notes by distinguished scholars and contemporary authors, as well as up-to-date translations by award-winning translators.

It is 1940 and twenty-year-old Charlotte Richmond watches from her attic window as enemy planes fly over London. Still grieving her beloved brother, who never returned from France, she is trying to keep herself out of trouble: holding down a typist job at the Ministry of Information, sharing gin and confidences with her best friend, Elena, and dodging her overbearing father. On her way to work she often sees the boy who feeds the birds—a source of unexpected joy amid the rubble of the Blitz. But every day brings new scenes of devastation, and after yet another heartbreaking loss Charlotte has an uncanny sense of foreboding. Someone is stalking the darkness, targeting her friends. And now he’s following her. As grief and suspicion consume her, Charlotte’s nerves become increasingly frayed. She no longer knows whom to trust. She can’t even trust herself . . .

“When Gregor Samsa woke up one morning from unsettling dreams, he found himself changed in his bed into a monstrous vermin.” With this startling, bizarre, yet surprisingly funny first sentence, Franz Kafka begins his masterpiece, The Metamorphosis. It is the story of a young man who, transformed overnight into a giant beetlelike insect, becomes an object of disgrace to his family, an outsider in his own home, a quintessentially alienated man. A harrowing—though absurdly comic—meditation on human feelings of inadequacy, guilt, and isolation, The Metamorphosis has taken its place as one of the most widely read and influential works of twentieth-century fiction.

Evie Jones has dedicated her life and very limited funds working for Southern Service Paws, the company that matched her with the love of her life: Charlie, a service dog trained to assist with her epilepsy. But it’s no secret that the company has been struggling to make ends meet. It’s up to her and her longtime mentor and boss to throw the fundraiser of the century to keep the doors open. Then Evie meets Jacob Broaden at a client consultation meeting. There are instant sparks—but not the good kind, because Jacob’s daughter set up the meeting without his knowledge. Ten-year-old Sam has been recently diagnosed with epilepsy, and has wanted a service animal ever since. While he had hesitations at first, it doesn’t take long for Jacob to be convinced that a service dog, and possibly Evie, with her magical, woodland-green eyes, might just be the best thing for him and his daughter. As Evie spends more time with Jacob and helps Sam find her perfect match with a lovable golden retriever named Daisy, she starts longing for something she’s never had before: a loving family. For Jacob, falling in love with Evie is the last thing he should be doing, but love has a way of finding those who need it most.