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Imagen de YVES KLEIN (BA-ART) (E)
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YVES KLEIN (BA-ART) (E)

Ese azul… El artista a quien se le debe el azul de ultramar A mediados de la década de 1950, Yves Klein (1928-1962) declaró que “un mundo nuevo exige un hombre nuevo”. Su peculiar estilo idiosincrático y su gran carisma llevaron a este audaz artista a desarrollar una breve pero fructífera carrera, pues pintó más de mil cuadros en un periodo de siete años, cuadros que hoy se consideran clásicos del arte moderno de posguerra. Klein se labró un nombre sobre todo con sus lienzos monocromos de gran formato pintados con el tono de azul que él mismo patentó. El International Klein Blue (IKB), compuesto de pigmento puro y un aglutinante, es a un tiempo denso y luminoso, evocador y decorativo, y Klein lo concibió para evocar la cualidad inmaterial e infinita del mundo. Las obras de esta revolución azul parecen transportarnos a otra dimensión, como si cayéramos hipnotizados por un cielo de verano perfecto.
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Imagen de MICHELANGELO (BA) (GB)
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MICHELANGELO (BA) (GB)

Italian-born Michelangelo di Lodovico Buonarroti Simoni (1475–1564) was a tormented, prodigiously talented, and God-fearing Renaissance man. His manifold achievements in painting, sculpture, architecture, poetry, and engineering combined body, spirit, and God into visionary masterpieces that changed art history forever. Famed biographer Giorgio Vasari considered him the pinnacle of Renaissance achievement. His peers called him simply “Il Divino” (“the divine one”).This book provides the essential introduction to Michelangelo with all the awe-inspiring masterpieces and none of the queues and crowds. With vivid illustration and accessible texts, we explore the artist’s extraordinary figuration and celebrated style of terribilità (momentous grandeur), which allowed human and biblical drama to exist in compelling scale and fervor.
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Imagen de RICHTER (BA) (GB)
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RICHTER (BA) (GB)

An encounter with Gerhard Richter, the German artist who widened horizons in the relationship between painting and reality. From early photographic paintings, along with his famous RAF cycle, to late abstract paintings, experiencing Richter’s work always offers us the unexpected and unseen. Where he once set out to liberate the medium from ideological ballast, today, faced with the overwhelming presence of digital images, he shows us the unsurpassed impact and intensity of painting. A definitive introduction to one of the greatest artists of our time spanning not only his entire career, but also 50 years of cultural, economic, and political events.
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