The first international monograph of one of the most exciting painters working in Brazil today, Marina Perez Simão.
Marina Perez Simão (1981–) is an internationally recognized contemporary artist who uses a variety of techniques, such as collage, drawing, watercolor, and oil painting, as starting points to combine interior and exterior landscapes. She composes visual journeys that sometimes traverse the unknown, the abstract, and the nebulous, but which also include visions and memories.
Simão’s work is held in several public collections worldwide, including the Musée d’Art Moderne et Contemporain, in Saint-Étienne, France; the Ekard Collection in the Netherlands; the Samdani Art Foundation in Bangladesh; the Sifang Art Museum in China; the Speed Art Museum in Kentucky; and the Dallas Museum of Art, among others.
“Tú ya eres famosa, el que se va a hacer famoso ahora soy yo”, le dijo el fotógrafo Lawrence Schiller mientras hablaban de las fotografías que estaba a punto de hacerle. “No seas tan arrogante”, le respondió burlona Marilyn. “Sustituir a un fotógrafo es fácil”. Esto ocurrió en 1962, y Schiller, que por entonces tenía 25 años, cumplía un encargo para Paris Match. Conocía ya a Marilyn (ambos habían trabado amistad dos años antes, cuando se conocieron durante el rodaje de El multimillonario), pero esto no le sirvió de nada el día en que ella accedió a posar desnuda ante su cámara durante la escena de la piscina en Something’s Got to Give.
A major monograph of the American realist artist, descendant of one of America’s most revered artistic families, and painter of dark and uneasy subjects.
This book traces a persistent vein of intriguing, often disconcerting, imagery over the career of renowned artist Jamie Wyeth (b. 1946), famous for his hyperrealist paintings of farm animals and Maine lighthouses. The focus in this volume is on the chilling thread that runs through his work, present but not overwhelming, and ever-evolving with his style and subjects. Whether he is introducing curious characters or surveying strange landscapes, Wyeth is at home with uneasy subjects and a master of the unsettled mood