BELLAS ARTES

Los asombrosos testimonios gráficos recogidos en Visiones del paraíso acercan a nuestras almas facetas y sensaciones desconocidas de cuanto hay de divino en el mundo. Complementadas por artículos de destacados escritores y por los recuerdos de los propios fotógrafos, cada imagen es un irresistible reflejo del cielo en la Tierra, y también un llamamiento casi desesperado a todos nosotros para que salvemos el planeta.

Known for her witty and whimsical interiors with a bohemian flair, Brooklyn-based designer Fawn Galli shows us how to create magical rooms ourselves without breaking the bank.

Christian Bérard worked freely in many artistic circles and fields as a painter, designer of theater and film sets and costumes, fashion designer, interior designer, masterful draftsman, and colorist. His iconic drawings epitomized the Paris fashion world and graced the covers of Vogue, Harper’s Bazaar, and Women’s Wear Daily in the 1920s and 1930s. Tracing his eccentric and colorful life of encounters and artistic partnerships with the greatest creatives of his time—Jean-Michel Frank, Christian Dior, Gabrielle Chanel, Jean Cocteau, Boris Kochno—this book includes more than two hundred of his paintings, drawings, photographs, intimate correspondences, and interior decorations, along with portraits of Bérard by Cartier-Bresson, Horst, and Schall.

The call of the wild has never looked as stylish as in these homes nestled in the French countryside, crafted by families pursuing a new form of country living. A manor next to an elegant seventeenth-century castle in a picturesque village, a restored four-hundred-year-old windmill, or a ruin in the Barbizon forest transformed into a contemporary timber house—our trio of authors saw the potential in these rural homes and took the leap into a life rhythmed by nature. But how did these urban dwellers step away from the glamour of Paris, and why haven’t they looked back? A calmer life enriched by its surroundings, with more space at home, a burgeoning garden, and a relaxed ambiance is a seductive combination. But a country house is different from a cozy apartment, just steps from modern conveniences. In their search for a deeper experience, they embarked on a long-term project that required planning and effort, but it brought unexpected joy along with the challenges. Life in the countryside takes adjustment and there is much to be learned—from furnishing and organizing your home to getting the most from nature and your garden, and from dressing to suit your new setting to hosting relaxed soirées where you’ll linger over dinner with your guests. This is the art of countryfication. Alongside portraits of similar-minded individuals and families who have adopted country living, this book provides insight, practical advice, and recipes that celebrate life in the countryside, all while retaining a Parisian flair.

This first comprehensive survey of the life and work of Luigi Lucioni (1900–1988) places him in the context of fellow Regionalist painters Grant Wood, Charles Sheeler, and Maxfield Parrish. Lucioni is known for meticulously rendered still lifes, landscapes, and arresting portraits drawn from his close-knit circle of queer New York artists and cultural figures, including Paul Cadmus, Jared French, George Platt Lynes, and Lincoln Kirstein. In the early 1930s, Lucioni discovered Vermont, whose landscapes reminded him of northern Italy. It was there that he met Electra Havemeyer Webb, who was to become his single most important patron. For more than 50 years, the New York City–based artist spent every summer painting landscapes of trees, barns, and buildings in Vermont with sharply observed realism and a cool, precise style. Key scholars examine Lucioni’s oeuvre, materials, techniques, and his role in American modernism.