LITERATURA EN OTROS IDIOMAS

In 1940s and ’50s America, polio is as dreaded as the atomic bomb. No one’s life is untouched by this disease that kills or paralyzes its victims, particularly children. Outbreaks of the virus across the country regularly put American cities in lockdown. Some of the world’s best minds are engaged in the race to find a vaccine. The man who succeeds will be a god.   But Dorothy Horstmann is not focused on beating her colleagues to the vaccine. She just wants the world to have a cure. Applying the same determination that lifted her from a humble background as the daughter of immigrants, to becoming a doctor –often the only woman in the room--she hunts down the monster where it lurks: in the blood.   This discovery of hers, and an error by a competitor, catapults her closest colleague to a lead in the race. When his chance to win comes on a worldwide scale, she is asked to sink or validate his vaccine—and to decide what is forgivable, and how much should be sacrificed, in pursuit of the cure.

The Young Man is Annie Ernaux’s account of her passionate love affair with A., a man some 30 years younger, when she was in her fifties. The relationship pulls her back to memories of her own youth and at the same time leaves her feeling ageless, outside of time— together with a sense that she is living her life backwards. Amidst talk of having a child together, she feels time running its course, and menopause approaching. The Young Man recalls Ernaux as the “scandalous girl” she once was, but is composed with the mastery and the self-assurance she has achieved across decades of writing. It was first published in France in 2022.

For more than a decade, thousands of people have sought advice from Dear Sugar the pseudonym of bestselling author Cheryl Strayed first through her online column at The Rumpus, later through her hit podcast, Dear Sugars, and now through her popular Substack newsletter. Tiny Beautiful Things collects the best of Dear Sugar in one volume, bringing her wisdom to many more readers. This tenth-anniversary edition features six new columns and a new preface by Strayed. Rich with humor, insight, compassion and absolute honesty this book is a balm for everything life throws our way.

1985. A top secret F117 aircraft crashes into the Nevada desert. The Nighthawk is the most advanced fighting machine in the world and the Soviets will do anything to get their hands on its secrets. In East Berlin, a mysterious figure contacts the CIA with an incredible offer—invaluable details of his government’s espionage plans in return for asylum. It’s an offer they can’t pass up…if it’s genuine, but the risks are too great to blindly stumble into a deal. With the East German secret police closing in, someone will have to go behind the Berlin Wall to investigate the potential defector. It’s a job Deputy Director James Greer can only trust to one man--Jack Ryan. Ryan is a former Marine and a brilliant CIA analyst who’s been the architect of some of the CIA’s biggest coups but this time he’s in enemy territory with a professional assassin on his tail. Can he get the right answers before the Cold War turns into a Red Winter.

On a bitter-cold day, in the December of his junior year at Harvard, Sam Masur exits a subway car and sees, amid the hordes of people waiting on the platform, Sadie Green. He calls her name. For a moment, she pretends she hasn't heard him, but then, she turns, and a game begins: a legendary collaboration that will launch them to stardom. These friends, intimates since childhood, borrow money, beg favors, and, before even graduating college, they have created their first blockbuster, ICHIGO. Overnight, the world is theirs. Spanning thirty years, from Cambridge to Venice Beach, TOMORROW AND TOMORROW AND TOMORROW is a dazzling novel that examines the multifarious nature of identity, disability, failure, the redemptive possibilities in play, and, above all, our need to connect: to be loved and to love. Yes, it is a love story, but it is not one you have read before.

Taschenbuch. Condition: Neu. Neuware -NEW YORK TIMES BESTSELLER A call to reform our antiquated political institutions before it s too late from the authors of How Democracies Die [Levitsky and Ziblatt] write with terrifying clarity about how the forces of the right have co-opted the enshrined rules to exert their tyranny. America is undergoing a massive experiment: It is moving, in fits and starts, toward a multiracial democracy, something few societies have ever done. But the prospect of change has sparked an authoritarian backlash that threatens the very foundations of our political system. Why is democracy under assault here, and not in other wealthy, diversifying nations And what can we do to save it With the clarity and brilliance that made their first book, How Democracies Die, a global bestseller, Harvard professors Steven Levitsky and Daniel Ziblatt offer a coherent framework for understanding these volatile times.

Los Angeles is a city of stark contrast, the palaces of the affluent coexisting uneasily with the hellholes of the mad and the needy. That shadow world and the violence it breeds draw brilliant psychologist Dr. Alex Delaware and Detective Milo Sturgis into an unsettling case of altruism gone wrong. On a superficially lovely morning, a woman shows up for work with her usual enthusiasm. She’s the newly hired personal assistant to a handsome, wealthy photographer and is ready to greet her boss with coffee and good cheer. Instead, she finds him slumped in bed, shot to death. The victim had recently received rave media attention for his latest project: images of homeless people in their personal “dream” situations, elaborately costumed and enacting unfulfilled fantasies. There are some, however, who view the whole thing as nothing more than crass exploitation, citing token payments and the victim’s avoidance of any long-term relationships with his subjects. Has disgruntlement blossomed into homicidal rage? Or do the roots of violence reach down to the victim’s family—a clan, sired by an elusive billionaire, that is bizarre in its own right? Then new murders arise, and Alex and Milo begin peeling back layer after layer of intrigue and complexity, culminating in one of the deadliest threats they’ve ever faced.

The capstone volume of the Library of America edition of John Updike’s novels contains some of the master stylist and social observer’s most ambitious works.   In the Beauty of the Lilies (1996) opens in 1910, when Clarence Wilmot, a Presbyterian minister in Paterson, NJ, experiences a devastating loss of faith. This moment of crisis sets in motion an eighty-year, multigenerational saga whose subject is nothing less than the American Century and modernity itself, seen through the fluctuating fortunes of a single representative family.    In Gertrude and Claudius, Updike boldly imagines the long backstory to the world’s most famous play, prompting readers to revisit and perhaps revise their judgments about Hamlet’s notorious uncle and mother. Drawing on the twelfth- and fifteenth century sources for Hamlet, but also inventing a new history for Claudius in his far-flung travels across medieval Europe, Updike creates a vivid and surprising origin story for the fabled rottenness in Shakespeare’s Denmark.

Mexico in the 1970s is a dangerous country, even for Maite, a secretary who spends her life seeking the romance found in cheap comic books and ignoring the activists protesting around the city. When her next-door neighbor, the beautiful art student Leonora, disappears under suspicious circumstances, Maite finds herself searching for the missing woman—and journeying deeper into Leonora’s secret life of student radicals and dissidents. Mexico in the 1970s is a politically fraught land, even for Elvis, a goon with a passion for rock ’n’ roll who knows more about kidney-smashing than intrigue. When Elvis is assigned to find Leonora, he begins a blood-soaked search for the woman—and his soul. Swirling in parallel trajectories, Maite and Elvis attempt to discover the truth behind Leonora’s disappearance, encountering hitmen, government agents, and Russian spies. Because Mexico in the 1970s is a noir, where life is cheap and the price of truth is high.