LETRAS

For the ancients, everything worth pursuing in life flowed from a strong sense of justice or one’s commitment to doing the right thing, no matter how difficult. In order to be courageous, wise, and self-disciplined, one must begin with justice. The influence of the modern world often tells us that acting justly is optional. Holiday argues that that’s simply untrue—and the fact that so few people today have the strength to stand by their convictions explains much about why we’re so unhappy.

Even in a family of chaotic necromancers, Daria “Dasha” Avramov has always been an outlier. An event planner at the Arcane Emporium occult megastore, Dasha is also a devil eater: a rare necromantic witch with an affinity for banishing demons and traversing the veil, the boundary between this realm and the next. Still grieving the loss of both beloved parents years ago, and plagued by a dangerous obsession with the world beyond the veil, Dasha is fiery yet guarded, an expert at dodging commitment. Her worst regret is a devastating breakup with the wise, empathetic, and sensual Ivy Thorn, her event-planning counterpart at Honeycake Orchards, and probably the love of Dasha’s life. Dasha has managed to break Ivy’s heart not once, but twice, so things are more than a little tense between them.

Real Americans begins on the precipice of Y2K in New York City, when twenty-two-year-old Lily Chen, an unpaid intern at a slick media company, meets Matthew. Matthew is everything Lily is not: easygoing and effortlessly attractive, a native East Coaster, and, most notably, heir to a vast pharmaceutical empire. Lily couldn't be more different: flat-broke, raised in Tampa, the only child of scientists who fled Mao’s Cultural Revolution. Despite all this, Lily and Matthew fall in love. In 2021, fifteen-year-old Nick Chen has never felt like he belonged on the isolated Washington island where he lives with his single mother, Lily. He can't shake the sense she's hiding something. When Nick sets out to find his biological father, the journey threatens to raise more questions than it provides answers. In immersive, moving prose, Rachel Khong weaves a profound tale of class and striving, race and visibility, and family and inheritance—a story of trust, forgiveness, and finally coming home. Exuberant and explosive, Real Americans is a social novel par excellence that asks: Are we destined, or made? And if we are made, who gets to do the making? Can our genetic past be overcome?

Lady Grace Fairfax, witch, knows that something foul is at play that someone had betrayed Anne Boleyn and her coven. Wild with the loss of their leader and her lover, a secret that if spilled could spell Grace’s own end she will do anything in her power to track down the traitor. But there’s more at stake than revenge: it was one of their own, a witch, that betrayed them, and Grace isn’t the only one looking for her. King Henry VIII has sent witchfinders after them, and they’re organized like they’ve never been before under his new advisor, the impassioned Sir Ambrose Fulke, a cold man blinded by his faith. His cruel reign could mean the end of witchkind itself. If Grace wants to find her revenge and live, she will have to do more than disappear.

In 1995, Treasury Secretary Robert Rubin re-defined the next thirty years of currency policy with the mantra, “A strong dollar is in America’s interest.” That mantra held, ushering in exceptional prosperity and cheap foreign goods, but the strong dollar policy also played a role in the devastating hollowing out of America’s manufacturing sector. Meanwhile, abroad, the United States increasingly turned to the dollar as a weapon of war. In Paper Soldiers, Saleha Mohsin reveals how the Treasury Department has shaped U.S. policy at home and overseas by wielding the American dollar as a weapon—and what that means in a new age of crisis. For decades, America has preferred its currency superpower-strong, the basis of a “strong dollar” policy that attracted foreign investors and pleased consumers. Drawing on Mohsin’s unparalleled access to current and former Treasury officials like Robert Rubin, Steven Mnuchin, and Janet Yellen, Paper Soldiers traces that policy’s intended and unintended consequences, including the rise of populist sentiment and trade war with China—culminating in an unprecedented attack on the dollar’s pristine status during the Trump presidency—and connects the dollar’s weaponization from 9/11 to the deployment of crippling financial sanctions against Russia. Ultimately, Mohsin argues that, untethered from many of the economic assumptions of the last generation, the power and influence of the American dollar is now at stake. With first-hand reporting and fresh analysis that illustrates the vast, often unappreciated power that the Treasury Department wields at home and abroad, Paper Soldiers tells the inside story of how we really got here—and the future not only of the almighty dollar, but the nation’s teetering role as a democratic superpower.

