LETRAS

“When Gregor Samsa woke up one morning from unsettling dreams, he found himself changed in his bed into a monstrous vermin.” With this startling, bizarre, yet surprisingly funny first sentence, Franz Kafka begins his masterpiece, The Metamorphosis. It is the story of a young man who, transformed overnight into a giant beetlelike insect, becomes an object of disgrace to his family, an outsider in his own home, a quintessentially alienated man. A harrowing—though absurdly comic—meditation on human feelings of inadequacy, guilt, and isolation, The Metamorphosis has taken its place as one of the most widely read and influential works of twentieth-century fiction.

The Moon and Sixpence follows the life of one Charles Strickland, a bourgeois city gent whose dull exterior conceals the soul of a genius. Compulsive and impassioned, he abandons his home, wife, and children to devote himself slavishly to painting. In a tiny studio in Paris, he fills canvas after canvas, refusing to sell or even exhibit his work. Beset by poverty, sickness, and his own intransigent, unscrupulous nature, he drifts to Tahiti, where, even after being blinded by leprosy, he produces some of his most extraordinary works of art. Inspired by the life of Paul Gauguin, The Moon and Sixpence is an unforgettable study of a man possessed by the need to create—regardless of the cost to himself and to others. For more than seventy years, Penguin has been the leading publisher of classic literature in the English-speaking world. With more than 1,700 titles, Penguin Classics represents a global bookshelf of the best works throughout history and across genres and disciplines. Readers trust the series to provide authoritative texts enhanced by introductions and notes by distinguished scholars and contemporary authors, as well as up-to-date translations by award-winning translators.

In the far future, humankind’s survivors huddle below Earth’s frozen surface in a pyramidal fortress-city that, for centuries now, has been under siege by loathsome “Ab-humans,” enormous slugs and spiders, and malevolent “Watching Things” from another dimension. When our unnamed protagonist receives a telepathic distress signal from a woman whom (in a previous incarnation) he’d once loved, he sallies forth on an ill-advised rescue mission—into the fiend-haunted Night Land!

Icons of history—from Epictetus and Demosthenes to Amelia Earhart and Richard Wright—followed a simple formula to achieve greatness. They were not exceptionally brilliant, lucky, or gifted. Their success in overcoming extreme obstacles was the result of a timeless set of philosophical principles that the greatest men and women have always pursued.

Rules are made to be broken—especially for love, right? Lucy Marshall has hit rock bottom. After failing to succeed as a single mom in Atlanta, she’s back home and moving in with her older brother, Drew. Reconnecting with her support system is the right thing to do, but Lucy can’t help but feel like a failure. Her four-year-old son deserves the world, and all she can give him is a spare bedroom. But Drew is the sweetest uncle, and some quality time might be exactly what they both need to start fresh. That is until she meets Cooper, her brother’s incredibly hot best friend. When Drew senses something between the two of them, he puts his foot down on any shenanigans. According to him, Cooper is everything Lucy should stay away from: flirtatious, adventurous, and especially noncommittal. But Lucy has been getting the opposite impression so far; Cooper is a genuinely great guy, and she’s starting to catch real feelings. Her whole life, Lucy has tried to do everything right, and look where that’s gotten her—so what if she were to try something wrong?

“An unabashed tale that does not pull punches and looks at love’s underside…This breathless story should only be read in one sitting. It hits hard and never lets up. Terse, brusque, etched on one’s inner thigh with an old serrated knife.” —André Aciman, author of Call Me by Your Name This erotic tale of jealousy, obsession, and revenge is suffused with the rich flavors and intoxicating scents of Israel's Mediterranean coast. An unnamed narrator writes a letter to an old college friend, Adam, at whose place he has been crashing since his abrupt return to the States from Israel. Now that the narrator is moving on to a new location, he finally reveals the events that led him to Adam's door, set in motion by a chance encounter with Uzi, an older man with whom the narrator has just had an intense sexual relationship. From his first meeting with Uzi, the narrator is overwhelmed by an animal attraction that will lead him to derail his life, withdraw from friends and extend his stay in a small town north of Tel Aviv. As he becomes increasingly entangled in Uzi's life—and by extension the lives of Uzi's ex-wife and children—his passion turns sinister, ultimately threatening all around him.

To succeed in a fast-changing world, individuals and companies know they must create a culture of growth, where experimentation and feedback are encouraged, and learning is integrated into the everyday. Yet we often get stuck in a well-worn pattern of habits that don’t move us forward. Why? Because many of us get trapped in the Performance Paradox: the counterintuitive phenomenon that if we focus only on performing, our performance suffers. How can we give ourselves the space to experiment and grow while also delivering high-level results?

The Portable Poe compiles Poe's greatest writings: tales of fantasy, terror, death, revenge, murder, and mystery, including "The Pit and the Pendulum," "The Fall of the House of Usher," "The Cask of Amontillado," and "The Murders in the Rue Morgue," the world's first detective story. In addition, this volume offers letters, articles, criticism, visionary poetry, and a selection of random "opinions" on fancy and the imagination, music and poetry, intuition and sundry other topics.