LITERATURA EN OTROS IDIOMAS

Evan Taft has plans. Take a gap year in Alaska, make sure your little brother and single mother are well taken care of, and continue therapy to process your father's departure. But after his mother's unexpected diagnosis, as Evan's plans begin to fade, he hears something: a song no one else can hear, the voice of a mysterious singer. . . Shosh Bell has dreams. A high school theater legend, he's headed to performing arts school in Los Angeles, a rising star. But when a drunk driver takes her sister's life, that star turns black. The only thing left is a void and a soft voice singing in his ear.

Teams succeed to the degree that there is a free flow of ideas. Read this book to learn how to bring out the best in others—and in yourself.” — Scott Galloway, bestselling author of The Four and Post Corona Ideaflow: the number of ideas you or your team can generate in a set amount of time We all want great ideas, but few actually understand how they’re born. Innovation doesn’t come from a sprint or a hackathon–it’s a result of maximizing ideaflow.

Jane is unhappy. A struggling midlist writer whose novels barely command four figures, she feels trapped in an underwhelming marriage, just scraping by to pay a crippling Bay Area mortgage for a house—a life—she's never really wanted. There's only ever been one person she cared about, one person who truly understood her: Thalia. Jane's best and only friend nearly a decade ago during their Creative Writing days at Oxford. It was the only good year of Jane’s life—cobblestones and books and damp English air, heady wine and sweet cider and Thalia, endless Thalia. But then one night ruined everything. The blood-soaked night that should have bound Thalia to Jane forever but instead made her lose her completely. Thalia disappeared without a trace, and Jane has been unable to find her since.

Just because I’m in the race, doesn’t mean I’m fully ready. Just because I’m shaking, doesn’t mean that I’m not steady. That’s because contradictions are all around us. And they make us who we are.

She escaped a serial killer. Then things got weird. Amber Jamison can’t believe she’s about to become the latest victim of a serial killer. She’s savvy and street smart, so when she gets pushed into, of all things, a white windowless van, she is more angry than afraid. Things get even weirder when she’s miraculously saved by a mysterious woman . . . who promptly disappears. Who was she? And why is she hunting serial killers? You’d think escaping one psychopath would be enough, but Amber’s problems are just beginning. Her close call has law enforcement circling a past she’s tried to outrun. She’s forced to flee across the country, ending up at a seedy motel in Las Vegas with a noir-obsessed manager and a sex worker as her unlikely companions . . . and danger right behind. She’s landed in the cross hairs of the world’s most prolific killer, caught up in a deadly game that’s been going on for years. To survive, she is forced to dust off her old playbook and partner with someone she can’t trust. The odds are against her, but sometimes you just have to roll the dice.

A smog has spread. Food crops are rapidly disappearing. A chef escapes her dying career in a dreary city to take a job at a decadent mountaintop colony seemingly free of the world’s troubles. There, the sky is clear again. Rare ingredients abound. Her enigmatic employer and his visionary daughter have built a lush new life for the global elite, one that reawakens the chef to the pleasures of taste, touch, and her own body. In this atmosphere of hidden wonders and cool, seductive violence, the chef’s boundaries undergo a thrilling erosion. Soon she is pushed to the center of a startling attempt to reshape the world far beyond the plate. Sensuous and surprising, joyous and bitingly sharp, told in language as alluring as it is original, Land of Milk and Honey lays provocatively bare the ethics of seeking pleasure in a dying world. It is a daringly imaginative exploration of desire and deception, privilege and faith, and the roles we play to survive. Most of all, it is a love letter to food, to wild delight, and to the transformative power of a woman embracing her own appetite.

The “best short-story writer in English” (Time) is back with a masterful collection that explores ideas of power, ethics, and justice and cuts to the very heart of what it means to live in community with our fellow humans. With his trademark prose—wickedly funny, unsentimental, and exquisitely tuned—Saunders continues to challenge and surprise: Here is a collection of prismatic, resonant stories that encompass joy and despair, oppression and revolution, bizarre fantasy and brutal reality. “Love Letter” is a tender missive from grandfather to grandson, in the midst of a dystopian political situation in the (not too distant, all too believable) future, that reminds us of our obligations to our ideals, ourselves, and one another. “Ghoul” is set in a Hell-themed section of an underground amusement park in Colorado and follows the exploits of a lonely, morally complex character named Brian, who comes to question everything he takes for granted about his reality. In “Mother’s Day,” two women who loved the same man come to an existential reckoning in the middle of a hailstorm. In “Elliott Spencer,” our eighty-nine-year-old protagonist finds himself brainwashed, his memory “scraped”—a victim of a scheme in which poor, vulnerable people are reprogrammed and deployed as political protesters. And “My House”—in a mere seven pages—comes to terms with the haunting nature of unfulfilled dreams and the inevitability of decay. Together, these nine subversive, profound, and essential stories coalesce into a case for viewing the world with the same generosity and clear-eyed attention Saunders does, even in the most absurd of circumstances.

There is no cure for the human condition: life is hard. But Kieran Setiya believes philosophy can help. He offers us a map for navigating rough terrain, from personal trauma to the injustice and absurdity of the world. In this profound and personal book, Setiya shows how the tools of philosophy can help us find our way. Drawing on ancient and modern philosophy as well as fiction, history, memoir, film, comedy, social science, and stories from Setiya’s own experience, Life Is Hard is a book for this moment—a work of solace and compassion.

“During the years when I had abandoned myself, my mind felt undeniably heavy. I knew I needed to find a clear way to help me feel lighter.” yung pueblo’s path to deep healing began only after years of drug abuse had taken a toll on his mind and body. Searching for a way forward, he found that by honestly examining and addressing the anxieties and fears that he had been running away from, he no longer felt like a stranger inside of his heart and mind. And once he dedicated himself to meditation and trusting his intuition, he started to finally feel mentally lighter, with more love emerging from within. This was not an easy journey, and it’s one that he is still on, but it showed him that real healing is possible.

When you’re named after a 250-year-old tortoise, you grow up believing life is full of possibilities and wonder. But ever since Addie’s family got turned upside down, those things have been harder for her to see. The last thing Addie wants to do is make a new friend, but when her dad’s summer job takes them across the country, she meets Mateo and finds herself caught up in an exciting project. With the help of a virtual reality headset, she’s suddenly scaling castle walls, dodging angry kittens, and seeing the world in whole new ways. Plus, she has an idea that could be bigger than anything she’s imagined before, but can she right some wrongs first . . . or is it too late?