Venice, 1958. Peggy Guggenheim, heiress and now legendary art collector, sits in the sun at her white marble palazzo on the Grand Canal. She’s in a reflective mood, thinking back on her thrilling, tragic, nearly impossible journey from her sheltered, old-fashioned family in New York to here: iconoclast and independent woman. Rebecca Godfrey’s Peggy is a blazingly fresh interpretation of a woman who defies every expectation to become an original. The daughter of two Jewish dynasties, Peggy finds her cloistered life turned upside down at fourteen, when her beloved father perishes on the Titanic. His death prompts Peggy to seek a life of passion and personal freedom and, above all, to believe in the transformative power of art. We follow Peggy as she makes her way through the glamorous but sexist and anti-Semitic art worlds of New York and Europe and meet the numerous men who love her (and her money) while underestimating her intellect, talent, and vision. Along the way, Peggy must balance her loyalty to her family with her need to break free from their narrow, snobbish ways and the unexpected restrictions that come with vast fortune.

In the bestselling The Signal and the Noise, Nate Silver showed how forecasting would define the age of Big Data. Now, in this timely and riveting new book, Silver investigates “the River,” the community of like-minded people whose mastery of risk allows them to shape—and dominate—so much of modern life. These professional risk-takers—poker players and hedge fund managers, crypto true believers and blue-chip art collectors—can teach us much about navigating the uncertainty of the twenty-first century. By immersing himself in the worlds of Doyle Brunson, Peter Thiel, Sam Bankman-Fried, Sam Altman, and many others, Silver offers insight into a range of issues that affect us all, from the frontiers of finance to the future of AI. Most of us don’t have traits commonly found in the River: high tolerance for risk, appreciation of uncertainty, affinity for numbers—paired with an instinctive distrust of conventional wisdom and a competitive drive so intense it can border on irrational. For those in the River, complexity is baked in, and the work is how to navigate it. People in the River have increasing amounts of wealth and power in our society, and understanding their mindset—and the flaws in their thinking— is key to understanding what drives technology and the global economy today. Taking us behind the scenes from casinos to venture capital firms, and from the FTX inner sanctum to meetings of the effective altruism movement, On the Edge is a deeply reported, all-access journey into a hidden world of power bro­kers and risk-takers.

In the 1950s, Oscar Hammerstein is asked to write the lyrics to a musical based on the life of a woman named Maria von Trapp. He’s intrigued to learn that she was once a novice who hoped to live quietly as an Austrian nun before her abbey sent her away to teach a widowed baron’s sickly child. What should have been a ten-month assignment, however, unexpectedly turned into a marriage proposal. And when the family was forced to flee their home to escape the Nazis, it was Maria who instructed them on how to survive using nothing but the power of their voices. It’s an inspirational story, to be sure, and as half of the famous Rodgers & Hammerstein duo, Hammerstein knows it has big Broadway potential. Yet much of Maria’s life will have to be reinvented for the stage, and with the horrors of war still fresh in people’s minds, Hammerstein can’t let audiences see just how close the von Trapps came to losing their lives. But when Maria sees the script that is supposedly based on her life, she becomes so incensed that she sets off to confront Hammerstein in person. Told that he’s busy, she is asked to express her concerns to his secretary, Fran, instead. The pair strike up an unlikely friendship as Maria tells Fran about her life, contradicting much of what will eventually appear in The Sound of Music. A tale of love, loss, and the difficult choices that we are often forced to make, Maria is a powerful reminder that the truth is usually more complicated—and certainly more compelling—than the stories immortalized by Hollywood.

Once upon a time, the Peacock sisters were little girls who combed each other’s tangled hair. But decades of secrets have led them to separate lives—and to telling lies, to themselves and to one another. Sylvie is getting married. Again. A librarian and widow who soothes her grief by escaping into books (and shelving them perfectly), Sylvie has caught the attention of an unlikely match: Simon Rampling, a mysterious, wealthy man from Northern England. Sylvie allows herself to imagine a life beside him—one filled with the written word, kindness, and companionship. She’s ready to love again . . . or is she? Cleo is the golden child. A successful criminal defense lawyer with the perfect boyfriend, she is immediately suspicious of Simon. Is he really who he says he is? Cleo heads to Mumberton Castle with a case of investigative files, telling herself she will expose Simon and save her sister from more heartbreak . . . but who is she really trying to save? Emma is living a lie. She can’t afford this fancy trip—and she definitely can’t tell her husband and sons why. She once dreamed of a line of her own perfumes. Fragrances allowed her to speak in silence. Now, that tendency for silence only worsens her situation. Will she emerge with her dignity and family intact? When their toxic mother shows up, the sisters assume the roles they fell into to survive their childhood . . . but they just might find the courage to make new choices. Set over a spectacularly dramatic weekend, in the grand halls of a sprawling castle estate—amid floor-to-ceiling libraries, falconry lessons, and medieval meals—Lovers and Liars is the unforgettable story of a family’s ability to forgive and to find joy in one another once again.