BELLAS ARTES

Readers will respond to the warm and sophisticated work of Hugh and Simon Jacobsen, whose style of architecture and interiors might best be described as American modern vernacular—the place where traditional comfort and modern design meet. Hugh Newell Jacobsen, the legendary architect and late co-founder with his son, Simon, of Jacobsen Architecture, once said “the best house is polite to her neighbors and never shouts.” This statement is a key to the philosophy of the firm, whose houses are suffused with a kind of quiet sophistication that mingle elegant, subtle modernism, with respect for local vernacular traditions. Low-key on the outside, on the inside these houses offer dancing symphonies in white. Unmarked by moldings, walls and ceilings express simple volumetric forms composed of solid planes and voids, while, upon floors of burnished wood or travertine, furniture, much of it designed by the firm, allows for serene repose and practical, unfussy use. Featured here are exemplars of the firm, from Harbor Hill—a cluster of 12 small structures, appearing at first as a group of smallish shingled Nantucket cottages, that reveals itself as a single serene residence overlooking Nantucket Harbor—to Windsor, a Florida Colonial abstraction in Vero Beach. Featuring inviting interiors, exteriors, and gardens, the book is an expression of eloquent design.

Founded in 2014 by the design ingenue Harry Nuriev, Crosby Studios is one of the buzziest furniture, interior design, lifestyle, and architecture brands of this day and age. With instantly recognizable viral pieces, Crosby Studios is behind some of today’s most original interiors that exude aspirational fantasy, conceptual artistry, and effortless cool—as well as being at the forefront of the metaverse revolution. Presenting Crosby Studios’ most popular interiors and newest metaverse spaces, this original volume is a must-have reference for the firm’s myriad fans. From private residences and commercial venues to daring creations specifically designed for the metaverse, the featured projects showcase all aspects of Nuriev’s signature style: monochromatic touches of bold colors that enliven interiors along with his original blend of Eastern European–inspired design and contemporary references to the digital world. A vibrant publication that celebrates one of the most enthralling names working in design today, this book is bound to appeal to interiors and digital enthusiasts everywhere.

In-demand London-based interiors and furniture designer Rose Uniacke beautifully showcases a number of homes she has designed, boasting clean lines and calm, light-filled spaces, and showrooms defined by an effortless blend of traditional details within contemporary spaces. Whether the project is an urban townhouse, a seaside retreat, or a London villa, the approach of Uniacke is always the same—a collaboration with clients to make understated, refined sanctuaries that offer the perfect settings for everyday life. The book is sumptuously illustrated with two hundred color photographs that truly capture the serenity and timelessness of Uniacke’s hand-hewn cultivated style.

Based in Mexico City, Jorge Loyzaga’s multidisciplinary practice has focused on the preservation of traditions within architecture, interiors, furniture, and the decorative arts since its founding in 1969. Informed by a passion for classic design, heritage, and timeless craftsmanship, as well as Loyzaga’s training in the restoration of historical monuments, the firm’s sophisticated perspective of architecture and interiors translate time-honored style and local traditions into a contemporary, international visual language.

Lavishly documenting men’s and women’s collections and featuring Owens’s continuing collaboration with the photographer Danielle Levitt, this book is an unabashed love letter to one of the most devoted followings in contemporary fashion. Picking up where Rizzoli’s previous monograph on Owens’s work left off, looks from his critically lauded homage to the rock-and-roll designer Larry Legaspi set a frenzied visual pace that never lets up—right through the pandemic, when Owens memorably staged shows on the Lido di Venezia. Here, the continued evolution of nearly three decades of Owens’s “grunge-meets-glamour” worldview is seen close up. Grace and grit are paired with an obsession with structural transformation and movement, where diaphanous, flowing shapes contrast with sharp objects. This formal invention is matched by a mania for new and exotic materials. The use of translucent bovine leathers, brightly dyed snakeskin, and the hide of the pirarucu, a massive Amazonian fish, are applied to old and new icons of the brand. Color is now firmly part of the Owens legendarium, and a profligacy of pink, orange, blue, green, and iridescent hues now vie with trademark black, oxblood, and dust that have been part of the palette since the inception of the brand.

Best known for UNESCO’s Cop22 in Marrakech and the French Embassy extension in Vienna, as well as his daring “guerrilla architecture,” such as Bow-House made from scaffolding and repurposed doors and windows in Holland, architect, urbanist, author, and former graffiti artist Stéphane Malka is at the forefront of the architectural avant-garde. Malka’s work blends art and architecture from a humanist perspective informed by the designer’s intention to create work that is positive and sustainable. His practice, based in Paris and in Los Angeles, realizes homes, offices, art installations, and stage designs with the idea that we ought always to rethink our typical notions and challenge established conventions. This results in surprising places where there is an intermingling of dreams and pragmatism, the baroque and minimalism, ecology and sophistication.